~ 2022 ~

Dobre mašine / Good Machines by Ana Pantić

I’m surfacing after a long hiatus to share the latest author-made videopoem by Serbian poet Ana Pantić, who included this description at YouTube:

Poetry film Good Machines (Dobre mašine)

Ana Pantić – poem, voice, film
Nebojša Anđelković – original music, sound editing
Milan Bogdanović – sound editing
Videopoezija, Belgrade 2022

This poetry film, composed of only two clips, highlights subconscious thought processes activated by everyday mechanical actions. The poem came about after the video, although this kind of creative process is considered to be the reversed one, I find it quite inspiring.

This appeals to my metalhead side as well as my poetry side, with lyrics that wouldn’t be out of place in a modern death metal album. In times like these, maybe that’s what we need? I know it’s what I need!

Call for work: Living With Buildings festival

Living With Buildings logo

From FilmFreeway:

A festival of films exploring how people interacts with buildings and urban spaces in the public realm. We aim to screen short films/poetry film that investigates how we experience the build environment.

[LIVING WITH BUILDINGS is brought to you by the Disappear Here poetry film project]

We’re looking for work up to 5 mins in length, anything between the poetry-film, experimental, short-documentary strands of film-making. The project is rooted in the UK city of Coventry, famed for its ringroad, modernist architecture and reinvention as a city rising from the ashes and ruins of arial bombing in World War Two – we are happy to consider work from citizens all around the world.

The psychopathology of underpass and overground.

Floating towers holding up the sky.

Living With Buildings.

Finding our way(s) through the subterranean culture and dead roads with no ending.
Exploring internal tensions between regeneration and gentrification.

Remaking and remodelling urban spaces as forces of commerce or gentle revolution take hold and fight for ownership.

Where does the citizen fit into these processes; and how do we interpret or express their experiences of the ground shifting beneath their feet.

Find out more about the Disappear Here project – http://www.disappear-here.org

VENUE
LTB SHOWROOMS (above the Litten Tree pub) – COVENTRY – CV1 1EX – 1 Warwick Road

Please submit one film only – max five minutes in length – we will consider longer documentary work – but please enquire first.

Films must meet the subject theme – this is open to interpretation but expect film-makers to read the submission information for guidance.

The project selection decisions are final.

The deadline is 6 April. £5 to submit, or £4.50 if you’re a student. Here’s the link.

Atticus Review Submissions

Atticus Review has published videopoetry in their Mixed Media section for over 10 years. The journal is currently calling for submissions of work for publication…

Atticus Review seeks all types of mixed media works for publication: videopoetry, short/experimental films, electronic/digital/interactive literature, visual artwork, animation, comics, audio soundscapes, sonic compositions, etc. If you like to push literary boundaries with alternative approaches, send us your best. We do accept previously published/screened work.

We potentially accept work with any theme, but upcoming themed issues are: The Internet (August 15th, 2022), Language (December 15th, 2022).

To submit, send an email with the subject “Mixed Media Submission” to mixedmedia@atticusreview.org. For video, audio, and interactive literature we prefer that you send links on Vimeo or YouTube or Soundcloud (or wherever the work is posted online) rather than send us files directly.