Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.
Director Cine Povero notes:
A poem by Portuguese writer Sophia de Mello Breyner (1919-2004)
Read by Natália Luiza (“Ao Longe os Barcos de Flores”)
Music: “Guidemebytheshiplights, part 2” by Matt StintonFilmed at Terra Nostra Park (São Miguel Island, Azores) and Sintra National Park (Portugal).
To sample more of Sophia de Mello Breyner Andresen‘s work in English translation, see the Poetry International website.
This was the first of the three films Kate Sweeney made in collaboration with poet Colette Bryce for her residency at the Dove Marine Laboratory. (The other two are Ballasting the Ark and Turbines in January.) Sweeney wrote:
‘The Lab Aquaria’ seeks to capture a tone, a feel of the lab; a sort of visual mood or reflection that leaves an after-image of the poem. Colette wished to include one site-specific piece about the Dove laboratory and we visited together to collect imagery in photography and video.
Though there are a couple of direct matches between text and film image, the film as a whole escapes the trap of excessive literalism, and comes across as a lyrical meditation on marine life and the work of science.
[UPDATE] The three films were shortlisted for the Ted Hughes Prize for new works in poetry in 2013.
This is — the credits tell us — a production of the San Diego State University School of Theatre, Televison, and Film. Alexander Ameen, Miles Feld and Kurt Conety jointly directed a disturbing and imaginative interpretation of Neruda’s “Clenched Soul” as translated by W.S. Merwin.
Erica Goss should be familiar to regular readers of Moving Poems for her monthly column about videopoetry, The Third Form, but she is also a very good poet in her own right, as this new collaboration with Swoon (Marc Neys) demonstrates. This was actually a tri-national collaboration, because the cinematography was by Alastair Cook, re-edited by Marc. For the text of the poem, as well as some process notes, see Marc’s blog.
This mash-up by Othniel Smith is so wrong, it’s right: images from Red Detachment of Women accompany a Librivox reading of a classic poem from the Harlem Rennaissance poet Georgia Douglas Johnson. I hope her heirs have a sense of humor.