Posts By Dave Bonta

Dave Bonta is a poet, editor, and web publisher from the Appalachian mountains of central Pennsylvania.

Копнеж каквото е… / What Craving Is… by Dessislava Nedelcheva

Four poems from a 2012 collection called Eastern Time (Източно време/Iztochno vreme) by Bulgarian poet Десислава Неделчева/Dessislava Nedelcheva, about whom I can glean nothing in the Anglophone web. But I love this film by Vladimir Mihaylov, AKA poe3. According to Google Translate, ‘The video was realized with the support of the National Fund “Culture” 2020.’ Glad to hear that the government of Bulgaria has money for poetry film! Mihaylov’s entire playlist of subtitled videopoetry is worth a watch.

an entombing (dis)entombing by Adam E. Stone

A 2020 videopoem by Adam E. Stone, one of five he’s recently uploaded to Vimeo. Regular readers may remember our interview with Adam that Jane conducted last June. He calls this

A one-minute poem film about building barriers vs. living with a heart full of love, filmed predominantly with an iPhone 5c, between 2015 and 2019, in Japan, Taiwan, and the United States.

Click through for the screening history (29 festivals!).

To John by Inua Ellams

A video animated and edited by Jamie Macdonald AKA Airship23 for the Financial Times:

FT Weekend Festival 2021 commissioned Inua Ellams to write a response to Keats’s classic work ‘To Autumn’ marking his 200th anniversary. The animated poem ‘To John’ exposes the impact of humans on nature over those 200 years.
Financial Times website

For more on Ellams, who’s something of a Renaissance man, do visit his website. He teamed up with Macdonald back in 2020 for the trailer for his book The Actual/Fuck.

Hat-tip to poet Josephine Corcoran for blogging the link.

Un/Write by Fiona Tinwei Lam

Vancouver-based poet and poetry filmmaker Fiona Tinwei Lam collaborated with animation students Lara Renaud and Quinn Kelly back in February on this videopoem “about revision, redaction, and renewal.” Lam told me in an email that

It originated in a published shaped or visual poem on the page about the editing and revising process. I quickly created and brainstormed a text block from which the poem would be carved out on screen.

But I realized there were other poems within the poem while utilizing further compression and fragmentation. Then I noticed there were a few interesting phrases in the discarded text from the text block I’d created for the initial poem, that could form the basis of a new poem about reclamation. So these “cut out” phrases could return on screen in a new way.

She added that she thought it could form the basis of a fun lesson plan for schools and community writing workshops, and I agree. One of the great things about erasure poetry is the way it reminds us that no creation is truly ex nihilo; there’s always an element of discovery. And often with such serendipity comes joy, flowering of its own accord, as the animation suggests. A wonderful start to Poetry Month. (And imagine my surprise just now, bringing up the Canadian National Poetry Month page, to find that this year’s theme is in fact joy!)

Gedicht an die Dauer/To Duration by Peter Handke

Dutch filmmaker Pat van Boeckel responds to some lines by the controversial Austrian writer and Nobel laureate Peter Handke, with music by Dario Marionelli. For German speakers, here’s a version without the subtitles.

This is a great example of a poem I wouldn’t spend much time with on the page, given its high level of abstraction—not something I generally look for in poetry. So van Boeckle’s images rescue the poem for me, which is great because in fact the passage of time is a mystery of perennial interest… and also because it seems axiomatic that any argument about duration must take some time to digest.

Nomad Palindrome by Kai Carlson-Wee

This is I think the first palindromic poetry film I’ve seen, but it’s a very good one. The author-filmmaker, Kai Carlson-Wee, previously appeared with his brother Anders, also a widely published poet, in a documentary short called Riding the Highline, which they co-directed, as well as several poetry videos of Kai’s own (including Cry of the Loon, which I shared here).

A note at Vimeo says the poem previously appeared at Agni, and I got all excited thinking that maybe another major literary journal had followed Triquarterly‘s lead and was publishing poetry films online, but it appears to be still just a print publication. Oh well.

The Future is Ours by Andrew Roberts

https://vimeo.com/94697197

A stop-motion videopoem by Brooklyn-based animator Andrew/Drew Roberts, uploaded to Vimeo nine years ago when he was making a whole series of poetic shorts under the banner Stop Motion Haiku, apparently once featured on a dedicated website that no longer exists, though several may be viewed on his own website (scroll down) and on Vimeo.

