~ Videopoems ~
Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.
My Friend, The Parking Lot Attendant by Charles Bukowski
English film student Tom Ralph notes,
The piece is meant to be shown on two screens facing each other, one for each character in the film. This gives the impression of a conversation in which the audience can place themselves where they please. For the purpose of viewing now, both characters appear on one film. Filmed on a Kodak Zi6 and edited on Final Cut Pro. Thanks to Dennis Thompson and Roy Winspear.
On Writing Hat Poems by Marvin Kimbrough
An animation by Francesca Talenti. I wasn’t able to locate a website for the poet.
UPDATE (9/7/10): After posting this, I got a note from Austin-based poet Scott Wiggerman on Facebook saying that Dr. Marvin Kimbrough had been active in the Austin poetry scene and was “a very warm, wonderful person,” though now she was in the hospital with terminal cancer. Yesterday, he sent a follow-up note saying she’d died that morning. Rest in peace, Dr. Kimbrough.
How to be Alone by Tanya Davis
Another videopoem gone viral, with well over a million views at time of posting. It’s not high art, but I guess like a lot of people I love the message here, and I thought the film was charming, too. Andrea Dorfman is the filmmaker. Tanya Davis is the actor/performer as well as the author, justifying this video’s inclusion in my Spoken Word category.
Dreaming of Hair by Li-Young Lee
http://vimeo.com/26980867
A kinetic text piece by Dara Elerath, a student at the Art Center Design College in Albuquerque. Michael McCormick narrates.
For more on Li-Young Lee, see his page at the Academy of American Poets.
My Grave by Philip Levine
Written and produced by Patrick Robert Payne and Susan Ada Brown. Jared Parks directs. Oddly, this is the first decent video for a Philip Levine poem that I’ve run across — the first of many, I hope.
Hangman by Maurice Ogden
Classic film poem from 1964, directed by Paul Julian and Les Goodman with animation by Margaret Julian. According to a Wikipedia entry on the poem, it was a co-winner of the Silver Sail award at the Locarno International Film Festival in 1964. A couple of the user reviews at IMDb are worth quoting. Old_tv_guy calls it
An eerie and disturbing little gem from Melrose Studios. Animation is excellent, of a photocollage style you hardly ever see: stark photo images and gaunt, jagged lines. It seems to be taking place in a backwater of infinity, or a nightmare world of pale colors and limitless space.
And tim_gatchell wrote in 2008,
I also saw this short as a child. Probably in about the 5th grade. It left an indelible impression on me and I continue to use this poem as an example for people when groups allow other groups to be ganged up on and have their rights taken away.
Even more remarkable is that while attending college at Cal Poly, I would take summer classes at the local community college to get credits and save money. Took 2nd Semester Freshman lit and guess who my teacher was…yes, Mr. Ogden himself. He is a remarkable man and I have total respect for the man.
He is still teaching I believe in Costa Mesa at the Coast Community College.
I was unable to verify this biographical information about Ogden.
Though a poorer-quality version of the film exists on YouTube, this was uploaded to the Internet Archive by the Academic Film Archive of North America.
drylung by Clayton T. Michaels
This is the video my co-editor Beth Adams and I commissioned at qarrtsiluni in support of the soon-to-be-released winner of our 2010 poetry chapbook contest, Watermark by Clayton T. Michaels. James Brush wrote about why he elected to envideo this poem, and what influenced his choice of imagery, at his blog Coyote Mercury.
Watermark was chosen by the noted nonfiction author and naturalist Ken Lamberton, who was impressed by the “wonderfully controlled surreal and mesmerizing quality” of the poems. The print edition is already available for ordering ahead of the official launch on Monday, August 30, when we’ll also unveil online and podcast versions. We’re also running a series of poems from the other ten finalists at qarrtsiluni between now and then, hoping in part to interest other micropublishers in snatching up some of these terrific manuscripts (would that we could publish and release videopoems for every one of them!).
