~ May 2020 ~

Call for Entries: 8th Annual Ó Bhéal International Poetry-Film Competition

In case you missed the brief link in last week’s news round-up, here’s a press release from Ó Bhéal with the full call-out.

The 8th annual Ó Bhéal International Poetry-Film Competition

2020 is Ó Bhéal’s eleventh year screening International poetry-films, and the eighth year featuring this competition. Up to thirty films will be shortlisted and screened during the festival in November 2020. One winner will receive the Indie Cork / Ó Bhéal prize for best Poetry-Film.

Submissions are open from: 1st May – 31st August 2020. You may submit as many entries as you like. Films must interpret, or convey a poem which must be present in its entirety (audibly and/or visually), having been completed no earlier than 1st of May 2018.

Entries may not exceed 10 minutes in duration. Non-English language films will require English subtitles. The shortlist will be announced during October 2020.

One overall winner will receive the Ó Bhéal award for best poetry-film. Shortlisted films will be screened (and the winner announced) at the 8th Winter Warmer poetry festival (27th-29th Nov 2020).

Entry is free to anyone, and should be made via email to poetryfilm [at] obheal.ie – including the following info in an attached word document:

  • Name and duration of Film
  • Month & Year completed
  • Name of Director
  • Country of origin
  • Contact details
  • Name of Poet
  • Name of Poem
  • Synopsis
  • Filmmaker biography
  • and a Link to download a high-resolution version of the film.**

**If you are sending a vimeo or youtube link, etc, please ensure that the download button is enabled. All films not shortlisted by the judges are permanently deleted directly after the adjudication process.

The Judges for this years competition are poet/playwright/filmmaker Dairena Ní Chinnéide & poet/filmmaker Paul Casey

Follow the link for an outline of the submission details:
http://www.obheal.ie/blog/competition-poetry-film/

OBhealPoetryFilmFlyer2020

New Poetry Video Magazine: Blank Verse Films

I’m a little late with this news, but back on April 1, the poetry video producers Blank Verse Films expanded from their YouTube channel into what they’re calling a video magazine about poetry. I’m a firm believer that everyone who can afford to should establish their own, independent website and not be completely at the mercy of corporate hosting platforms, so this is really welcome news. Quoting their About page:

Blank Verse Films is a video magazine that produces poetry-related films. Our mission is to broaden the reach of poetry & literature by putting it on screens. We are operated by a few like-minded readers in Southern and Northern California.

Poems are selected largely through our own lonely impulse of delight. Commissions and partnerships are not our focus, but if you would like to reach out, we are receptive and you can email us with any inquiries. We operate as a non-profit through our fiscal sponsor Film Independent. You can support us through their donation page.

Our ambition is to establish ‘poetry videos’ as a recognized genre of film like music videos. If you want to post your own poetry video here, we encourage you to send it to us. Sign up for our newsletter to get updates on our films.

When We Get Lonely, It Will Be Together by Melissa Studdard and Kelli Russell Agodon

“Meet the Queens of Quarantine Poetry” is Houston Public Media‘s only slightly clickbaity title for this seamless blend of interview and videopoem. From the YouTube description:

In this time of quarantine and self-isolation, two friends have been co-writing a series of poems inspired by the coronavirus pandemic.

Houston poet Melissa Studdard and Seattle poet Kelli Russell Agodon connect across the miles through Zoom to read their poem “When We Get Lonely, It Will Be Together” and to describe what it means to create art during a pandemic.

Dave McDermand and Joe Brueggeman handled the recording and editing, and Catherine Lu did the interviews. Lu tweeted that it was “Possibly [the] coolest project I’ve done for @HoustonPubMedia.”

I follow both poets on social media and have been reading their collaboratively written quarantine poems with great interest, so it was wonderful to get some background on how the project evolved: out of their pre-existing habit of writing together in a virtual shared study space, using video conferencing software and reading each other’s drafts on Google docs. It’s great that they’re letting the rest of us read over their shoulders, as it were, especially given the pressure from literary journals to hide all one’s poetry away in order to keep it eligible for submission. I advise following Kelli and Melissa on Twitter, where they post the drafts as jpegs. Here are links to some of the more recent ones, posted on April 21, April 22, April 25, April 27, May 5two on that day, and May 8.

Twenty Times by Caroline Rumley

This deservedly won the Audience Award at the 2020 REELpoetry/Houston TX festival in January, where I first saw it and was moved by the juxtaposition of disturbing imagery — either actual police body camera footage, or a very good simulacrum of it — with the speaker’s sedate description of her own backyard: a powerful indictment of the racism and class divisions permeating American society, where Black men risk death by police or vigilante shooting every time they go out the door, even into their own grandmother’s backyard. Rest in peace, Stephon Clark. I wish this videopoem didn’t still feel so necessary and relevant.

