~ Poet: Jan H. Mysjkin ~

Culoarul vagonului e liber/The coach’s aisle is clear by Doina Ioanid and Teniet/Undone by Jan H. Mysjkin

For some reason, poetry filmmakers don’t tend to combine texts by different authors very often. With Undone, Marc Neys AKA Swoon shows just how well that can work, even with multiple language barriers to cross. Doina Ioanid‘s Romanian text meets Jan H. Mysjkin‘s Dutch text in the soundtrack, with an English translation by Mysjkin in subtitles. As if that weren’t enough, Marc made a second version with the poets reading their work in French translation, also subtitled in English:

And a version of that version with subtitles in German and supertitles in Turkish:

Marc wrote about how he came to make the film in a recent blog post:

Such a fun one, this.
2 poems, by 2 different writers in different languages with different subtitles.
I have worked with Doina Ioanid and Jan H. Mysjkin before.

This time I picked out Culoarul vagonului e liber/ The coach’s aisle is clear by Doina and combined it with Teniet/ Undone by Jan for obvious reasons.
They both read the poem in French, Doina also read hers in Romanian, Jan his one in Dutch. They also gave me English, German and Turkish translations. So much blocks to work with.
German, English and French translation: Jan H. Mysjkin
Turkish translation: Burak Sengir

Working with a split screen came natural. I combined 2 sets of visuals for each poem. Empty <-> crowded, abstract <-> concrete, nature <-> urban, black&white <-> colour.
Shifting between those during the readings and in between…
In the final editing I made some minor cuts to fit the footage with the reading (different languages, different pace), but nothing major. They all ‘feel’ the same.

I guess that last bit answers my question: Why not put all the translations into Vimeo’s own subtitling system and just serve up a single video? Because Swoon’s an insane perfectionist, that’s why.

De barometer hapert / The barometer’s stuck by Jan H. Mysjkin

A piece by Belgian poet Jan H. Mysjkin, ably translated into English by John Irons, supplied the inspiration for Swoon’s first videopoem of 2014. Check out his process notes, where he talks about how the soundtrack took shape and what led him to settle on the footage he used from the Prelinger Archives.