Moving Poems turned 14 on Thursday, so I wanted to find someone I’d overlooked just to remind ourselves how much good work is still out there. I’m sorry I missed Roberts’s work when it first appeared but happy to have found it in the end.

Call for work: Aotearoa Poetry Film Festival

APFF Logo

New Zealand poetry filmmaker Charles Olsen just wrote to let us know about this fabulous-sounding new festival, scheduled for November 2-3, 2023 in Wellington. Here’s the press release:

Submissions are now open for the Aotearoa Poetry Film Festival 2023
 
The Aotearoa Poetry Film Festival is an event entirely devoted to the celebration and showcase of poetry film in New Zealand. Poetry film or video poetry is a fast-growing art form that combines poetry, moving images, sound and music. We would like to invite film-makers and poets of any age and backgrounds to participate in the first edition of the Festival which will take place in November 2023 in Wellington. In particular, we encourage the submission of innovative and eclectic takes on poetry film as a distinct media form.
 
The Festival will feature a poetry film competition, workshops, seminars, poetry readings and retrospectives and it will offer the opportunity to showcase the diversity of poetry film produced both in Aotearoa New Zealand and overseas. The 2023 Aotearoa Poetry Film Festival is organised in collaboration with Victoria University of Wellington.
 
Submissions open: 1 February 2023
Submission deadline: 15 August 2023
Event: 2-3 November 2023
For more info please contact: aotearoapff@gmail.com

Call for entries: ZEBRA Poetry Film Festival 2023

ZEBRA Poetry Film Festival stage and audience

It’s that time again!

In 2023, the ZEBRA Poetry Film Festival is inviting entries for the International Poetry Film Competition! Eligible for entry are short films, based on poems of no more than 15 minutes duration, produced in or after 2022. All languages are allowed. The competition winners will be awarded prize money. A program committee will select films for the International Competition and for all other festival programs. The winning films will be chosen by a jury composed of representatives from the worlds of poetry, film, and media.

Closing date for entries: 1 June 2023 (postmark date)

If you have any questions, please contact: zebra@haus-fuer-poesie.org

For submission, please use the FilmFreeway portal: ZEBRA Poetry Film Festival – FilmFreeway

Visit FilmFreeway also for the full guidelines.

Haibun films still needed for our film festival!

One month ago, we invited submissions

for a screening of haibun poetry films at the biennial Haiku North America conference, to be held in Cincinnati, Ohio from June 28-July 2, 2023. Moving Poems is an official co-sponsor, and we’ll be the ones selecting the films. Winning films will be screened at the conference and published at Moving Poems.

We required filmmakers to use one of our provided texts, among other quite specific guidelines on FilmFreeway… which have been completely ignored by hundreds of filmmakers from around the world, much to my chagrin. I may have something to say about FilmFreeway’s appalling spam submissions problem later, but today I’d like to emphasize the bright side: So far we’ve gotten two strong submissions that follow the guidelines, and I’m grateful to both filmmakers. We just need a few more. Check out these haibun (password: haibun) and tell me there aren’t a ton of great potential films here! The deadline is March 15.

Haiku North America Cincinnati 2023 logo

so the war would know i’m here by Yahya Ashour

A powerful evocation of life under aerial bombardment. Palestinian poet Yahya Ashour recites his work in English—two poems translated with the director, Andrew Burgess, who provided some background in an email:

This film visualizes two of Yahya Ashour’s poems about growing up during wars in Gaza. The setting, visual motifs, and sound design work embody the physical experience of danger — hiding, being next, recollecting damage — and create an immersive experience. This film was produced through the University of Iowa International Writing Program by NonProphet Media. [link added]

He Wishes for the Cloths of Heaven by William Butler Yeats

A new film by Dutch artist Pat van Boeckel, featuring some stunning footage from Morocco. Yeats’ poem, originally known as Aedh Wishes for the Cloths of Heaven at first publication in 1899, also appeared

in the films Equilibrium, 84 Charing Cross Road and the Korean film Dasepo Naughty Girls. The poem is recited by the character Brendan in the final episode of season 3 of the BBC series Ballykissangel.

The Wikipedia article goes on to list multiple musical settings and uses in novels. Being well out of copyright surely has something to do with that.

Van Boeckel is a regular at Moving Poems, and you can watch more of his videopoems on his website.