Twenty Times was runner-up in the Atticus Review 2019 Videopoem Contest. Marc Neys, the contest judge, wrote:

“Twenty Times” is a powerful political and poetic video. The use of ‘lo-fi’ imagery adds to the suspense and darkness of the video. The contrast with the every day life described in the poem sets the perfect base for the message.

Click through for a bio of Rumley, and visit her website for links to all her films.

Přehlídka / A Parade by Jaromír Typlt

A new videopoem by Marc Neys in response to a text and reading by Czech poet Jaromír Typlt, translated for the English subtitles by David Vichnar. The footage is from Jan Eerala, and the music is Neys’ own. He quotes Typlt in the Vimeo description:

The central image of the poem is the “postcard rack”, but the second meaning is now also the meaning of corona-restrictions of the international movements: I wrote the poem in my Paris isolation (confinement).

Typlt added this in a blog post (adapted from a Google translation):

There are two dangers to “filmed poems”: either they illustrate the text too literally with a picture, or they are so loose that they are interchangeable with anything else. And that is why for me SWOON (Marc Neys), a video artist from Belgium, is such a remarkable phenomenon: he can open a space free enough for the text, and at the same time close-fitting. […] The film A Parade is our third collaboration after In the Sign (2013) and Instincteia (2014). This time the voice recording was not made in the studio, but in makeshift conditions at the same window in Paris where the whole strange vision was born on April 10, 2020…

News Round-Up: Pandemic Edition

“Why Poetry?” Video Podcast Special on Poetry Film with Lucy English

https://www.youtube.com/watch?v=sPti3riEkh0

This is such an excellent look at the role of collaboration in poetry film-making. A very well-edited and satisfying program, focusing on Lucy English’s Book of Hours project, it ought to work well as an introduction to the genre for poets and filmmakers alike.

Ó Bhéal Poetry-Film Competition Open for Submissions

Guidelines here.

Weimar Poetry Film Award: Festival Postponed, Deadline Extended

Guidelines here.

FVPS Deadline Extended and The Symposium Postponed until Fall 2020

“The Film and Video Poetry Society will postpone our 3rd annual symposium; we are hopeful, and are committed to rescheduling for fall 2020. Submissions remain open and our deadline extended to August 3, 2020.” More here.

Newlyn PZ Poetry Film Competition Winners Announced

The 2020 Newlyn PZ Film Festival was cancelled, but we still know the winners of the poetry film competition thanks to a post at the increasingly indispensable Liberated Words website.

Cadence Video Poetry Festival, Other Film Festivals Move Online

Rather than cancel entirely, the Cadence Video Poetry Festival made the choice of screening films online in five screenings on 15-19 April. A number of other film festivals are opting to screen films online for a few days as well. It’s a shame that so many film festivals bar submissions of films that are freely available online. Otherwise it might be possible for Cadence and others to post all competition films to the web on a permanent basis, and people with dodgier internet connections (including myself) would have an easier time watching them. If the pandemic makes meat-space festivals impossible for the next couple of years, as seems possible, some festivals might end up doing a 180 and requiring all submissions to be available on the web. That would certainly shake things up!

Visible Poetry Project Films All Online

The Visible Poetry Project is one web-first, festival-like thing that wasn’t hurt by the pandemic. A film went up each day in April, and you can watch them all on their website.

New Book on Videopoetry by Valerie LeBlanc and Daniel H. Dugas

Books on or about videopoetry are a rarity, and this one is available for free as a PDF, with a print version due out later this year. Here’s Sarah Tremlett’s mini review. It’s cool to be able to read about the making of a film and then click a live link to watch it. I’ll be interested to see whether the print edition includes QR codes allowing readers with mobile phones to watch the films as they read.

Online “Festival of Hope” Features Videopoetry

This is a cool festival. And it looks as if the films may remain live for a while.

Corona! Shut Down? Open Call and Ongoing Release of Videos

New Media 2020 Corona Festival banner

It’s not just for poetry videos, but this is well worth checking out — and submitting to. As they say, “Corona isn’t the plague, and not all infected people are gonna be dying. Probably, the crisis is a wake-up call – to rethink and change!?”

Consensus trance by Janet Lees

A new video from artist and poet Janet Lees, who calls it

A film poem for the end times
Words & imaging by Janet Lees, with thanks to Richard Heinberg for the title. Image taken on the last Thursday in April 2020.
Music, ‘On a Thursday in April’ by Crysalide Shoegaze