A collaboration between Irish poet Brian Kirk and filmmaker Bao Zhu. Here’s how Kirk introduces it on his blog:
This is my poem film Red Line Haiku which was commissioned by South Dublin Libraries as part of the Red Line Book Festival 2015. The film was shown at the Civic Theatre Tallaght on Wednesday 14th October and Thursday 15th October as part of the festival.
The film maker was Bao Zhu, a student at Ballyfermot College of Further Education and we filmed in September 2015. My thanks to Bao who did a excellent job!
Shots of, or taken from, moving trains are a staple in poetry film, but seldom is the text focused on the train (or in this case tram) itself. The Red Line is one of two lines in Dublin’s light rail system, running “in an east-west direction through the city centre, north of the River Liffey, before and travelling southwest to Tallaght, with a fork to Citywest and Saggart,” according to the Wikipedia.
Literary festivals commissioning poetry films is a great trend, if it is a trend yet. I hope so! I’m running across more and more instances of it.
UPDATE: Read Lori Ersolmaz’ essay on the making of the film at Moving Poems Magazine.
This is Fourteen Photos from the Bridge, the winning film from last month’s Big Bridges poetry film contest, sponsored by Motionpoems and the Weisman Art Museum in Minneapolis, and I’m pleased to say that the filmmaker is someone we’ve regularly featured here: the New York-based, grassroots multimedia content producer and visual storyteller Lori H. Ersolmaz. Here’s some of what she says about it on her website:
My submission was based on the winning poem by Leonard Gontarek, Thirty-Seven Photos from the Bridge. Expressing fourteen of the thirty-seven stanzas, I used original footage shot in Paris and Belgium and filmed locally during summer 2015. I’m especially excited about this award as it provides me with an alternative visual storytelling approach to social issues. I submitted the film in an effort to open dialogue about the current need to address structurally deficient bridges and infrastructure.
There’s a good bio of Leonard Gontarek at the Poetry Foundation.
An animated poem from the Traveling Stanzas public poetry project at Kent State University’s Wick Poetry Center, in which illustrated poetry broadsheets are also given a video form. In this case, the art was the work of Christopher Darling, and the animator was The New Fuel studio. Rita Dove probably needs no introduction.
A text by the 20th-century Brazilian poet Cecília Meireles, read and translated into English by the London-based artist Natalie d’Arbeloff, has been translated into film by the indefatigable Belgian videopoet Marc Neys A.K.A. Swoon in a lovely and moving tribute to his late mother. He writes:
My mother passed away.
This is a tribute to her and the way she directed her own ending.[…]
The soundtrack is the end of this, re-edited with a reading by the translator Natalie d’Arbeloff. [Bandcamp link]
For the visual part of the video I used a split screen. Footage of leaves floating, a fish, reflections of leaves (by me), an old tea kettle drifiitng on the sea and the shade of a butterfly (Credit to Jan Eerala)
Sober and tranquil.
I know this work is personal, but I think that the beauty of the grief transcends the personal aspect. Anyway enjoy…
I never met Marc’s mother, but I almost feel as if I knew her, since she appeared in a number of his films over the years. I’m honored to have played a small role here in having brought the translation and reading to Marc’s attention by publishing them at my literary blog Via Negativa.
Susanne Wiegner‘s most recent 3D animation of a poem by Robert Lax is among the films scheduled for screening this Saturday, October 17, at Visible Verse in Vancouver, North America’s longest-running videopoetry festival.
To me, this is an excellent example of how a good videopoem can open up a difficult or hermetic text. If I’d encountered Lax’s poem on the page, I doubt I would’ve given it more than ten seconds of my attention before becoming irritated or exasperated, but Wiegner’s animation is so compelling and so full of surprises, its seven minutes went by all too quickly. Here’s what she wrote in the Vimeo description:
“the light – the shade” is a poem by Robert Lax that plays with the contrasts and opposites light and shade, with bright and dark, black and white, red and blue. The film begins with a nighttime scenery in a city, moves into a room and starts watching the movement of the shadows on the wall. Finally the camera enters the screen of a laptop and goes deeper and deeper into the poem. The film becomes a journey through the realm of imagination, through spaces and pictures, through letters and words. In that way the minimal language of the poem is unfolded into unexpected pictures.
This animation by Lauren Orme and Jordan Brookes is described by the poet, Mab Jones, as
A poem about love, in the form of a list.
Dedicated to (about) the poet Johnny Giles.
The film has just taken top honors at the 2015 Rabbit Heart Poetry Film Festival, winning for Best Animation, Best Valentine, and Best Overall Production. It was also shortlisted in the Southbank Centre’s Shot Through The Heart poetry film competition in 2014.
Andrew Wyeth, Painter, Dies at 91
Poem by L. S. Klatt
Film by Tom Jacobsen
Motionpoems 2012
This delightful videopoem glides along on a journey that inescapably comes to an end with the death of the great artist, Andrew Wyeth.
Visually this film is a real treat for me. I work with the same program Tom Jacobsen uses, Adobe After Effects. Jacobsen succeeds beautifully at weaving in the software while allowing the imagery to follow the words. The images reveal aspects of Wyeth’s work, creating an exquisite statement.
Continuity is a huge issue for me. Jacobsen’s use of two very different art forms, drawing and photography, is successful: the two seamlessly overlap without distracting the viewer. There are times when an artist will throw in a photo for whatever reason, and it doesn’t always work. But in this film it helps to create a painterly rhythm. The use of abstract forms such as ink drops also adds to the flow, assisting the foreground images as they reveal the spoken words.
I love the music, and I think it’s a good fit. But however slight a criticism it may be, I could do without the sound effects. Why throw in the kitchen sink when the piece is so pleasing and pure?
A Ukrainian poetry film directed by Dmytro Sukholytkyy-Sobchuk with a poem by Hrytsko Chubai. Be sure to click on the CC icon for the English subtitles, translated by Iryna Vikyrchak, and see the YouTube description for additional credits. I found this thanks to the Ó Bhéal International Poetry-Film Competition shortlist for 2015. (The screening is scheduled for this very weekend, October 10-11, at the Smurfit Theatre in The Firkin Crane, Cork, Ireland.)