Paris at Night by Jacques Prévert

http://youtu.be/zTZxcww5OCY

Poem by Jacques Prévert

Video by vandicla

Here for reference purposes are the text and an English translation as copied from an anonymous webpage, which notes that the title of the original is in English:

Paris at Night

Trois allumettes une à une allumées dans la nuit
La première pour voir ton visage tout entier
La seconde pour voir tes yeux
La dernière pour voir ta bouche
Et l’obscurité tout entiére pour me rappeler tout cela
En te serrant dans mes bras.
Three matches one by one struck in the night
The first to see the whole of your face
The second to see your eyes
The last to see your mouth
And the complete and utter darkness to remember them all
While holding you in my arms.

 

Though in other video poems I might object to a less than fully audible reading, here, I like the way the poem is submerged — a low mutter appropriate to the darkness from which flame, face, and song struggle to emerge.

Meta-Free-Phor-All

The Colbert Report Mon – Thurs 11:30pm / 10:30c
Meta-Free-Phor-All: Shall I Nail Thee to a Summer’s Day?
comedycentral.com
Colbert Report Full Episodes Political Humor NASA Name Contest

Something for April Fool’s Day — and the first day of (Inter-)National Poetry Month — from a king of fools. This episode of the Colbert Report aired on April 19, 2007. Colbert seems to genuinely like poetry, and has interviewed a number of poets on his show. I like the way this skit plays off the misconception popular with people who “just don’t understand poetry”: that a poem (or metaphor) is basically a code with one correct solution. I’m also impressed by Robert Pinksy’s stage presence and acting skills.

Incision by Jillian Weise

Poem by Jillian Weise, from An Amputee’s Guide to Sex

Animation by John Roberts

From the publisher’s description:

The Amputee’s Guide to Sex is an authentic exploration of disability and sexuality. Tired of seeing “cripples” appear as asexual characters in all forms of media, Weise took on a subject close to home: her own disability. This does not mean that these poems “happened” to Weise in real life. While based on the experience of an above-the-knee amputee, the poems have a life of their own.

Lullaby by Anne Sexton

Poem by Anne Sexton

Video by Jeff Doud

Once Upon a Time by Vishwajyoti Ghosh

Poem by Vishwajyoti Ghosh, narrated by Ramesh Venkatraman

Animation by Nilratan Mazumdar

According to the credits at the end this is one of 60 one-minute films commissioned by motiroti, “a London based international arts organisation.” A link on its 60×60 secs page leads to another site that describes the project in somewhat more detail:

60×60 Secs is the first project of the 360° programme, and comprises of 60 one-minute films from 60 artists, 20 each from Britain, India and Pakistan.

Commissioned via open call both established and emerging artists, working in a variety of mediums and spanning a wide age range, present their unique views on ‘home’. Looking beyond media, political and religious definitions, 60×60 Secs unravels complex identities and stories, and redefines cultures that are evolving in an age of globalisation.

The site includes pages for all sixty films, including this one, containing low-, medium- and high-quality Quicktime versions, a brief description, and more detailed credits. Evidently the poet was also responsible for the drawings used in the animation, and directed it as well.

Cassandra, Iraq by C. K. Williams

C. K. Williams talks about the language of politics and the Iraq war, and reads his poem “Cassandra, Iraq” in a video from Big Think.

http://youtu.be/UQn2Y1Z9XHA

Here’s another interview with Williams in which he addresses more general concerns, also concluding with a reading of “Cassandra, Iraq.” This one was directed and produced by Mel Stuart for the Academy of American Poets.

Holy Island by Deborah Buchan

http://youtu.be/OzAOGh5FaF8

Poem by Deborah Buchan (text here)

Film by Dawn Furness

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Film by Philip Shotton

Both these videos were “commissioned by New Writing North, the literature development agency for the north east of England.”

The Frigidaires of Idaho by Virginia Shank

Poem and animation by Virginia Shank, with music by One Ring Studio

A rare example of a poet making a video interpretation of her own work — and in claymation yet! She gets huge respect from me. I found more information about the project in a blog post.

It’s nice to see that months of work have turned out so well and it’s hard to believe that Virginia found time to sculpt each frame by hand (for a total of literally thousands of individual frames) when she had three classes to take, a literary magazine (Fugue) to read for, and two classes to teach. But she’s like that – when she’s not making the best sushi for a hundred miles or singing Nancy Sinatra at our weekly MFA karaoke sessions, she’s doing THIS.

Hunger by Billy Collins

Poem by Billy Collins

Animation by SamuelChristopher/FAD, commissioned by the Sundance Channel’s Action Poetry Series

Nazim Hikmet Oratorio by Fazil Say


Updated 15 May 2016 with a new video. The text below refers to earlier YouTube uploads of portions of the work.

Nazim Hikmet Oratoryosu, by Fazil Say (at piano)
Poetry by Nazim Hikmet
Bilkent Symphony Orchestra and State Polyphonic Choir, conducted by Ibrahim Yazici
Vocals in “My Country” by Kansu E. Tanca (child) and Genco Erkal; reading in “Traitor” by Zuhal Olcay

To appreciate the first section, it probably helps to know that Hikmet spent most of his adult life in exile. In fact, his citizenship was only just restored, posthumously, 46 years after his death.

One more section of the oratorio with English subtitles seems worth sharing, despite the fact that the video ends abruptly. The subtitles here are in captioning that must be turned on via the arrow-shaped icon on the bottom right corner of the video.

[dead link]

The poem is Yasamaya Dair, “On Living,” and the translation here is by Randy Blasing and Mutlu Konuk. Poetry doesn’t get much more life-affirming than this — at least, not without turning into very bad poetry. I love that Nazim puts grief at the center of it, as the source or motive for our determination to live fully.

Heart Wrap by Shamshad Khan

Poem by Shamshad Khan

Film by Lisa Risbec, with narration by the author
Commissioned by Comma Film

One Art by Elizabeth Bishop

Poem by Elizabeth Bishop

Film by Erica Tachoir

One of the more unique and ambitious approaches to the video poetry genre I’ve seen so far. I like the meta- aspect here, what the film says about readers and how poems intertwine with their lives. I also like the implicit judgement against people who can’t tolerate poetic expression.