Haiku by Martin Gerigk

Martin Gerigk takes a highly experimental approach to the traditional literary form of Japanese haiku in his film titled Haiku.

The visual and spoken text elements include fragments from haiku by Iio Sōgi (1421-1502), Arakida Moritake (1473-1549), Matsuo Bashō (1644-1694), Yosa Buson (1716- 1784), Kobayashi Issa (1763-1828) and Masaoka Shiki (1867-1902). Additional text inspired by the ideas in these haiku is by Gerigk himself, along with Cauro Hige, who also contributes voice and performance.

In a freely contemporary manner, the traditional literary form guides the film’s structure. From the film-maker’s statement:

Following the typical structure of a traditional Japanese haiku the film contains 17 specific events divided in three parts of 5, 7 and again 5 units. All these events are built and derived from original Japanese haiku, contemporary text sequences, sound patterns or pure music sections.

The stylistic approach to text in the film seems more akin to sound poetry and concrete poetry than to traditional poetry. But regardless of approach to literary form, this is a truly outstanding piece of film-making that has been very widely screened and awarded. It displays a similar virtuosity to Gerigk’s Structures of Nature, published earlier in the year here at Moving Poems.

Martin describes himself as primarily a composer and arranger for orchestra and chamber music. Indeed, the meticulous entwining in this film of exquisite images, sounds, rhythms and words, feels more like musical composition than any ordinary film-making. Each element calls and answers the other. In the film-maker’s own words:

Haiku | 俳句 is a symphonic audiovisual project for two Japanese performers, alternating percussion groups, soundscapes and rhythmicized video sequences. The film is an experimental approach to pay tribute to the beauty of Japan and the extraordinary art of Japanese haiku poetry of 15th to early 20th century.

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