Posts By Dave Bonta

Dave Bonta is a poet, editor, and web publisher from the Appalachian mountains of central Pennsylvania.

Years After You Die by Simone Savannah

A highly personal, author-made videopoem by writer and doctoral student Simone Savannah. Like yesterday’s video, this was recently featured at The Continental Review.

In a 2015 interview with the Phoenix Rising Collective, Savannah discussed some of the family history that she also drew upon in this poem.

Translations (from The End of Something) by Kate Greenstreet

A fascinating experiment in bilingual videopoetry from the always inventive Kate Greenstreet. Here’s the description on Vimeo, with italics and links added:

Based on early versions of poems from The End of Something translated into French by Alexander Dickow for the anthology Ligatures: Poets of France and America (Catala Press, 2017). Featuring the voice of Virginia Konchan speaking the French lines and a short video clip of Amaranth Borsuk (“the girls are gone”). This video first appeared in The Continental Review (thecontinentalreview.com).

It’s good to see The Continental Review, one of the oldest online poetry video journals, still putting out issues. Browse their latest material here. And be sure to visit Kate Greenstreet’s webpage for The End of Something to download a free music EP and watch three more videopoems based on texts in the forthcoming book. Ahsahta Press’s description begins:

In curating cartography together with lyric, poly-vocality with loneliness, and even the unspeakable with common speech, poet and artist Kate Greenstreet has created a surprising hybrid with The End of Something. The intimacy in Greenstreet’s partial narratives and slow admissions contrasts with much of what we consume as Americans, which is fleeting and feigns being “factual.”

Art Visuals & Poetry Film Festival Vienna 2017 winners announced

Vienna Poetry Film Festival winners

From the front page of poetryfilm-vienna.com/en:

ART VISUALS & POETRY FILMFESTIVAL VIENNA NOV 4 – 6, 2017

The award winners 2017

People, we had three great days with lots of fantastic poetry shorts. The festival donates 5 prizes. The festival awarded the Austrian animator Gudrun Krebitz for her film “Exomoon” with the main festival prize. The Rilke Competition prize or Special Award goes to Sebastian and Daniel Selke for their interpretation “rilke überoffen”. The only Honorable Mention of the Vienna Poetry Film Festival goes to Andrea Capranico from Italy for “The Landscape Within”. The Hubert Sielecki Award for the best Austrian poetry film of the festival goes to Moritz Stieber “Die Tatsachen im Fall Waldemar”. The OKTO audience award goes to Christian Heinbockel for his film “Lass uns von Liebe sprechen” or “Let´s speak about love”. Stay tuned. We will publish the jury statements soon!

Go here for the post in German.

A Short History of Spoken Word Poetry

If you’ve ever wondered, as I have, why the U.K. has such an incredibly vital spoken word scene, this charming animated short from Apples and Snakes’ Spoken Word Archive will bring you up to speed. (Yes, YouTube gets a nod.)

Spoken Word Archive is a celebration of the artists and the events that make up the Apples and Snakes story, as well as the wider story of the modern spoken word poetry movement.

http://www.spokenwordarchive.org.uk

Apples and Snakes is the leading organisation for performance poetry in England, with a national reputation for producing exciting and innovative participation and performance work in spoken word.

http://www.applesandsnakes.org
http://www.facebook.com/applesandsnakes
http://www.twitter.com/applesandsnakes

Animated by Caroline Rudge and Creative Connections
Voiceover by Charlie Dark
Script by Ben Fagan
Produced by Nicky Crabb, Ben Fagan and Giovanna Coppola
Research from the Spoken Word Archive team: Russell Thompson, bleue granada and Chikodi Nwaiwu.

Body With No Windows by Annelyse Gelman

A film written and directed by Annelyse Gelman, who also composed the music in the soundtrack. Her description on Vimeo:

Body With No Windows explores death and embodiment through a collage of faceless sequences from public-domain home video footage of a Pennsylvania family in the 1950s.

It was featured in Issue 152 of TriQuarterly, where video editor Sarah Minor wrote:

In “Body With No Windows” by Annelyse Gelman, “human faces have been elided,” first found and then lost. Here, the tensions between vocal annunciation and the sharp timing of archival clips showcase Gelman’s practiced hand at working in collage. A woman on camera walking alone becomes a mother holding a child’s hand just as suddenly as “the feeling that your body belongs to you” might go away. Gelman’s opening soundscape signals a kind of dread or apprehension. This tone is quickly disrupted by quotidian footage of sunbathers in crabgrass, yard dogs, and tandem swimmers curated from the Prelinger Archives. In a particular fleeting style that intermedia texts seem to capture best, Gelman asks us to recognize the uncanny that we only witness in the daily lives of others, that particular waiting “to be carried from what you cannot remember to what you cannot forsee.”

