~ Videopoems ~
Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.
Underground by Emer Martin
https://vimeo.com/76805308
Like Judith Dekker’s lark, this is a videopoem made from a passage of poetic prose: in this case, the unpublished novel The Affection of a Hag by Irish writer Emer Martin. Daragh McCarthy is the producer, editor, composer and reader, with filming by Richard Donnelly (see Vimeo for the complete credits). McCarthy writes,
I came across the work of Emer Martin in a copy of Stinging Fly magazine that a friend left in my flat on a winter evening in 2011.
Leafing through the contents I was struck by the title “going underground” in the novel extracts section, as I had made a film about the Dublin punk rock scene “The Stars Are Underground”.
Reading the character’s monologue in my kitchen I realised I was speaking it out loud, caught up in the rhythm. The words felt like an anger cheat sheet and history lesson and I immediately knew I wanted to put it to music.
The words seemed to encapsulate what myself and many of my contemporaries have been trying to express in terms of our place within history at this time and how we might begin to create a route forward.
While initially they suggested a full throttle approach, in the end a considered and deliberate reading was more appropriate.
I had been planning to combine my love of both film and music and felt that this piece was where I should start.
I wanted the visuals to be abstract for the most part, suggestive of the natural world and an internal world in equal measure.
I wanted the music to be a combination of midi, analogue and the human voice. I have been exploring Shape Note singing for some time and felt it’s raw human power would suit the sense of a people’s emotional response to their situation perfectly.
The Whole Place is Dark by Nick Sturm
Video by DJ Berndt for a poem by Nick Sturm that originally appeared in Ink Node. (Hat-tip: “The dA-Zed guide to Alt Lit.”)
Grand Union Bridge by Ian Duhig
Another of Alastair Cook‘s filmpoems for the Poetry Society in partnership with the Canal and River Trust as part of the Canal Laureate 2013 project. See my post of Lifted for more details. Jo Bell writes,
Ian Duhig’s poetry combines a deep learning with a lively wit, and a strong sense of Irish heritage as well as a need to honour the workers of a former age. His poem, Grand Union Canal, takes us to Paddington Basin in London.
Ian Duhig reads his text in the soundtrack, which was composed by Luca Nasciuti.
shadow moment by Randy Adams
https://vimeo.com/78441978
A video by Nic S., using a text from The Poetry Storehouse by Canadian media artist Randy Adams.
New poets’ works continue to appear at the Storehouse every week. (There are two more poems by Randy Adams alone.) I really hope it catches on among poetry filmmakers — I’m a big believer in the open-content philosophy behind the site. If you make a film based on something there, be sure to let me know about it. And if you teach film, or know someone who does, be sure to mention The Poetry Storehouse as a place where students can get ideas for good, short films.
“I like a look of agony…” by Emily Dickinson
Othniel Smith repurposes public-domain imagery from the Internet Archive to accompany Dickinson’s text, which was written in 1862, during the American Civil War.
Hold Me, the Walls are Falling by Robert Krut
Another videopoem-trailer for the new collection by Robert Krut, This is the Ocean. As with the other two, it was directed by Nick Paonessa of lowercase productions.
Lark, from the autobiography of John Muir
A passage from the autobiography of Scottish-American conservationist John Muir is treated as found poetry in a filmpoem by the Dutch photographer and filmmaker Judith Dekker. She writes:
Made as a part of my residency in Dunbar, Scotland for North Light. For this film I’ve used John Muir’s words as a starting point: my film is an interpretation and carries these words to a different place. All footage was shot during my time there; the poet John Glenday was kind enough to read a passage from John Muir’s autobiography and composer Luca Nasciuti created a soundtrack which fits like a glove.
Thanks to Creative Scotland.
Discharged into Clouds by Dean Young
The November selection from Motionpoems is by their co-founder Angella Kassube, and I think it’s one of the best they’ve ever made. The minimalism here really works for me, in part perhaps because I like Dean Young‘s poem so much. The soundtrack (by Carly Zuckweiler) is a perfect match to Tim Nolan’s reading.
Kassube’s process notes are worth a read (scroll down past the poem text). The poem is from Young’s new book, Bender.
Good to see a major player in American poetry film use a reading from someone other than the author. It’s kind of surprising to me that poetry film makers rely so heavily on poets’ own readings, given that all too often we are the least inspired oral interpreters of our own words.
Fallow Field by Scott Edward Anderson
This is Filmpoem 34 by Alastair Cook, who writes:
Fallow Field is a poem by Scott Edward Anderson, from his brand new eponymous collection. It’s been a pleasure to make a Filmpoem for a friend and this harks back to my earlier work, motifs I explored and delighted in a number of years ago which suit Scott’s incredible words.
Scott’s collection Fallow Field is available from Aldrich Press, Amazon and scottedwardanderson.com.
Of the various blurbs on the website, I particularly liked this one:
“Wow, Pop, I had no idea you wrote so many poems!” – Walker Anderson, the author’s 10-year-old son
Anderson blogs at The Green Skeptic and Scott Edward Anderson’s Poetry Blog.
Aedh wishes for the Cloths of Heaven by William Butler Yeats
https://vimeo.com/77916729
Nic S.’s latest poetry video is especially noteworthy for its soundtrack, which blends the voices of four different LibriVox readers to great effect.
