~ Videopoems ~

Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.

Requiem auf Georg Trakl (Requiem on Georg Trakl) by Sigrun Höllrigl

This Swoon film is a production of the Vienna-based videopoetry group Art Visuals & Poetry, who write:

“Requiem on Georg Trakl” is a political movie. The death metaphors in the poetry of Georg Trakl are interpreted as visions of the deads of first and second World War. The movie is about the poet as a visionary and outcast of society. The artist stays lonely because he has another view of reality – he “sees” in another reality.

Wild Geese by Mary Oliver

This is O wild goose da muller by Carmen PG Granxeiro:

Videoarte. Tres formas de escoitar. Tres formas de entender.
Videoart. Three ways to listen. Three ways to understand.
Videoarte. Tres formas de escuchar. Tres formas de entender.

Oliver’s most famous poem has been made into numerous videos for the web, most of them dreck. But I shared one other that I liked, a film by Justin DeWaard, back in 2010.

Ode to My Body by Scott Parson’s 12th Grade Class

This collaboratively written poem comes from Scott Parson’s 12th Grade Class at the Maplewood Career Center in Ravenna, Ohio. It was animated by Adam Rechtenwald from a design by Eric Stearns, and is part of the 2009-2010 edition — Peace Stanzas — of the Wick Poetry Center’s Traveling Stanzas program.

Day by Dylan Townsend

A videopoem “following the rhythm of a day… shots from Dublin, Ireland and New York,” according to Irish filmmaker-poet Dylan Townsend. This is an excerpt from a longer, not-yet-released film called Shadowsmiths. See Townsend’s videos on Vimeo for more excerpts.

Cherry Tree by Robert Louis Stevenson

Stevenson’s dreamy lyrics juxtaposed with footage of a woman restocking a vending machine. Emily Tumbleson notes:

Footage taken on a Canon 7D. Poem by Robert Louis Stevenson from A Child’s Garden of Verses.

I am currently exploring the relationship between desire or aspiration, childhood nostalgia, and social or cultural context.

Flowers by Tim Cumming

Tim Cumming‘s description at Vimeo is worth quoting in full:

A new film poem by Tim Cumming written on a walk from Hampstead Heath station to the Steeles in Belsize Park where he was offered snuff laced with cocaine and heard the story of Moll King, good mixer of Georgian London, a famous bawd and the inspiration for Daniel Defoe’s Moll Flanders. Includes footage of witch dolls, amulets, mandrakes and more from the Museum of Witchcraft in Boscastle, birds on the wire at Bodmin, Lord Byron and the waters of the Thames from Woolwich Dockyard, the paintings of Austin Osman Spare from the 2010 exhibition at the Cuming Museum in south London, 8mm archive film of The Towers in Corfe Mullen in the 1960s and wooden figurines carved in the 1980s by the hand of Peter Cumming.

Landing Under Water, I See Roots by Annie Finch

A beautiful and, to my mind, highly effective book trailer for Spells: New and Selected Poems by Annie Finch, due out this month from Wesleyan University Press. U.K. animator Suzie Hanna describes their creative process in a note at Vimeo:

The film was made through a Transatlantic collaborative shared process. Annie sent her voice recording to me and I responded with clips of tests and animatics which I adjusted, extended or dumped in response to her reactions.

For the text of the poem (and audio of Finch’s reading), see poets.org.

The Woods by Aina Villanger

Another of Kristian Pedersen’s abstract animations, this time with words and voice by Aina Villanger. (There’s also a version without the subtitles.)

Winner of the Bergen Public Librarys poetry competition.
Produced by Gasspedal for Bergen Offentlige Bibliotek

La Ferita (The Cut) by Elena Chiesa

Another brilliant animation by Elena Chiesa, this one with her own text.

Right Through the Earth by Al Rempel

An intriguing, experimental videopoem filmed and directed by the author, Canadian poet Al Rempel. From the description on YouTube:

Right Through the Earth is a video-poem taken from the poem in my book, This Isn’t the Apocalypse We Hoped For. Steph St. Laurent of VideoNexus helped with post-production work & Isaac Smeele composed the original music for the sound-track.

This Isn’t the Apocalypse We Hoped For is due to be published this month by Caitlin Press.

To This Day by Shane Koyczan

Canadian performance poet Shane Koyczan headed up this collaborative project, which has its own website. The YouTube version has gone viral, with more than 5 million views in the first week. Quoting the website:

To This Day Project is a project based on a spoken word poem written by Shane Koyczan called “To This Day”, to further explore the profound and lasting impact that bullying can have on an individual.

Schools and families are in desperate need of proper tools to confront this problem. We can give them a starting point… A message that will have a far reaching and long lasting effect in confronting bullying.

Animators and motion artists brought their unique styles to 20 second segments that will thread into one fluid voice.

This collaborative volunteer effort will demonstrate what a community of caring individuals are capable of when they come together.

This was produced by Leah Nelson, Jorge R. Canedo Estrada and Alicia Katz at Giant Ant. The component 20-second clips were each posted to Vimeo by their creators, if you’d like to investigate any of them further. I’ll just reproduce the list of 86 animators and motion artists from the credits page of the website: Ryan Kothe, Mike Healey, Will Fortanbary, Brian San, Diego De la Rocha, Gizelle Manalo, Adam Plouff, Mike Wolfram, Hyun Min Bae, Oliver Sin, Viraj Ajmeri, Vishnu Ganti, Yun Wang, Boris Wilmot, Cameron Spencer, DeAndria Mackey, Matt Choi, Reimo Õun, Samantha Bjalek, Eli Treviño, Ariel Costa, Caleb Coppock, James Mabery, Samir Hamiche, Waref Abu Quba, Deo Mareza and Clara, Josh Parker, Scott Cannon, Thomas McKeen, Kaine Asika, Marcel Krumbiegel, Teresa del Pozo, Eric Paoli Infanzón, Maxwell Hathaway, Rebecca Berdel, Zach Ogilvie, Anand Mistry, Dominik Grejc, Gideon Prins, Lucy Chen, Mercedes Testa, Rickard Bengtsson, Stina Seppel, Daniel Göttling, Julio C. Kurokodile, Marilyn Cherenko, Tim Darragh, Jaime Ugarte, Joe Donaldson, Josh Beaton, Margaret Schiefer, Rodrigo Ribeiro, Ryan Kaplan, Yeimi Salazar, Daniel Bartels, Joe Donaldson, Daniel Molina, Sitji Chou, Tong Zhang, Luc Journot, Vincent Bilodeau, Amy Schmitt, Bert Beltran, Daniel Moreno Cordero, Marie Owona, Mateusz Kukla, Sean Procter, Steven Fraser, Aparajita R, Ben Chwirka, Cale Oglesby, Igor Komolov, Markus Magnusson, Remington McElhaney, Tim Howe, Agil Pandri, Jessie Tully, Sander Joon, Kumphol Ponpisute, James Waters, Chris Koelsch, Ronald Rabideau, Alessandro & Manfredi, Andrea López, and Howey Mitsakos.

So Be It by Kenneth Patchen

This experimental film, Sperma Mundi III Introduction by Wild Worm Web, includes a recording of Patchen reciting his poem in the soundtrack. (To read the text, see Google Books.)

Found Footage :
Jack Smith + Paul Sharits + Hy Hirsh + Otto Mühl
Poem by Kenneth Patchen
Music Vivid Tribe Of Psychics (Yoshiwaku + Parrhesia Sound System)
soundcloud.com/vivid-tribe-of-psychics