Congratulations to Alastair Cook for having two of his videopoems selected for the 5th ZEBRA Poetry film Festival in Berlin, which will be held October 14-17. Both films have been featured at Moving Poems: “Emily Melting” (a poem by Gerard Rudolf) and “Scene” (a poem by Morgan Downie).
A highly imaginative use of Merwin’s short poem in a film called “Coping,” which Grace Cho says is the “first video/stop-motion that I made for my video class at Simon Fraser University.”
Another animation by Francesca Talenti. Enrique Cabrera appears to be an Austin, Texas-based poet, though I couldn’t turn up a good webpage for him.
Time for another winter-themed poem to inspire those of us weathering the summer heat. This video is by The Erie Wire; the filmmaker isn’t identified.
http://www.vimeo.com/12538662
British-Pakistani poet Moniza Alvi’s poem as interpreted by a student filmmaker in British Columbia.
Another section of the production Men Think They Are Better Than Grass by the Deborah Slater Dance Theatre, based on poems by W. S. Merwin. This section features a trio of dancers: Shaunna Vella, Kelly Kemp and Wendy Rein.
Video trailers for books are becoming increasingly common, and sometimes, as here, they take the form of videopoetry. This is one of two trailers by Brent Robison for Djelloul Marbrook’s prize-winning collection from Kent State University Press, Far From Algiers.
Marbrook has had a distinguished career in journalism and now authors a blog on literary and cultural affairs.
With the northeastern U.S. just coming out of a heat wave, winter seems a far-off and delicious prospect. This is a poem from the collection The New Planet by Porland, Oregon-based writer Emily Kendal Frey. The video is by Zachary Schomburg, with whom Frey has also done some collaborative writing, according to this interview with her at The Collagist. For this project they also brought in Emily’s sister Elinor Frey, an accomplished cellist, whose music helped create a very wintry ambience indeed.
Check out How Pedestrian, the latest addition to the Moving Poems linkroll. As described in a recent article in the Toronto National Post, the site’s curator and videographer, Toronto poet Katherine Leyton, stops people at random and asks them to recite a poem on camera. Most of the time, they agree.
“Poetry has such a bad rap,” Leyton says. “People will tell me about how they had to analyze Robert Frost poems in high school, and how boring it was, but poetry doesn’t have to be like that.” She’s hoping her blog will change the public’s perceptions about poetry and make it more accessible to those who might otherwise shy away from it.
Most of the participants read the poem Leyton provides only moments before they recite it, and while in some videos this is obvious, in others, the readers recite with such feeling and conviction that it’s hard not to think it’s rehearsed. “Good poetry should always work first on a gut level — it should communicate with you intuitively,” Leyton explains. “I think that for most poets, that’s the aim.”
As a proof-of-concept, the site is brilliant, and with Leyton’s short but substantive blurbs about each featured poet, I should think How Pedestrian could really come in handy in the classroom.
Beth Fulton writes,
The inspiration of this video comes from Todd Alcott’s poem, Television. I own no rights to his reading of the poem and intend only to share my own personal interpretation. Hope you like!
This is to my knowledge the first English-language videopoem to have gone viral. I first saw it last week on Facebook, where it seems to have been posted quite heavily. It’s been played 445,537 times in just three months, making it currently the most popular videopoem on Vimeo, and second only to Juan Delcan’s animation of Billy Collins’ “The Dead” on YouTube, which has amassed 761,494 views — but over the course of three years. So “Television”‘s refrain, “Look at me!” seems to be working.
Todd Alcott is a screenwriter living in Santa Monica, and judging by the comment he left below the video on Vimeo, seems to be a friend or acquaintance of the filmmaker doesn’t know the filmmaker (though he likes the video — see comments).