~ festivals and other screening events ~

News about any and all events in which poetry films/videos are prominently featured, whether or not they include an open competition. Please let us know about any we might miss. And don’t forget to check out our page of links to poetry film festivals. All festivals, events and calls for work are mentioned by MovingPoems with our best efforts and in good faith. However, do check all details yourself as we cannot guarantee accuracy, and make your own judgements because we cannot verify the things that we share. Events may fail for a variety of genuine reasons, or may be a scam to elicit fees.

Cadence 2022 continues: online until 1 May

Cadence Video Poetry Festival 2022 in person was this weekend in Seattle, USA (21–24 April) but there is still time to enjoy the online element of this hybrid festival.

There are five intriguing programs of films available:

As the wind is breathing • It is strange and kinda symbolic • Its flashes are flashes of fire – What is hidden needs to be seen • When I’m not asking for permission

… which showcase between 6 and 13 films each. Tickets are available for the whole online event, but also for individual programs.

More about the whole festival is on the main site: https://nwfilmforum.org/festivals/cadence-video-poetry-festival/

Or if you want to skip straight to the online screenings: https://watch.eventive.org/cadence2022

Call for work: Living With Buildings festival

Living With Buildings logo

From FilmFreeway:

A festival of films exploring how people interacts with buildings and urban spaces in the public realm. We aim to screen short films/poetry film that investigates how we experience the build environment.

[LIVING WITH BUILDINGS is brought to you by the Disappear Here poetry film project]

We’re looking for work up to 5 mins in length, anything between the poetry-film, experimental, short-documentary strands of film-making. The project is rooted in the UK city of Coventry, famed for its ringroad, modernist architecture and reinvention as a city rising from the ashes and ruins of arial bombing in World War Two – we are happy to consider work from citizens all around the world.

The psychopathology of underpass and overground.

Floating towers holding up the sky.

Living With Buildings.

Finding our way(s) through the subterranean culture and dead roads with no ending.
Exploring internal tensions between regeneration and gentrification.

Remaking and remodelling urban spaces as forces of commerce or gentle revolution take hold and fight for ownership.

Where does the citizen fit into these processes; and how do we interpret or express their experiences of the ground shifting beneath their feet.

Find out more about the Disappear Here project – http://www.disappear-here.org

VENUE
LTB SHOWROOMS (above the Litten Tree pub) – COVENTRY – CV1 1EX – 1 Warwick Road

Please submit one film only – max five minutes in length – we will consider longer documentary work – but please enquire first.

Films must meet the subject theme – this is open to interpretation but expect film-makers to read the submission information for guidance.

The project selection decisions are final.

The deadline is 6 April. £5 to submit, or £4.50 if you’re a student. Here’s the link.

Reconnections: free online screening of poetry films at Lyra Bristol Poetry Festival

Pleased to see this:

Reconnections banner

Date: Saturday 17th April 2021
Price: Free
Time: 12:00 – 1:00pm

A screening of poetry films on the theme of Reconnection, curated by Liberated Words. Reconnection to landscape, the body, our history, family and heritage, during and before the pandemic. Artists featured include Kat Lyons, Edalia Day, Rebecca Tantony, Alice Humphreys, Liv Torc, Yvonne Reddick, Helmie Stil, Helen Johnson, Sarah Tremlett, Sarah Wimbush, Isobel Turner, Edson Burton, Michael Jenkins, Pierluigi Muscolino and Francesco Garbo. Followed by a discussion and Q&A with Sarah Tremlett and Lucy English of Liberated Words.

In registering for the event, I found that I had to use a UK postcode — your mileage may vary. Get your free ticket here.

Submissions open through May 31 for Weimar Poetry Film Award 2021

6th Weimar Poetry Film Award banner

It looks as if I might’ve neglected to post the original call-out for the 6th Weimar Poetry Film Award. It’s here, but I’ll paste it in below as well:

Through the Weimar Poetry Film Award the Literary Society of Thuringia and the Weimar Animation Club are looking for innovative poetry films. Filmmakers from any nation and of any age are welcome to participate with up to three short films of up to 10:00 mins, which explore the relation between film and written poetry in an innovative, straightforward way. Films that are produced before 2018 will not be considered.