Washing Day by Cactus “Cathy” Chilly

A haunting, incantatory videopoem from U.K. poet-filmmaker Cactus “Cathy” Chilly that raises disturbing questions about what we accept as normal and ordinary.

Vaccine by Christy Ducker

I can’t say enough good things about this animated film by the ever-inventive Kate Sweeney. It works equally well as a poetry film or as a lyrical promo for vaccination; the transition from prose narration (by Dr. Mohamed Osman) to poetry half-way through is natural and powerful, and the poem by Christy Ducker is extraordinarily good. Here’s the description:

An animated film highlighting the research and fieldwork into finding a cure for Leishmaniasis, a chronic disease affecting millions of people in areas such as Sudan and Syria. The film was made as part of a collaboration between poet Christy Ducker and artist Kate Sweeney and scientists working at York University at The Centre for Chronic Disease.

Working in collaboration allows access to an other’s research, in this case, the work of scientists who are actively working to find a cure, and to study the causes and exacerbations of the Leishmaniasis disease. Dr Mohamed Osman sent me photographs he had taken when in Sudan of the people he was working with, trialing a vaccine for the disease. I was able to interview him, talk to him about my interests in stories and how we tell stories to frame experiences and use his response and his photographs in the initial part of the film. The second part of the film is an animated response to Christy’s poem that explores metaphorical links between medical vaccinations and the grieving process. Where the loose style of the first part of the film reflects the nature of conversation, the more structured animation in the second part reflects poetry’s structured, considered language.

Small Things Bind the World by Erica Goss

This author-made videopoem by Erica Goss presents haiku in a really innovative way that I haven’t seen before. It was a Showcase Selection at the 2017 Rabbit Heart Poetry Film Festival. Erica writes:

I made this video last summer in my backyard. It’s a selection of haiku that seemed to tell a story, with big letters imposed over a glitter globe I bought at the MOMA-San Francisco gift shop. It’s somewhat nostalgic for me to watch this, as it’s one of the last art projects I did before moving from California to my new home in Eugene, Oregon.

Call for submissions: Weimar Poetry Film Award

Weimar Poetry Film Award Flyer 2018

Once again, the annual backup_festival at Bauhaus University and the Literary Society of Thuringia are cooperating to sponsor a poetry film prize in association with Poetryfilmkanal. The 2018 Weimarer Poetryfilmpreis is now open for submissions. Here’s the English version of their bilingual call:

CALL FOR SUBMISSIONS

Through the new film award, backup_festival and Literarische Gesellschaft Thüringen e.V. (LGT) are looking for innovative poetry films. Filmmakers from any nation and of any age are welcome to participate with up to three short films of up to 8:00 mins, which should explore the relation between film and written poetry in an innovative, straightforward way. Films that are produced before 2015 will not be considered. From all submitted films selected for the festival competition three Jury members will choose the winner of the main prize (1000 €). Moreover, an audience award of 250 € will be awarded.

The competition »Weimar Poetry Film Award« is financed by Kulturstiftung des Freistaats Thüringen, Thüringer Staatskanzlei and the City of Weimar.

Deadline: January 31th, 2018.

Form for submissions [pdf] by mail or e-mail.

Literarische Gesellschaft Thüringen e. V.
Marktstraße 2–4
99423 Weimar, Germany
Email: info@poetryfilmkanal.de

The »Weimar Poetry Film Award« call for entries is international. For the submission send with the other informations a quotable text of the related poem in German or English.

Presentation of awards: June 2nd, 2018.

More information about the programwww.backup-festival.de.

Link.

Apartment Living by Meghan O’Rourke

Elizabeth Masucci directs and stars in this adaptation of “Apartment Living” by Meghan O’Rourke — the second installment in Masucci’s ambitious poetry short film anthology series (Maya Angelou’s “Phenomenal Woman” was the first).

It’s always great to see professionally made, narrative cinema-style poetry films that seek to inhabit a poem and take it in new directions rather than just using it as a jumping-off point. Apartment Living compares very favorably with other recent, stand-out films of this type such as Lotus Hannon’s The Expiration (based on John Donne) and Laura Scrivano’s A Lovesong (based on Prufrock).

Endellion — excerpts from a poem by Emma McGordon

Filmmaker Rhiannon Tate collaborated on this film with spoken word poet Emma McGordon and composer David John Roche. Endellion was “produced as part of Endelienta‘s Artists in Residence 2017, held in St Endellion, North Cornwall,” according to the Vimeo description.

Hat-tip: the Poetry Film Live group on Facebook.

Body Talk by Amy Bobeda

“A video poem about the relationship between film, the body, and Lyme Disease,” Body Talk was written and directed by Amy Bobeda. It was one of the films screened last Saturday in Ashland, Oregon as part of Cinema Poetica.