Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.
A neon animation by Jack Feldstein based on a poem by Philip Dacey.
An award-winning film by Dutch filmmaker and artist RJ (Jetze Roel van Assen).
Lebanese filmmaker Eliane Raheb directs. From the Free Arab website:
Since the start of the revolutions, Friday has become a symbolic day for all Arab protestors, it is the day to take down the streets and ask for changing the regime. From his refuge in Beirut, Tarek who is unable to demonstrate against the regime in Lattakia, uses his pen to write a poem, in tribute to the protesters everywhere in Syria
http://vimeo.com/40176696
(English version)
http://vimeo.com/39052134
(Dutch version)
Kris J. Yves Verdonck used “stopmotion, pixilation and edited images of Eadward Muybridge,” and notes that the “English version is slightly different from the Dutch one.”
The graphics exist to support the soundtrack here, but I still thought it was an effective videopoem. Ryerson University film student Adin Dell advises, “Put on some headphones or turn up the volume to really hear the ‘soundscape.'”
Filmmaker Hannah Lovell notes that this is
A short extract from “The Hamlet”, a 25 minute documentary-poem collaboration with my mother Melinda Lovell, combining poems written and footage gathered over many years while living in a small hamlet in the south of France.
For more extracts from the project, see Hannah’s Vimeo page. Mother and daughter also run a literary micropress together, Inchivalla Press.
Mexican filmmaker Patricia Nieto’s brief but effective envideoing of a fragment from Matthew Dickman. The poem originally appeared in The American Poetry Review, and is reproduced in its entirety at a blog called The Poetry Place.
This is Your Crooked Heart. Director Peter Szewczyk notes: “W.H. Auden’s beloved poem set against London’s Bricklane. Shot improvisationally in one night.”