The competition »Weimar Poetry Film Award« is financed by Kulturstiftung des Freistaats Thüringen and the City of Weimar. The competition is part of the »International Poetry Film Festival of Thuringia«.

From all submitted films selected for the festival competition three Jury members will choose the winner of the main awards (Best Animation, 1200 €; Best Video, 1200 €). Moreover, an audience award of 250 € will be awarded.

Dates & Deadlines

  • November 1, 2020 – Opening Date
  • December 31, 2020 – Earlybird
  • May 31, 2021 – Regular Deadline
  • July 16, 2021 – Notification Date
  • September 25, 2021 – Award Ceremony

 

Form for submissions [pdf] by e-mail to info [at] poetryfilm.de

Cadence: Video Poetry Festival 2021 debuts online on April 16

Cadence Video Poetry Festival

Tickets to the fourth annual Cadence: Video Poetry Festival are now available and the festival starts on Friday, April 16 and runs through Sunday, April 25. All tickets are sliding scale and all screenings will be available throughout the 10-day festival.

Cadence: Video Poetry Festival, presented by Northwest Film Forum, programmed in collaboration with Seattle author Chelsea Werner-Jatzke and artist Rana San, is a series of screenings, workshops, and discussions on the genre of video poetry, during National Poetry Month.

Cadence approaches video poetry as a literary genre presented as visual media that makes new meaning from the combination of text and moving image. Featuring screenings, an artist residency, generative workshops for youth and adults, and juried awards, the festival fosters critical and creative growth around the medium of video poetry.

“One thing that really impressed us about the submissions pool,” Chelsea and Rana told me in an email, “was how many of the video poems were made in the last year—it’s so impressive and encouraging to see artists creating amid the complicated tumult of our time.”

Festival Highlights

The Uncanny Intermingling showcase will feature a collaborative video poem by participants in the festival workshop, Animated Poetry with Neely Goniodsky, set to Anastacia-Reneé’s poetry currently featured in the exhibition, Anastacia-Reneé: (Don’t Be Absurd) Alice in Parts through April 25 at the Frye Art Museum.

Natachi Mez, NWFF’s 2020 Cadence Artist-in-Residence, completed her residency virtually in 2021 and the resulting video poem will be featured in (and provides the titular line of) the This Is How I Excavate showcase.

Award winners have been selected by guest judges: Nico Vassilakis (Adaptations/Ekphrasis), Caryn Cline (Collaboration), Catherine Bresner (Video by Poets), and Roland Dahwen (Poetry by Video Artists), and Moss Literary Journal (Northwest Artist Award). Submissions in the Wild Card category are judged by Festival Co-Directors Chelsea Werner-Jatzke and Rana San.

Festival Program

Included in Festival Passes:

Call for entries: 2021 Film and Video Poetry Symposium

screenshot of 2021 film and Video Poetry Symposium website

The L.A.-based Film and Video Poetry Society’s 4th annual symposium is open for submissions from “Poets, Writers, filmmakers, animators, video and digital artists, media and performance artists.”

The symposium celebrates and will screen a large scope of film and video projects developed primarily through the medium of poetry.  FVPS2021 will host a series of panels, guest speakers, workshops, and public dialogues regarding film and video poetry throughout the course of the symposium. In addition to the screenings programmers also curate a 30-day gallery exhibition.

There are no restrictions regarding total running time of films submitted. There are no restrictions regarding when the film was produced or if the film has premiered regionally or internationally. There are no restrictions on subject matter, theme, topic, or language of origin.

The Film and Video Poetry Symposium calls for poetry films, filmpoems, digital-poetry, poetry video, Cin(E)-Poetry, spoken word films, videopoema, visual poetry, choreopoems, poetrinca, media poetry, and all films and video that are driven by onscreen text.

The Film and Video Poetry Symposium also excepts and supports experimental film and video work that explores language and/or literature whether it be oral, written, visual, or symbolic. This includes non-narrative work and the avant-guard. We strongly consider work that challenges traditional and current visual communication methods while continuing to function as a mode for exploring narrative forms and personal expression.

