The Poetry Storehouse aims to connect poets with artists and filmmakers

Just a few weeks old, The Poetry Storehouse, poetrystorehouse.com, is already beginning to live up to its slogan, “great contemporary poems for creative remix.” Everything in the site is licensed under a Creative Commons Attribution-Noncommercial License, and there are also links to off-site collections of work with remix-friendly CC licenses of one variety or another. The site’s editors, led by Nic S., are actively soliciting for submissions of poetry in English, and new material will be added on a weekly basis. The editors tag and categorize the poetry on the site fairly exhaustively in order to maximize its findability.

The Poetry Storehouse is an effort to promote new forms and delivery methods for page-poetry by creating a repository of freely-available high-quality contemporary page-poetry for those multimedia collaborative artists who may sometimes be stymied in their work by copyright and other restrictions. Our main mission is to collect and showcase poem texts and, in some instances, audio recordings of those texts. It is our hope that those texts will serve as inspiration or raw material for other artistic creations in different media.

I’m one of the site’s advisors, along with Marc Neys. My primary agenda is probably pretty obvious: generate more videopoems/filmpoems to share on Moving Poems! But more than that, I strongly believe that poets should be more open to artistic collaboration, and stop viewing a printed book as the ultimate destination for their work. And I think any filmmaker looking for a great short subject should consider bringing a poem to the big or small screen.

I’ve added The Poetry Storehouse to our page of web resources for videopoetry makers in the “Free and Creative Commons-licensed texts and audiopoetry” section. (And while I was updating the page, I also added a new section with links to free online filmmaking tutorials, to make it even easier for poets who want to have a go at envideoing their own or others’ works. Thanks to beginning poetry filmmaker Graham Barnes for the suggestion.)

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