~ Facebook ~

News roundup: Text(e) Image Beat exhibition, “Send and Receive” videos, Facebook video embedding and more

Text(e) Image Beat banner

The videopoetry exhibition Text(e) Image Beat, curated by Valerie LeBlanc and Daniel H. Dugas, is now showing at the Galerie Sans Nom in Moncton, New Brunswick, Canada. It runs through May 1.

With: Heid E. Erdrich + R. Vincent Moniz, Jr + Jonathan Thunder; Hannah Black; Matt Mullins; Martha Cooley; John D. Scott; Tom Konyves; Swoon (AKA Marc Neys) + Howie Good; Michel Félix Lemieux; Kevin Barrington + Bruce Ryder; Maryse Arseneault; Fernando Lazzari; Matthew Hayes + Sasha Patterson + Lee Rosevere.

[…]

The call for Text(e) / Image / Beat did not specify particular themes. Through the necessity of paring down the choices and assembling a flow of works that complemented and gave space to each other, we became aware of recurrent elements. In spite of the fact that the videos originate from many distinct locations, ideas of awaiting / finding miracles and mysteries of living, are frequent. Each work exhibits innovation and imagination, calling upon a wide range of skills to layer meaning. Slam poetry, rants, softly spoken words, hand written notes, and remixes are all used to articulate.

Click through to read the rest of the detailed and annotated curators’ commentary.

*

I discovered this week that videos of presentations from the “Send and Receive – Poetry, Film and Technology in the 21st Century” conference at FACT in Liverpool have been posted to the web at artplayer.tv. The videos are embeddable, but with code that will probably not show up in feeds or email, so I will just link to the presentations here. Check out presentations by: Suzie Hanna; Zata Kitowski; Marco Bertamini; Deryn Rees-Jones; Jason Nelson; George Szirtes; Judith Palmer; and Roger McKinley (the host). They’re all worth your time, but I found Rees-Jones’ talk to be especially thought-provoking. (See also the earlier report at Moving Poems Magazine: “Conference on poetry, film and technology at FACT: three views.”)

*

News emerged this week from Facebook’s annual developer conference, F8, that Facebook videos will soon be embeddable. Venturebeat reports.

A lot of poetry videos, especially of the more rough-and-ready sort (e.g. self-recorded recitations), are only uploaded to Facebook, so it will be helpful to have the freedom to share them on sites like this one. But Facebook launching a proper video hosting platform isn’t necessarily something I welcome, given the corporation’s poor track record with privacy and its ambition to swallow up the independent web, which Facebook succeeds in reproducing about as well as the Mall of America reproduces an agora.

*

More details are emerging about Media Poetry Studio, the multimedia poetry summer camp for girls in Silicon Valley. The website now lists the time and location (July 20-31 at Edwin Markham House in San Jose’s History Park at Kelley Park, home of Poetry Center San Jose). And a March 27 article in the San Jose State University newspaper Spartan Daily interviews camp organizers Erica Goss and David Perez:

In terms of tuition, Goss said the program is “pretty reasonable,” costing $799 for two weeks.

The three poet laureates started planning the camp last spring.

“We had to secure funding, we had to write grants, we had to come up with curriculum—which we’re still working on—we had to find a place to do it and a fiscal sponsor since we’re not a nonprofit,” Goss said. “There’s lots of work and we’ll be doing it right up until the day it starts.”

Goss said they want to be able to give each student individualized attention so there is room for about 20 young women.

The Indiegogo campaign is now 62% funded, with $3,075 raised toward a $5,000 goal.

*

And finally, speaking of Erica Goss, she has an essay in The Pedestal Magazine about her experience at the 7th ZEBRA Poetry Film Festival last October.

#BlackPoetsSpeakOut: poetry video as a tool for online activism

News coverage of the nationwide response to the grand jury’s decision in Ferguson, Missouri this week has focused on the protests in the streets, but reaction online has been just as intense. This is nowhere more visible than on Twitter, where hashtags such as #FergusonDecision and #BlackLivesMatter have been trending all week, shared by white and black users alike. One slightly less visible hashtag, #BlackPoetsSpeakOut, is continuing to gather steam, and really shows how people can mobilize on social media and online video hosting sites to share topical poetry and raise consciousness. According to the blog Cultural Front, it began with a group of Cave Canem poets on Facebook.

In solidarity with the movements to address racial injustices related to police brutality, including the killing of Michael Brown, poets have been reading poems online under the hashtag #BlackPoetsSpeakOut.

The project came about from a brainstorming session between Amanda Johnston, Mahogany “Mo” Browne, Jonterri Gadson, Jericho Brown, Sherina Rodriguez, & Maya Washington on a Cave Canem Facebook group. Together, they developed a posting strategy.

The readings open with the statement “I am a black poet who will not remain silent while this nation murders black people. I have a right to be angry.”

Click through for Cultural Front’s selection of links to some of the pieces.

It’s interesting to see Facebook (where some of the videos are also hosted), YouTube, and Twitter all being used in concert. Twitter has long had a high adoption rate among African Americans — so much so that “Black Twitter” has become a unique sociopolitical phenomenon.

Black Twitter is a cultural identity on the Twitter social network focused on issues of interest to the black community, particularly in the United States. Feminista Jones described it in Salon as “a collective of active, primarily African-American Twitter users who have created a virtual community … [and are] proving adept at bringing about a wide range of sociopolitical changes.” […]

According to a 2013 report by the Pew Research Center, 26 percent of African Americans who use the Internet use Twitter, compared to 14 percent of online white, non-Hispanic Americans. In addition, 11 percent of African American Twitter users say they use Twitter at least once a day, compared to 3 percent of white users.

It’s perhaps not surprising that Black Twitter would rally around a campaign to share poetry, given the value placed on the adroit use of language. Quoting again from the Wikipedia article:

Several writers see Black Twitter interaction as a form of signifyin’, wordplay involving tropes such as irony and hyperbole. André Brock states that the Black Tweeter is the signifier, while the hashtag is signifier, sign and signified, “marking … the concept to be signified, the cultural context within which the tweet should be understood, and the ‘call’ awaiting a response.” He writes: “Tweet-as-signifyin’, then, can be understood as a discursive, public performance of Black identity.”

Sarah Florini of UW-Madison also interprets Black Twitter within the context of signifyin’. She writes that race is normally “deeply tied to corporeal signifiers”; in the absence of the body, black users display their racial identities through wordplay and other language that shows knowledge of black culture. Black Twitter has become an important platform for this performance.

(Click through for more, including links and footnotes.)

For maximum viewing convenience, here’s a YouTube playlist. You can also search Facebook and Tumblr. (Decentralized movements are the best kind, but they can be challenging to keep up with!)

Program announced for Visible Verse videopoetry festival

Heather Haley has posted the program for the Visible Verse videopoetry festival, which will be in Vancouver, BC on Friday, Nov. 4 and Saturday, Nov. 5 at the Pacific Cinematheque. A few of the filmmakers’ names were familiar to me from curating Moving Poems (Swoon Bildos, Alastair Cook, Kathy McTavish), but the majority were not, which is exciting: it suggests that my online anthology, extensive as it is becoming, is really only the tip of the iceberg. Not only do I miss a lot of good stuff, but many people never upload their films to a video-sharing site, especially those who are more focused on getting into festivals.

This year’s festival will also include an artist talk/Q&A with Tom Konyves, focusing on his recent Videopoetry: A Manifesto, and a live reading by a vsisiting videopoet, Rich Ferguson.

Incidentally, the Facebook group page for the Visible Verse Festival, source of this information, is a good place to find links to new work, since anyone can join and post to it.