The Film and Video Poetry Symposium also calls for essay film, works of epistolary cinema, animation, choreopoems, performance art film and video, episodic content, oratorical works, documentary, video art, media art and installation, works created through immersive technologies, and episodic programming. Please see categories below for more details.

The deadline is September 4 and the submission fee is $20 per film, video, or media project. Click through for descriptions of each category and additional vital details, as well as the submission form and payment button.

REELpoetry/HoustonTX 2021 begins February 24

I’ve been remiss in so much lately, but especially in reporting on the various online poetry film festivals here. In part, this is because my own internet connection isn’t really up to the challenge of taking in such things. But if you’re fortunate to live somewhere with better WiFi, you don’t want to miss the REELpoetry festival, 24-28 February. Check out the full and varied program (and note that all times are in GMT -6). In addition to screenings of the competition films, there’s an interview with Sarah Tremlett, author of a forthcoming book on the poetics of poetry film; a selection of films from Scotland’s StAnza International Poetry Festival; two fabulous multi-filmmaker projects, Chaucer Cameron’s Wild Whispers and Lucy English’s Book of Hours; and more. As their official description notes, “REELpoetry is a dynamic 5 day curated international festival featuring collaborations among filmmakers, poets, musicians and artists to create poemfilms and videopoetry […] screening short pieces from 26 countries and 68 creatives including 9 from Houston. Networking opportunities in real time each day, interactive workshops, talks, Q&A.” Check it out.

Call for Submissions: HaikuLife Haiku Film Festival

via press release

The HaikuLife Haiku Film Festival invites your participation for its seventh year of screening short and intermediate-length films featuring haiku and related genres. These films generally fit one of four categories: video haiga, free format (more than one poem, generally, or haibun), feature format (longer, and perhaps featuring story arc beyond the poems themselves), and HaikuLife format, our homegrown approach with a set of parameters followed close or loose (see the introductory film at the link above). We prefer .mp4 but can generally convert if necessary. Haiku may be in any language, with or without English subtitles or accompanying translations. We look forward to sharing your work with our worldwide audience.

Submissions to: jim.kacian@thehaikufoundation.org

Call for entries for the ZEBRA Poetry Film Festival 2021

ZEBRA Poetry Film Festival call for submissions

via a press release

The ZEBRA Poetry Film Festival in Berlin is inviting entries for its competition for the best international poetry films from the 18th of February. Eligible for entry are international short films produced from 1st of January 2020, which are based on poems and are no more than 20 minutes in duration. All languages are allowed. The competition winners will be awarded prize money. A programme committee will select films for the international competition and for all the other festival programmes from among the entries. At the festival, the winning films will be selected by a jury comprising international representatives from the worlds of poetry, film and media.

In addition, ZEBRA is inviting filmmakers to submit a film interpretation of this year’s festival poem “going to Pasárgada” by the poet Odile Kennel. Text and audio of the poem together with translations come from lyrikline.org, a leading online archive for poetry. The directors of the three best film interpretations will be chosen by the programme committee and invited to come to Berlin where they will have the opportunity to present their films at the festival and discuss them with the poet.

Link to the festival poem on lyrikline.org
(The festival poem may be used only for the purpose of film interpretation within the scope of this call for entries. For any other use at other festivals or on other platforms, etc. the film makers must obtain the rights from the rights holders.)

Entry deadline is the 1st of July 2021.

Conditions of participation and entry form haus-fuer-poesie.org

Thank you for using FilmFreeway for your submissions.

The 12th ZEBRA Poetry Film Festival runs from 25th to 28th of November 2021 in the Urania Berlin. It is the largest international platform for poetry film worldwide. Since 2002 it offers poets, film and festival makers from all over the world a platform for creative exchange, brainstorming and meeting with a broad audience. With a competition, film programmes, poetry readings, retrospectives, exhibitions, performances, workshops, colloquia, lectures and a children’s programme, it presents in various sections the diversity of the genre of poetry film. In 2020, 2,000 submissions from more than 100 countries were submitted for the international competition.

