The second collaboration between Marie Craven and Lucy English for The Book of Hours. Marie recently blogged some process notes:

‘Quiet Sounds’ is my second video collaboration with the marvelous UK poet and performer, Lucy English. Both have been made as part of her great, multi-artist project, ‘The Book of Hours‘. The earlier video, ‘The Last Days‘, started with images. This one started with the poem and sound. The soundscape is comprised entirely of Lucy’s voice and small noises in the environment. I wanted the ‘bed’ of the soundscape to be quietly musical and constructed it from a collection of sounds recorded by various artists, and found on Creative Commons licences at Freesound. The central element is the metronomic sound of a clock ticking. I edited Lucy’s voice in loose rhythm with the clock, elongating the pace of her reading and leaving spaces for the various other sounds to have their ‘solo’ moments: a pheasant and a wood pigeon, a sheep, a cow, an old fridge, air traffic. I carefully built up the soundtrack piece by piece until I had a complete first draft. Then I looked for images that might add further to the audiovisual experience of the poem. The poem describes a moment of solitude, a hush when a woman becomes aware of the little sounds in her environment. It is implied she is inside a domestic space at the time. In my net wanderings, I found a marvelous series of interior shots by Carol Blyberg (aka Smilla4 on Flickr), also available on a Creative Commons licence. I worked with the images using zooms and slow dissolves that changed in rhythm with Lucy’s voice. For such an apparently simple piece, it was time-intensive to make, especially in the refining process that saw both sound and image go through many drafts. I gave a lot of attention to subtle details, in a meditative way. Maureen Doallas has since featured ‘Quiet Sounds’ on her wonderful blog, Writing Without Paper.

See Vimeo for the text of the poem, as well as links to all the soundtrack sources.