~ Author-made videopoems ~

Ten Bag of Albion by Richard Capener & Charles Putschkin

First published at Atticus Review in 2021, Ten Bag of Albion is by Charles Putschkin, a Swedish-Polish artist living in Bristol, UK, and Richard Capener, also in Bristol.

The video seems like an interwoven collaboration with each artist contributing writing and film decisions. The text is deconstructed into snatches of phrases and words within an audio mix of interesting sound textures and treatments. This is experimental film-making with text, abstraction and unexpected rhythms in the editing.

I previously shared Putschkin’s Disorderlily, a finalist in the Ó Bhéal Poetry-Film Competition in Ireland.

cage-free by Donna Kuhn

This unique and original video was uploaded just two weeks ago. Described as an “animation collage of dreams”, cage-free is by multi-media artist, Donna Kuhn. As well she is a sometime poet in an experimental vein, words written and fused with the audio-video elements. More about her creative work:

Donna Kuhn’s experimental videos incorporate poetry, datamoshing, slit scan, dance, digital and visual art, sound text poetry, speech synthesis, animation, hologram/3d and sound/music. (source)

The text in this video is made up of many single lines and phrases from dreams, written and spoken in different ways, describing places, events, situations, momentary impressions. The surreal juxtapositions between these dream fragments are sometimes humorous, or dark, strange, light, or ordinary. The visuals similarly seem like a stream of glitchy consciousness. As someone who is fascinated by dreams, I enjoyed the video for its shifting moods and intriguing surprises.

Donna Kuhn created all elements of this video. We have previously featured other of her videos here.

We Are All Drowned Out by Kimberly Reyes

A sense of planetary emergency is vividly evoked here in a videopoem with the power and urgency of a feature film, co-directed by American poet Kimberly Reyes and Irish/Australian filmmaker Gary de Buit (Studio 8 Labs) with music by Aiden Guilfolye, and uploaded to YouTube two years ago with this description:

Made in Monaghan, Ireland by Studio 8 Labs with funding from the Irish Arts Council. First published on Poethead.

Visit Reyes’ website and scroll down for a bio, before checking out her other poetry films. It’s always encouraging to see ambitious, career-oriented poets getting into poetry film (as opposed to aging burnouts like me). Here’s how her bio begins:

Kimberly Reyes is an award-winning poet, essayist, popular culture critic, and visual culture scholar who began her career as a music and entertainment reporter. She transitioned to creative writing after receiving her Master of Arts from Columbia University’s Graduate School of Journalism in 2013 and has since been awarded grants, bursaries, fellowships, residencies and scholarships from the Poetry Foundation, the Fulbright Program, the Academy of American Poets, Tin House Workshops, Culture Ireland, the Sewanee Writers’ Conference, New York City Artist Corps, Miami Writers Institute, the Arts Council of Ireland, CantoMundo, Callaloo, Hambidge, Cave Canem, the Napa Valley Writers’ Conference, the Munster Literature Centre, Summer Literary Seminars in Kenya, the Prague Summer Program for Writers, the Community of Writers, and many other places.

Read the rest.

Un Corpo / A Body by Milena Tipaldo

Italian artist Milena Tipaldo animates her own line-sketch illustrations for Un Corpo / A Body, a film she also wrote. Widely screened at international festivals, it won the Jury Award for Best Animation in the 2022 Weimar Poetry Film Awards in Germany. A synopsis:

What’s a body? And what’s the difference between a human body, an animal body, a fruiting body, and a celestial body? A voice-over using puns drives you through the life of many bodies and their common destiny.

As with her earlier Ode all’ansia / Ode to Anxiety, the playful sound and music score is by French artist Enrico Ascoli.

Beatnik Sermon by Matt Mullins

All things are one thing. And that’s something.

A recent poem/recitation/audiovisual composition—as the credits have it—from Matt Mullins, who needs no introduction here, I think.