The ZEBRA Poetry Film Festival is hosted by the Haus für Poesie in cooperation with Urania Berlin. It is sponsored by funding from the Land Berlin / the Berlin Senate Department for Culture and Europe and from the Federal Foreign Office, and gratefully acknowledges the kind support of the Goethe-Institut, Alfred Ritter GmbH & Co KG and interfilm Berlin.

New Covid restrictions force ZEBRA Poetry Film Festival online

The world’s most prestigious poetry film festival has been forced to scrap plans for a live festival. The Berlin-based ZEBRA festival had persisted in planning a full live programme for November 19-22, assuming no doubt that Germany’s robust pandemic response would continue to permit such a gathering. But alas, German cinemas have been ordered to shut down starting today. So four days ago, the ZEBRA twitter account announced that they were going online, and promised more information soon. At the time of posting, no further information has been forthcoming.
Tweet reading "The cinemas in Germany will be closed for the time being from Monday. ZEBRA is going online.  Zebra  More information will follow soon!"

Moving a large, complex festival to the web is of course not a trivial undertaking. I must say, I’ve been enormously impressed with how the folks at Weimar have handled it, after having to abandon plans for a live festival on their very first year. The online Poetry Film Festival of Thuringia has an outstanding user interface with great visual design elements, and from a technical standpoint they’re using tools available to anyone with even a fairly minimal budget. The screenings use password-protected, embedded Vimeo showcases, and the live talks and discussions are handled with Zoom + YouTube Live. Payment is collected through Eventbrite. It’s all run through a basic, self-hosted WordPress installation using the free Underscores theme generator.

I’m sure ZEBRA has an outstanding technical and design team and doesn’t need any advice, but I think Thuringia is a model for festivals planning anything before at least the middle of next summer. And I’m rather hoping that even after the pandemic is over, traditional, meat-space festivals will continue to have an equally strong cyberspace component. It’s a bit of extra hassle, sure, but it does render any festival truly international, allowing many more people to attend (and more tickets to be sold). And with climate change destroying the planet, we all need to stop jetting around the world unless we absolutely have to.

Upcoming poetry film and videopoetry festivals

For festivals, this is a best-of-times, worst-of-times situation. Pandemic restrictions mean fewer options for live events, but going online has the potential to build big new audiences from around the world. Here are some press releases that have recently come our way from the International Poetry Film Festival of Thuringia, the Midwest Video Poetry Festival, and ZEBRA Poetry Film Festival. I’ll also paste in some info about the Winter Warmer online festival from Cork.


International Poetry Film Festival of Thuringia starts ticket sales

Three weeks of watching about 150 poetry films, plus workshops, lectures, interviews, live streams, and an international award ceremony—all this awaits poetry film fans and online visitors of the new festival

banner for Poetry Film Festival of Thuringia

This year, the Weimar Poetry Film Prize, which has been awarded since 2016, will be presented for the first time as part of its own festival. Initially meant to take place in May/June, the International Poetry Film Festival of Thuringia will begin online from October 22-25, due to a pandemic. While this may be a pity for die-hard festival-goers, it offers the new festival the opportunity to present itself to a worldwide short film scene at its premiere.

The festival begins on October 22 with a special focus on Africa, which can be watched via live stream. This emphasis is intended to contribute to improving the visibility and perception of African poetry film. The countries Mozambique and South Africa will be featured especially.

There are also exciting special programs to watch: The “Women in Resistance” program illustrates how much video poetry is part of global poetic activism. A retrospective is dedicated to the Canadian video pioneer Tom Konyves and his films. Furthermore, international and German-language short films and the Weimar Winners of the years 2016-2019 will be screened. Under the title “The Art of Videohaiku”, the festival invites participants to create poetry films in small format themselves and to interpret the haiku audiovisually. The Dutch filmmaker Helmie Stil introduces her video poetry in a lecture she gave at the Bauhaus University during the summer semester. The latest Thuringian poetry film productions will also be shown.

