~ May 2015 ~

Interiorismo by Hernán Talavera and Chema Araque

First of all, let me make it clear that the director/producers of this film, Hernán Talavera and Chema Araque (A.K.A. Chema Arake) do not claim that it’s a poetry film; that’s my contention. Talavera, also credited as writer, has made films for his own poetry and for poems by Alfonsina Storni and Alejandra Pizarnik, all of which I’ve shared here, and Araque too has made videopoems. But this is a much more ambitious project, a nearly 12-minute portrait of a derelict palace in Spain. It has garnered numerous awards. The directors say:

The corpse of a palace in ruins turns into its own mausoleum.

Interiorism searchs for a Zen vision in which man is totally integrated into his surroundings. That is why Hernán Talavera and Chema Araque highlighted the most organic part of the building, and they watch as nature recovers its primitive space: the light, water, plants, birds, insects… break the barrier between what is natural and what is artificial, by invading a space built for people. Part of the entire process is much like a documentary. The directors walked around the palace many times totally open to any suggestions forthcoming from the place itself. The process took them three years.

What makes it a poetry film, in my estimation, is the inclusion of a text in the soundtrack, a medical diagnosis voiced by Luis Fernando Ríos—or rather, the evocative interplay between that very clinical text and the lyrical montage of images.

The Blockade by Ross Sutherland

https://vimeo.com/125705759

It’s time to check in on the progress of Ross Sutherland‘s “30 Videos/30 Poems” digital residency at The Poetry School. He’s uploaded 27 videos so far, and intends to finish by the end of this week. As promised, the videopoems in the series have been highly diverse, “exploring the different ways that the two mediums can shape and influence the other” in a wonderfully witty and experimental spirit—which means that even the ones that don’t wholly succeed are still instructive. I’d count this one as a success, a remix of a newscast from Irish television that offers one answer to the question: How the hell do you make a videopoem with a text describing another work of art? I’m not saying that’s quite what he’s done here, but that’s the pretense. The viewer is rewarded with a kind of double seeing, trying to picture the painting described by the museum-docent narrator while simultaneously re-evaluating the newscast in light of it.

To see Sutherland’s picks of his four favorite videos from the series so far, check out his April 29 blog post. He’s also archiving the videos on a Tumblr site.

Anither Season by Ross Wilson

In the build-up to last weekend’s Mayweather-Pacquiao fight, sports pundits were talking about the decline of boxing, eclipsed (at least in the states) by MMA. But this filmpoem by Alastair Cook and poet Ross Wilson suggests that boxing is far from dead. The description at the Filmpoem website reads, in part:

Written and read by boxer and poet Ross Wilson, this is a heartfelt dedication to Alex ‘Spangles’ Hunter. Filmed and recorded in the Greenock Boxing Club, this film forms part of Alastair Cook’s work In Order to Win, You Must Expect to Win.

Alastair writes: “What began as a yearlong residency centred on the Scottish port town of Greenock has developed into a longer photographic investigation of this place and its people. One element of this is a series made with Greenock Boxing Club. Led by Danny Lee, who boxed at the 1960 Olympics with Muhammad Ali, and his inspirational son Danny Lee, the club is based in a Salvation Army church in Cartsdyke. Like much of post-industrial Britain, Cartsdyke is an area with difficult statistics on drugs, crime and mortality. With this work I want to tell the story of these boxers, the families who live here, struggle here, rejoice here.”

Upcoming poetry-film screenings in Münster, Weimar, and Leeds

As reported last week, this is coming up on Wednesday:

May 6 in Münster
Best of ZEBRA Poetry Film Festival 2014: AUSLESE. The third of three events presented by Filmwerkstatt Münster in the Palace Theatre, compiled and moderated by the ZEBRA program director Thomas Zandegiacomo Del Bel.

Aus den Einsendungen des ZEBRA 2014 präsentieren wir das breite Spektrum des deutschen und internationalen Poesiefilms. Krisen, Sehnsüchte, Angst, Lust und Liebe bilden eine gelungene Mischung.

I’ve also learned of two more screenings to be held on the following days:

May 7 in Weimar
ESP//Babelsprech//Poetryfilmkanal Poesie-Film-Performance

Poesie-Film-Performance
Filme: Meng Chang, Katharina Merten, Eva-Maria Arndt, Juliane Jaschnow
Lesung: Daniel Schmidt, Antje Kersten
Performance: Oravin, Zuzana Husárová, Amalia Roxana Filip
Moderation: Max Czollek & Aline Helmcke

May 8 in Leeds
Words In Motion – an evening of video poetry and performance

Leeds launch of Paisley Quilt and Pillion by Bristol film-maker Pru Fowler and Leeds poet Becky Cherriman. Introduced by Siobhan MacMahon with a special showing of her film Forgotten Memory. Features performances by poets Michelle Scally Clarke, Antony Dunn and Char March, and an open mic element.

2015 Art Visuals & Poetry Film Festival open to submissions from German-speaking countries

METRO Kinokulturhaus, Vienna

METRO Kinokulturhaus, Vienna

The Vienna-based Art Visuals & Poetry Film Festival has opened submissions to their 2015 competition — but only to residents of Austria, Germany and Switzerland, or filmmakers with citizenship in those countries. A more international “special prize” can’t be given this year for budgetary reasons, they say; focusing on the three German-speaking countries (rather than just Austria) for the main competition is therefore a compromise. (Or so I gather from Google’s not terribly adequate machine translation.) A grand prize winner will be awarded 400 Euros, and announcements of other prizes will be forthcoming.

The festival is also moving to a new venue this year: METRO Kinokulturhaus, “one of the most beautiful cinemas in Vienna.” An exact date has yet to be announced.

Submissions are through an online form, and the deadline is September 15.

Jutta Pryor and Marie Craven featured at Connotation Press

Interviews with Australian poetry-film makers Jutta Pryor and Marie Craven are the focus of Erica Goss’ column “The Third Form” at Connotation Press this month. I’ve long been an admirer of both, so it was interesting to learn about their routes into online collaboration and filmmaking. “Poetry is an inspirational starting point that lends itself to creative interpretation and collaboration by bringing together writers, filmmakers, remixers, sound artists and actors to create poetry film,” says Pryor. And Craven notes that poetry film is “like collage, or quilting. You enjoy the surprise, and never know what you’ll find. I don’t plan things out too much, but let the process dictate the final product.” Go read.

Pre-Occupied by Heid E. Erdrich

A masterpiece of collage/remix videopoetry co-directed by the author of the text, poet Heid E. Erdrich, with R. Vincent Moniz, Jr. Art direction, animation and effects are by Jonathan Thunder. The excellent audio track is the work of Gabriel Siert, and additional visual art is credited to Carolyn Lee Anderson, Andrea Carlson, and Angie Erdrich. The synopsis on Erdrich’s website reads:

“Pre-Occupied” is a new and experimental form, the poem-film. Originally written for the website 99 Poems for the 99%, poet Heid E. Erdrich created a visual landscape of associations and references that match the tremendous irony of how the word “occupy” can be meant. The film version of this poem is a collaborative collage that means to reveal the distracted human mind at a particular point in history. Released in early 2013, the film inadvertently anticipated the Idle No More Movement. [link added]

Erdrich has made several other poetry films as well, including a new one that should be released shortly, according to Saara Myrene Raappana of Motionpoems, who kindly emailed me after attending an AWP panel at which Erdrich shared her films.