Deep Into Another Night by Finn Harvor


There are different sub-genres beneath the umbrella terms videopoetry and poetry film. Finn Harvor’s Deep Into Another Night is at the far end of a spectrum – a poetic film without words. It has a soft observational quality, delicately revealing poignant everyday moments in a quiet evening in South Korea.

Sensurious by Ian Gibbins

The videopoetry of Australian artist and thinker Ian Gibbins is strikingly unique. This version of his 2015 piece Sensurious was just this week uploaded in higher definition and with English and Spanish subtitles. He has previously written about his work with video, poetry and translation for Moving Poems Magazine.

The text in the video first came into being as a response to the art of Judy Morris, written specifically for an exhibition of her Sensurious series. From Ian’s artist statement about this at Rochford Street Review:

Judy and I have collaborated on many projects over the years. Sensurious – drawings to stimulate the sense was her third solo exhibition. It was held at Pike Wines gallery in Clare Valley, South Australia (2014) and at Magpie Springs winery gallery neat McLaren Vale, South Australia, in 2015. I wrote short pieces of text for each of the drawings and they became the basis for poem. The video features the formal Latin names of the plants, the meanings of which inform the text of the poem.

A number of other videos by Ian Gibbins have been featured at Moving Poems here.

an entombing (dis)entombing by Adam E. Stone

A 2020 videopoem by Adam E. Stone, one of five he’s recently uploaded to Vimeo. Regular readers may remember our interview with Adam that Jane conducted last June. He calls this

A one-minute poem film about building barriers vs. living with a heart full of love, filmed predominantly with an iPhone 5c, between 2015 and 2019, in Japan, Taiwan, and the United States.

Click through for the screening history (29 festivals!).

After Mowing by Jeffery Oliver

A quiet, one-shot video from US poet-filmmaker Jeffery Oliver, After Mowing gives mindful attention to a tiny detail of an ordinary day. I appreciate the simple and personal quality of this piece that was uploaded just two weeks ago. As the poem appears on his website:

After Mowing

gnat wings and green grass

the white porcelain

day’s work
almost done

Writing Advice by Brian Mackenwells

Humour and silliness are not commonly found in poetry films. I rejoice when I stumble upon a piece that tickles my funny bone. Writing Advice by Brian Mackenwells is one such rarity. The synopsis:

A pencil-powered matchbox theatre outlines the risk of using sub-par pencils.

This is a one-man show, with Mackenwells as writer, narrator and film-maker. The video animation is amusingly home-spun and original. A bio:

Brian Mackenwells is an Irish writer living in Oxford. Despite being quite tired, he has written for the BBC about pencils, told stories on stage about not getting sick in zero gravity, performed standup about strange superheroes, and co-wrote an audio drama every month for five years.

I found Writing Advice among the finalist films in the 2022 Ó Bhéal Poetry-Film Competition in Ireland.

Nomad Palindrome by Kai Carlson-Wee

This is I think the first palindromic poetry film I’ve seen, but it’s a very good one. The author-filmmaker, Kai Carlson-Wee, previously appeared with his brother Anders, also a widely published poet, in a documentary short called Riding the Highline, which they co-directed, as well as several poetry videos of Kai’s own (including Cry of the Loon, which I shared here).

A note at Vimeo says the poem previously appeared at Agni, and I got all excited thinking that maybe another major literary journal had followed Triquarterly‘s lead and was publishing poetry films online, but it appears to be still just a print publication. Oh well.

The Future is Ours by Andrew Roberts


A stop-motion videopoem by Brooklyn-based animator Andrew/Drew Roberts, uploaded to Vimeo nine years ago when he was making a whole series of poetic shorts under the banner Stop Motion Haiku, apparently once featured on a dedicated website that no longer exists, though several may be viewed on his own website (scroll down) and on Vimeo.

Moving Poems turned 14 on Thursday, so I wanted to find someone I’d overlooked just to remind ourselves how much good work is still out there. I’m sorry I missed Roberts’s work when it first appeared but happy to have found it in the end.