On Saturday, October 24, the 5th Weimar Poetry Film Prize will be awarded at the Lichthaus cinema. The international jury consists of photographer and lecturer Kathrin Tillmanns, literary scholar and author Jan-Volker Röhnert and filmmaker Helmie Stil. The award ceremony will be broadcast from 6-9 pm (CET). This year the audience can vote for their favorite online. The Official Selection will be published on October 1st.

The four main festival days will end on Sunday, October 25, with a matinee at the MonAmi cinema. The film KENT OZANI, which accompanies the poet José A. Oliver during his stay in Istanbul, will be screened. José A. Oliver will be in attendance and take part in a discussion.

The festival website www.poetryfilmtage.de is now online! Ticket sales have started! Get your ticket here.

The code to the protected festival area on the website costs 10 Euros and is valid for three weeks from October 22nd until November 12th. The live streams can be found on the festival website and will stay accessible afterward.


ONLINE: Midwest Video Poetry Festival

via Isthmus

The first ever Midwest Video Poetry Festival (MVPF) will take place in Madison, Wisconsin on November 19 & 20.

Midwest Video Poetry Festival banner

Celebrating the amazing breadth of expression when one of humanity’s oldest art forms is interpreted through the lens of one of its newest, the MVPF features the best of this cutting-edge art form from around the Midwest and around the world. Presented by Madison’s Arts + Literature Laboratory, screenings will take place from 7-8:30pm each day via live-stream at https://www.youtube.com/c/ArtLitLab/videos

The submissions range from 30 seconds to under 10 minutes long. They have all been created within the last three years, many of them within the last few months, promising a fresh, contemporary point of view. “Poetry is not dead,” says Festival founder and executive director Rita Mae Reese. “It is one of the most enduring forms of expression, doing now what it always has, making meaning of the events and circumstances of our lives, accompanying us through turmoil, expressing our joy and holding our grief. It is now, especially, during times of upheaval and strife, that poets’ voices are most needed; these are the voices that will carry us through.”

“It feels so important to do this now,” agrees Genia Daniels, who has been overseeing the curation team and selection process. “Fielding over 1,600 submissions from artists, poets, and filmmakers in 91 countries around the world has given us an amazing field to work with. It’s a phenomenal array of voices, genres, styles and expressions. We are so excited to share this with people in Madison and beyond.”

The MVPF is a production of the Madison Arts and Literature Laboratory, a community-driven contemporary non-profit arts organization that supports the visual, literary, musical and performing arts, presents over 200 free or low-cost events per year, and offers year-round arts education for all ages. ALL nurtures innovation and the artistic growth of contemporary visual, literary, and performing artists; connects artists, resources and community; and fuels a passion for arts and literature.

The Midwest Video Poetry Fest is made possible in part by a grant from Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundations Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation, and the Pleasant T. Rowland Foundation.


Off On Poetic Ramblings – ZEBRA Poetry Film Festival with the country focus on Canada and Québec

From 19 to 22 November the ZEBRA Poetry Film Festival is presenting in the Kino in der KulturBrauerei and the Haus für Poesie the international competition for the Best Poetry Film as well as a programme of films and poetry with the country focus on Canada and Québec.

banner for ZEBRA Poetry film Festival 2020

Around 2,000 films have been submitted this year from more than 100 countries. From these, the Programme Committee, whose members are Heinz Hermanns (interfilm Berlin), Cia Rinne (poet), Heiko Strunk (lyrikline.org), Eloisa Suárez (Goethe-Institut) and Thomas Zandegiacomo Del Bel (ZEBRA Poetry Film Festival), has nominated 34 films for the Competition. A jury of experts in the fields of film, poetry and media will then announce the winning films at an awards ceremony on 22 November. The Best Poetry Film for Children will be awarded the ZEBRINO Audience Prize.

As well as the Competition, there will be 20 accompanying programmes of films featuring 250 animations, feature films, experimental films and documentaries providing an insight into the diversity of the poetry film scene. Besides Canada and Québec, thematic focus areas include Human Rights and Eco Poetry. What is more, ZEBRA will show the best film versions of this year’s festival poem, “LETHE”, by Botswanan Spoken Word artist TJ Dema. To round off the programme, there will be readings by poets from Germany, Canada and Québec as well as a programme of workshops and films for children and young people.

