Posts By Dave Bonta

Dave Bonta is a poet, editor, and web publisher from the Appalachian mountains of central Pennsylvania.

Solo duet by Janet Lees

The latest film poem from Manx artist and poet Janet Lees seems fitting for this week of scorching temperatures in so many places. I’m sure she won’t mind if we paste in the full text of her Vimeo description, because it’s interesting to see what she excerpted from her original page-poem, “Retreat,” to make the film poem:

Poem & video by Janet Lees
Music by Tonic Walter & Nina Nst
The full poem, originally published in Earthlines magazine:

Retreat

1
I have hung out my clothes
on the washing line at the edge of the world.
Silhouetted arms and legs
give dumbstruck kicks and jerks,
stiff with salt and too much mending
by hands that have lost
the scent of naked,
eyes that can’t see
to thread a needle.

2
Viewed through glass: peat,
pelt. Imagined song
of blood and stone
fattening my tongue until
it fills my mouth, stops
my throat.
Between inside
and outside,
the flame roar of the wind,
cauterising open sores
where men have dug out earth from me
to burn to warm their hands.

3
My blood
runs cold and clear
My bones are made
of the world’s dried tears
There is wreckage
and resurgence in my heart
At dusk I drink the sun
and then dead stars
live again in my skin
which breaks
and is
unbroken

Morning Walk by Joyce Sutphen

A new film from Motionpoems—the first in a couple of years—underwritten by the Center for the Art of Medicine at the University of Minnesota Medical School. My elderly mother takes a morning walk every day, so Joyce Sutphen‘s poem really resonated—especially as embodied by the actor here, Debra Magid. Zack Grant directs.

The text on the front page of Motionpoems suggests that while the nonprofit organization has shut down, we can expect more occasional films like this one:

Motionpoems Inc., was a 12-year initiative known for turning contemporary poems into short films, while also producing educational programs, public installations, and events. Founded by filmmaker Angella Kassube and poet Todd Boss in 2008, and officially dissolved in 2020 after having made 150+ shorts, today Motionpoems is a project of Todd Boss Originals.

The Life Breath Songs: toward a nature poem, written by the people of Scotland

In her first project as Makar (Scotland’s national poet), Kathleen Jamie invited Scots to submit lines for a trio of crowd-sourced film-poems with a clear rewilding theme, to coincide with the 2021 United Nations Climate Change Conference in Glasgow. As filmmaker Alastair Cook explains on the project’s page at Filmpoem:

The Life Breath Songs (Òrain Beò-analach) is a three film cycle from the #PeoplesPoem project supported by the Scottish Government and driven by the Makar, Kathleen Jamie –

The Life Breath Song
The Shivering River
Are We Listening?

Commissioned by the Scottish Poetry Library from Alastair Cook, the triptych is called “The Life Breath Songs – toward a nature poem, written by the people of Scotland”, and is curated and arranged by Scotland’s Makar Kathleen Jamie and read by Eilidh Cormack. The cycle was directed and edited by Alastair with sound by Luca Nasciuti and cinematography by James William Norton.

For the texts of the poems, go to the Scottish Poetry Library. From the same source, here’s a good bio of Kathleen Jamie.

The Long Slow Effect of Gravity by Ian Gibbins

A 2020 poetry film by the Australian multimedia poet, musician and scientist Ian Gibbins, with

Footage taken around Adelaide CBD, Belair, Blackwood, Sturt River, Mount Compass and Middleton, all in South Australia, and Athens, Greece.

The soundtrack is in polyrhythmic 6/4 time and contains audio samples of bird calls, rain and various falling objects recorded in Belair, South Australia.

3D models of shark, roses and dog skeleton obtained and used under license from sketchfab.com. They were animated within Motion 5.

Memoir in Bone & Ink (#1) by Kristy Bowen

The first in a projected series of author-made videopoems for Kristy Bowen’s upcoming collection Memoir in Bone & Ink. As a publisher herself (dancing girl press), Bowen’s relationship with books is more hands-on than the average poet’s, and that’s what drew me to this videopoem: the bibliocentric images and text come from a place of deep knowledge. The result is a poetry book trailer that feels like a commentary on book promotion generally, the author trying to coax a book out from under the covers.

Here’s the bio Bowen used for the YouTube description:

A writer and book artist working in both text and image, Kristy Bowen creates a regular series of chapbook, zine, and artist book projects. Since 2005, she has blogged about writing, art, and other creative pursuits at dulcetly: notes on a bookish life. She is the author of eleven full-length collections of poetry/prose/hybrid work, including the recent SEX & VIOLENCE (Black Lawrence Press, 2020), and the self-issued ANIMAL, VEGETABLE, MONSTER; DARK COUNTRY; and FEED.

