I’ve been remiss in so much lately, but especially in reporting on the various online poetry film festivals here. In part, this is because my own internet connection isn’t really up to the challenge of taking in such things. But if you’re fortunate to live somewhere with better WiFi, you don’t want to miss the REELpoetry festival, 24-28 February. Check out the full and varied program (and note that all times are in GMT -6). In addition to screenings of the competition films, there’s an interview with Sarah Tremlett, author of a forthcoming book on the poetics of poetry film; a selection of films from Scotland’s StAnza International Poetry Festival; two fabulous multi-filmmaker projects, Chaucer Cameron’s Wild Whispers and Lucy English’s Book of Hours; and more. As their official description notes, “REELpoetry is a dynamic 5 day curated international festival featuring collaborations among filmmakers, poets, musicians and artists to create poemfilms and videopoetry […] screening short pieces from 26 countries and 68 creatives including 9 from Houston. Networking opportunities in real time each day, interactive workshops, talks, Q&A.” Check it out.
Via their website:
Are you interested in the future of content publishing? Are you a writer, artist, technologist or researcher engaged in finding new ways to tell stories to new audiences? Are you keen to hear from people working across books, digital, sound, video, AR, VR, and games? MIX 2021 offers an opportunity to join us as we think about the future of content creation and publishing.
MIX is a four-day virtual conference that explores the intersection of writing and technology, bringing together people from around the world to make, think and talk. We are looking for writers, artists, practitioners, researchers and creative technologists to share their projects, research and practice through papers or presentations.
After the success of the last five MIX conferences, held across our Bath Spa University campuses, the conference returns in a fully virtual form with an increased focus on making alongside two of our other favourite activities, thinking and talking. We will be hosting two days of making on Saturday 3rd July and Sunday 4th July followed by two days of papers, presentations and discussions on Monday 5th July and Tues 6th July. This includes poetry film screenings on the theme of Amplified Voices curated by Adrian B Earle from Think/Write/Fly and Sarah Tremlett from Liberated Words.
via press release
The HaikuLife Haiku Film Festival invites your participation for its seventh year of screening short and intermediate-length films featuring haiku and related genres. These films generally fit one of four categories: video haiga, free format (more than one poem, generally, or haibun), feature format (longer, and perhaps featuring story arc beyond the poems themselves), and HaikuLife format, our homegrown approach with a set of parameters followed close or loose (see the introductory film at the link above). We prefer .mp4 but can generally convert if necessary. Haiku may be in any language, with or without English subtitles or accompanying translations. We look forward to sharing your work with our worldwide audience.
Submissions to: jim.kacian@thehaikufoundation.org
via a press release
The ZEBRA Poetry Film Festival in Berlin is inviting entries for its competition for the best international poetry films from the 18th of February. Eligible for entry are international short films produced from 1st of January 2020, which are based on poems and are no more than 20 minutes in duration. All languages are allowed. The competition winners will be awarded prize money. A programme committee will select films for the international competition and for all the other festival programmes from among the entries. At the festival, the winning films will be selected by a jury comprising international representatives from the worlds of poetry, film and media.
In addition, ZEBRA is inviting filmmakers to submit a film interpretation of this year’s festival poem “going to Pasárgada” by the poet Odile Kennel. Text and audio of the poem together with translations come from lyrikline.org, a leading online archive for poetry. The directors of the three best film interpretations will be chosen by the programme committee and invited to come to Berlin where they will have the opportunity to present their films at the festival and discuss them with the poet.
Link to the festival poem on lyrikline.org
(The festival poem may be used only for the purpose of film interpretation within the scope of this call for entries. For any other use at other festivals or on other platforms, etc. the film makers must obtain the rights from the rights holders.)
Entry deadline is the 1st of July 2021.
Conditions of participation and entry form haus-fuer-poesie.org
Thank you for using FilmFreeway for your submissions.
The 12th ZEBRA Poetry Film Festival runs from 25th to 28th of November 2021 in the Urania Berlin. It is the largest international platform for poetry film worldwide. Since 2002 it offers poets, film and festival makers from all over the world a platform for creative exchange, brainstorming and meeting with a broad audience. With a competition, film programmes, poetry readings, retrospectives, exhibitions, performances, workshops, colloquia, lectures and a children’s programme, it presents in various sections the diversity of the genre of poetry film. In 2020, 2,000 submissions from more than 100 countries were submitted for the international competition.
The ZEBRA Poetry Film Festival is hosted by the Haus für Poesie in cooperation with Urania Berlin. It is sponsored by funding from the Land Berlin / the Berlin Senate Department for Culture and Europe and from the Federal Foreign Office, and gratefully acknowledges the kind support of the Goethe-Institut, Alfred Ritter GmbH & Co KG and interfilm Berlin.