Programme and advance ticket sales online from mid-October at haus-fuer-poesie.org

The ZEBRA Poetry Film Festival has been running since 2002. At the time it was the first international platform for short films based on poems – poetry films – and is still the biggest of its kind. It offers poets, film makers and festival organisers from all over the world a platform for creative exchange, getting ideas and meeting a wide audience. Featuring a Competition, programmes of films, readings by poets, retrospectives, workshops, colloquia and programme for children, it presents in various different sections the diverse genre of the poetry film.

THU 19 Nov – SUN 22 Nov 2020
ZEBRA Poetry Film Festival
Kino in der KulturBrauerei
Schönhauser Allee 36, 10435 Berlin
Haus für Poesie Knaackstraße 97, 10435 Berlin


Ó Bhéal International Poetry-Film competition winners at Winter Warmer festival

via the Ó Bhéal blog

A multilingual poetry festival held in Cork City each November since 2013, Ó Bhéal is proud to present its annual Winter Warmer weekend.

Winter Warmer festival graphic

One of the highlights of Cork’s literary calendar, this unique event hosts 23+ renowned poets and performers from Ireland and 7-8 other countries.

The event also features films from the Ó Bhéal International Poetry-Film competition along with poetry collaborations with dance, theatre or other art forms, poetry accompanied by music and a closed-mic set for local poets.

In 2018 the festival expanded to four days thanks to our ECIC (European Community of Inclusive Cultures) partnership with festivals from four European countries: Festival dos Eidos (Galicia, Spain), Festival Literário da Madeira (Portugal), Salerno Letteratura Festival (Italy) and LitFest.eu Festival de Voulmentin (France). The 2019 festival took place over three days.

Ó Bhéal’s 8th Winter Warmer (and 1st online) festival presents 36 poets live from fifteen countries, from Thurs 26th – Sun 29th November. The festival will feature poetry workshops, music from Tionscadal na nAmhrán Ealaíne Gaeilge (the Irish Language Art Song Project) devised by Dáirine Ní Mheadhra and John Hess, the shortlist screening and prize-giving for Ó Bhéal’s International Poetry-Film Competition, a Many Tongues of Cork session and a closed-mic set for new voices – poets who have featured regularly in Ó Bhéal’s online open-mic sessions during 2020.

We are thrilled to announce that this year’s stellar line-up includes Imtiaz Dharker, Jacob Polley, Sinéad Morrissey, Tongo Eisen-Martin, Nuar Alsadir, Robert Sullivan, Dunya Mikhail, David Wheatley, Mary Jean Chan, Ranjit Hoskote, Julie Morrissy, Musawenkosi Khanyile, Natalya O’Flaherty, Susan Musgrave and William Wall.

Festivals, Competitions, Journals: Open for Submissions

Source: Thomas William, Unsplash
Source: Thomas William, Unsplash

CURRENTLY ACCEPTING POETRY FILM SUBMISSIONS:

Festival Fotogenia, Mexico
Entry fee: US$25
Submissions close: 20 September 2020

Versi di Luce, Italy
Entry fee: US$10
Submissions close: 30 September 2020

Deanna Tulley Multimedia Prize, USA
(from Slippery Elm Literary Journal, University of Findlay, Ohio)
Entry fee: US$10
Submissions close: 30 September 2020

Queensland Poetry Festival: Film & Poetry Challenge, Australia
(for Australian artists)
Entry fee: AUD$15
Submissions close: 10 October 2020

Mayflower 400 Poetry Film Competition, UK
Entry fee: free
Submissions close: 19 October 2020

Helios Sun Poetry Film Festival, Mexico
Entry fee: US$15
Submissions close: 31 October 2020

Athens International Poetry Film Festival, Greece
Entry fee US$6
Submissions close: 27 November 2020

REELPoetry Festival, USA
Entry fee: US$15
Submissions close: 15 December 2020

International Migration & Environmental Film Festival, Portugal
Entry fee: US$20.50
Submissions close: 31 January 2021

Caafa International Film Festival, Nigeria
(for African and African-descended artists)
Entry fee: US$10
Submissions close: 18 June 2021