The Gone Missing by Joseph Aversano (EnD)

Selected for the 2023 Haiku North America Haibun Film Festival. Browse the other selections.

From Australian director EnD, AKA Nigel Wells.

Director’s statement: “Produce, Produce, Produce!”

Judges’ statement: “A colorful film with some great changes of pace and use of speeded-up footage. Though rather literal at times, there was an interesting mix of images that worked to not feel too obvious overall.”

Joseph Salvatore Aversano is a native New Yorker currently living on the Central Anatolian steppe with his wife Asu. His poems have been published in numerous journals and some have been awarded or anthologized. He is the founding curator of Half Day Moon Press and editor of Half Day Moon Journal. We chose five different films that used his haibun, “The Gone Missing,” intrigued that so many filmmakers chose to work with it, and eager to show the variety of approaches that poetry filmmakers can take.

Au jardin bleu (In the Blue Garden) by Jean Coulombe

A 2020 videopoem by regular collaborators Jean Coulombe (text, images) and Gilbert Sévigny (images, editing, sound). I’d meant to share it at the time, but I do enjoy looking at wintry shots in the middle of summer: a natural surrealism. As a long-time blogger, I also love the fact that Coulombe and Sévigny make their videopoems primarily to provide content for a group blog called CLS Poésie, which has been around since 2009 — as long as Moving Poems. They describe their collective as a

Free association of unclassifiable poets, broadcasting via a blog (which never sleeps) texts, photos and video-poems of a poetry on edge, with blues, neo-country and urban trash accents… (Association libre de poètes inclassables, diffusant par le biais d’un blogue (qui ne dort jamais) des textes, photos et vidéo-poèmes d’une poésie à fleur de peau, aux accents blues, néo-country autant que trash-urbains…)

This is only the sixth videopoem of theirs we’ve shared. Check out the others, but be sure to spend some time on their Vimeo page and discover your own favorites.

Flush by Luisa A. Igloria

This recent videopoem by Marc Neys may be one of my favorites of his to date, exploring each line of a text as one might explore a new beach on holiday, with several lovely and joyous surprises amid the contemplative flow. The text is from Night Willow, a 2012 collection of prose poetry by Fil-Am poet Luisa A. Igloria, who just concluded her second term as the Commonwealth of Virginia’s poet laureate. (The poem originally appeared at Via Negativa, a daily poetry blog that Luisa and I both contribute to.)

This is, by my count, Marc’s sixth film with Luisa’s poetry, though I may be forgetting about one or two. Nor is Marc the only filmmaker to work with Luisa; here’s her page at Moving Poems. So many brilliant films there (plus two of mine).

Orée du désastre (Edge of Disaster) by Sylvain Campeau

A videopoem by Montréal-based filmmaker Mériol Lehmann with text by Sylvain Campeau. Click on the CC icon for subtitles in English or Spanish. I found the English translation by Peter Schulman rather too reliant on cognates for my taste, but was seduced nonetheless by the juxtaposition of landscape and domestic spaces, as well as the contrast between the fast-flowing recitation (by Pierre C. Girard) and the slow panning shots and glacial music.

ROTA by Andrea De La Paz

A very clever, bilingual (Spanish and English) videopoem that I just stumbled across, with text by the director, Andrea De La Paz, a young filmmaker from Vancouver. Leah Dean Cohen is the actor and Rogan Lovse the cinematographer.

A Film About Tears by Sam Theunissen with Sean Louw

A Dutch videopoem that feels much longer than its 38-second runtime, A Film About Tears was directed by Danu Caris with text by Sam Theunissen, but was mainly the idea of the cinematographer, Sean Louw, who uploaded the video to his account with this description:

15/03/2022 – Today is a strange day. Grief comes and goes and you never really know why and how. But with time, you learn to observe it and live with it. And maybe even look back with a smile. This film is about that.

Today, exactly a year ago my mom passed away.
Her handwriting was used for the credits.

This project meant a lot to me, so huge thanks to director Danu Caris for dealing with my chaotic ideas and bringing her photographic finesse to the table. Laura Bakker for taking this tiny little roll to a whole new level and breathing life into her character. Boyd Bakema for pretty much saving the day on set. Fons Beijer for making us forget all about our old temp music by creating magic. And Sam Theunissen for writing a poem that really hits home with exactly the right amounts of serious and playful. (Also for casually translating it last-minute)

Shot on a Bolex as part of a third-year project for The Netherlands Film Academy on 16mm Tri-x film supplied and hand-developed by Onno Petersen.

How to Triumph Like a Girl by Ada Limón

This is “An animation created for MTV’s Women’s History Month. It was made using watercolor cut paper stop motion” by Providence, Rhode Island-based artist and animator Hayley Morris. Ada Limón is the poet. See Vimeo for the full credit list.