In the build-up to last weekend’s Mayweather-Pacquiao fight, sports pundits were talking about the decline of boxing, eclipsed (at least in the states) by MMA. But this filmpoem by Alastair Cook and poet Ross Wilson suggests that boxing is far from dead. The description at the Filmpoem website reads, in part:
Written and read by boxer and poet Ross Wilson, this is a heartfelt dedication to Alex ‘Spangles’ Hunter. Filmed and recorded in the Greenock Boxing Club, this film forms part of Alastair Cook’s work In Order to Win, You Must Expect to Win.
Alastair writes: “What began as a yearlong residency centred on the Scottish port town of Greenock has developed into a longer photographic investigation of this place and its people. One element of this is a series made with Greenock Boxing Club. Led by Danny Lee, who boxed at the 1960 Olympics with Muhammad Ali, and his inspirational son Danny Lee, the club is based in a Salvation Army church in Cartsdyke. Like much of post-industrial Britain, Cartsdyke is an area with difficult statistics on drugs, crime and mortality. With this work I want to tell the story of these boxers, the families who live here, struggle here, rejoice here.”
As reported last week, this is coming up on Wednesday:
May 6 in Münster
Best of ZEBRA Poetry Film Festival 2014: AUSLESE. The third of three events presented by Filmwerkstatt Münster in the Palace Theatre, compiled and moderated by the ZEBRA program director Thomas Zandegiacomo Del Bel.
Aus den Einsendungen des ZEBRA 2014 präsentieren wir das breite Spektrum des deutschen und internationalen Poesiefilms. Krisen, Sehnsüchte, Angst, Lust und Liebe bilden eine gelungene Mischung.
I’ve also learned of two more screenings to be held on the following days:
May 7 in Weimar
ESP//Babelsprech//Poetryfilmkanal Poesie-Film-Performance
Poesie-Film-Performance
Filme: Meng Chang, Katharina Merten, Eva-Maria Arndt, Juliane Jaschnow
Lesung: Daniel Schmidt, Antje Kersten
Performance: Oravin, Zuzana Husárová, Amalia Roxana Filip
Moderation: Max Czollek & Aline Helmcke
May 8 in Leeds
Words In Motion – an evening of video poetry and performance
Leeds launch of Paisley Quilt and Pillion by Bristol film-maker Pru Fowler and Leeds poet Becky Cherriman. Introduced by Siobhan MacMahon with a special showing of her film Forgotten Memory. Features performances by poets Michelle Scally Clarke, Antony Dunn and Char March, and an open mic element.
The Vienna-based Art Visuals & Poetry Film Festival has opened submissions to their 2015 competition — but only to residents of Austria, Germany and Switzerland, or filmmakers with citizenship in those countries. A more international “special prize” can’t be given this year for budgetary reasons, they say; focusing on the three German-speaking countries (rather than just Austria) for the main competition is therefore a compromise. (Or so I gather from Google’s not terribly adequate machine translation.) A grand prize winner will be awarded 400 Euros, and announcements of other prizes will be forthcoming.
The festival is also moving to a new venue this year: METRO Kinokulturhaus, “one of the most beautiful cinemas in Vienna.” An exact date has yet to be announced.
Submissions are through an online form, and the deadline is September 15.
Interviews with Australian poetry-film makers Jutta Pryor and Marie Craven are the focus of Erica Goss’ column “The Third Form” at Connotation Press this month. I’ve long been an admirer of both, so it was interesting to learn about their routes into online collaboration and filmmaking. “Poetry is an inspirational starting point that lends itself to creative interpretation and collaboration by bringing together writers, filmmakers, remixers, sound artists and actors to create poetry film,” says Pryor. And Craven notes that poetry film is “like collage, or quilting. You enjoy the surprise, and never know what you’ll find. I don’t plan things out too much, but let the process dictate the final product.” Go read.