~ June 2022 ~
My Father’s Bones by Zoe Paterson Macinnes
An author-made poetry film by Zoe Paterson Macinnes,
a visual artist and filmmaker from the Isle of Lewis. Zoe’s work is a result of her island heritage. She combines personal observations of land and sea with voice, memory and music from the islands to explore themes of identity and belonging. Her documentary short, Cianalas, which investigates the identity of young musicians in Lewis, was awarded Best Documentary Short by Desert Rock Film and Music Festival, and Best Student Film by Culture and Diversity Film Festival.
The music is by Lauren MacColl—the traditional fiddle tune “MacGregor of Roro’s Lament“—setting the mood for a bittersweet, meditative film which I liked well enough when I first watched it two months ago, but found incredibly moving the second time through. I suppose it helps than I can connect to it in two ways, from having visited other islands in the Hebrides, and from my own deep connection to the place where I grew up (including knowing exactly where I’ll be buried, as the poem says).
Video is such a great medium for poems of place! And despite being a professional filmmaker, Macinnes kept things simple with text on screen and slow-moving shots that aren’t redundant with the text and give the viewer’s mind permission to roam—paradoxically, a state more amenable to active engagement. It moves at a walker’s pace. I like that.
We Are The War by T&DA
A fascinating experiment in AI-generated videopoetry from an artists’ collective in Sydney, written and directed by Tyrone Estephan.
We Are The War | CLIP-Guided Storytelling & Speech Synthesis
At T&DA we have explored leveraging the latest technologies to create ‘We Are The War’, an animated graphic novella poem, where both the images and narration were generated through visual and audio synthesis.
Created using prompts inspired by children’s book illustrations and the lines of our poem, images were generated using Midjourney. The narrator was generated through speech synthesis software that only needed 15 minute sample of talking.
To add parallax and depth to the scenes we used neural Z depth extraction.
Using these tools we tell the story of children’s metaversal shenanigans as realities of recent years bleed into their locked down lives. We can think of this technology almost as if it’s a 10 year old expressing itself, which felt like the perfect means to convey the sentiments of the poem.
Tyrone Estephan – Written & Directed
Sean Simon – Visuals & Post
Josh Kell – Online Editor
Bloomsday Film Festival, 11-16 June 2022
There is much to see in the programme for this year’s Bloomsday Festival in Dublin, Ireland and online, including experimental and poetry short film selections. The organisers say:
“Ireland’s most literary film festival is back for its third year, and a very special one indeed as 2022 is the centenarian celebration of the publication of Ulysses (1922). The film festival was set up to be a celebration of cinema, literature, and artistic innovation, inspired by the long reaching arm of Ireland’s patriarch of modernism, James Joyce. The festival is run in partnership with the Bloomsday Festival & the James Joyce Centre. The festival will run between the 11th – 16th June, online and with live screenings in Dublin at the historic James Joyce Centre, the IFI, and the Sugar Club.”
Find out more on the website http://www.bloomsdayfestival.ie/filmfestival
The Opposites Game by Brendan Constantine (2)
A classroom erupts into a war of words as students grapple with a seemingly simple prompt: what is the opposite of a gun?
This animation of Brendan Constantine‘s poem by Anna Samo and Lisa LaBracio went viral, with more than 24,700 views on Vimeo and 364,814 views
on YouTube. It probably helps that it was a Vimeo staff pick. But it’s also
part of TED-Ed’s series, “There’s a Poem for That,” which features animated interpretations of poems both old and new that give language to some of life’s biggest feelings.
See the Vimeo description for the full credits and list of honors.
We previously shared Mike Gioia’s film adaptation of the same poem. I’m not sure which I prefer; both have their strengths.
Mist by Alice Oswald
This beautiful video of Alice Oswald‘s Mist is by Aodhagán O’Flaherty, a film-maker previously unknown to me. The poet is very well known, especially in UK, but the film is one of those random discoveries that sometimes happens when wandering the web.
I found in my searches that Aodhagán O’Flaherty is Irish-born, now Berlin-based. I found no other videos from him, and so it seems all the more surprising that this one has such an assured and affecting way with images, editing, rhythm, sound and narration. Of course, it helps as well that the poem is so wonderful. It can be read on the page here.
