~ February 2013 ~

Call for submissions: Filmpoem Festival in Dunbar, Scotland

The first Filmpoem Festival will take place 2nd – 4th August 2013 at Dunbar Town House, Dunbar, Scotland.

Please download a PDF of the callout from filmpoem.com (also included in HTML below the fold). The deadline for submissions is 1st May 2013.

America by Allen Ginsberg

An impressive videopoem apparently made for a high school English class. I particularly like how the young filmmaker asserts herself as a kind of alternate-history author of the poem. It seems in keeping with the poem’s own speculative interests.

poem “America” by Allen Ginsberg
directed by Sydney Gross
starring Sydney Gross
special thanks to Sabah Light and Ashley Langley
project for Mr. Locke’s class

To A Young Poet by R. S. Thomas

Othniel Smith notes:

An interpretation of a poem by Welsh writer R. S. Thomas (1913-2000), made entirely using material taken from the public domain Prelinger Archive. Contains brief nudity.

See Smith’s Vimeo channel for many more classic poetry mashups with Prelinger films and Librivox recordings.

something I remember by Robert Lax

The third in a trilogy of animations for Robert Lax poems by the German architect and artist Susanne Wiegner.

“something I remember” is a poem by Robert Lax that describes a certain moment outside of time and space during a rainy night. For the film the letters of the poem are divided in a large amount of layers. These layers become spaces, streets and the falling rain.
And at the end … “there is nothing particular about it to recall.”

B Movie by Luke Wright

A wildly entertaining performance video, augmented by visual text drawn by Sam Ratcliffe. This is from British poet and broadcaster Luke Wright, found via Viral Verse. Here’s the description at YouTube:

BARRY vs THE BLOB – a B Movie set in Brentwood, Essex.

Poet Luke Wright felt bad that Brentwood had the singular reputation of being the home of TOWIE. So he’s set another cinematic event in Brentwood — Essex’s first B movie. On a budget, like all the best B movies, the only special effect he had at his disposal was ALLITERATION. This is literally a B movie.

Two new essays on videopoetry

I have been doing much thinking about Visual Text in a videopoem. Unfortunately, at the rate that my fingers touch the keyboard, I haven’t had much to show for it. But Litlive just posted my essay, Visual Text/2 Case Studies, in which I comment on two of my favourites from the finalists for their VidLit Contest, both in the Visual Text category: “24” by Susan Cormier and “Profile” by R.W. Perkins.

This past year I was also invited to participate in the Zebra Poetry Film Festival Colloquium in Berlin, but had to cancel the visit due a family emergency. A few days before the event, it was suggested I write something to contribute to the discussion. My good friend and former Vehicule poet, Endre Farkas, read it aloud at the Colloquium. It’s now been posted at http://www.academia.edu/3474487/Address_to_the_Colloquium_Berlin_Zebra_Poetry_Film_Festival_2012. In it, I argue that, among other things,

A good videopoem is not predetermined from a script juxtaposed with illustrative elements – it is produced during the editing stage, when the elements are brought together, positioning and duration of text are determined, images and their duration are selected, and sound is chosen, the work is constructed segment by segment, as if they were raw materials in a cauldron. The role of “chance” in this process should not be underestimated or absent.


Editor’s note: For more on Tom and his work, go to TomKonyves.com.

VISIBLE VERSE FESTIVAL 2013 Call for Entries and Official Guidelines

  • VVF seeks videopoems with a 12 minutes maximum duration.
  • Works will be judged by their innovation, cohesion and literary merit. The ideal videopoem is a wedding of word and image, the voice seen as well as heard.
  • Please do not send documentaries as they are outside the featured genre.
  • Either official language of Canada is acceptable, though if the video is in French, an English-dubbed or-subtitled version is required. Videopoems may originate in any part of the world.
  • Please submit by sending the URL for your videopoem along with a brief bio, full name, and contact information to Artistic Director Heather Haley at hshaley@emspace.com. There is no official application form nor entry fee.

VISIBLE VERSE FESTIVAL Oct. 2013, Vancouver, BC
DEADLINE: Aug. 1, 2013

See the website for more, including a postmortem on Visible Verse 2012. To view more videopoems by various artists, visit Visible Verse on Facebook.

Homenaxe ao mineral do repolo (Homage to the Mineral of Cabbage) by Erín Moure

This is Little Theatres, a jaw-droppingly good stop-motion short directed and animated by Stephanie Dudley. It’s based on a poem in Galician, the language of northwest Spain, by the Canadian poet Erín Moure, from her book, Little Theatres (Teatriños).

The film has its own website. According to the About page,

The poem is the second in a series of six by Erín in her award-winning book, Little Theatres. Each poem is an homage to a simple, humble food, such as potatoes, onions, and cabbage. The poems examine our relationship to food, and draw new insights to how these basic foods relate to life, as well as how we relate to each other. In looking more closely at the simple, everyday elements of life, we learn to appreciate their beauty.

The film Little Theatres is an interpretation of what Little Theatres are. It is an exploration of layers: layers of space, and layers of words, both spoken and written. The exploration begins and ends with a simple cabbage.

The film is also available with subtitles in French. (Moure’s multilingual abilities were a source of confusion for me at first, since the Wikipedia article about her mentions that her mother is from the part of western Ukraine known as Galicia — unrelated to the Galicia in the Iberian peninsula except inasmuch as both regions were originally settled by Celts. To compound the confusion, I’ve filed this film under both Canada and Galicia in the index, since the poem, if not the poet, is clearly Galician.)

An Anna Blume (To Anna Flower) by Kurt Schwitters

“An Anna Blume,” says the Wikipedia, is “a poem written by the German artist Kurt Schwitters in 1919. It has been described as a parody of a love poem, an emblem of the chaos and madness of the era, and as a harbinger of a new poetic language.” This film adaptation, a German-Bulgarian production, won the the Ritter-Sport Prize at the 5th ZEBRA Poetry Film Festival in 2010. Here’s the description at Vimeo:

Anna Blume is a visual poetry about the lust of a man chasing a woman. The story takes on surreal journey dictated by the mind of the poet. Lust and ingestion, disguised in love, drive the two characters to an end where love turns to be a very lonesome and strange place. The film is based on and inspired by the emblematic love poem from 1919 “An Anna Blume” by Kurt Schwitters.

CREDITS:
director Vessela Dantcheva
art director Ivan Bogdanov
screenplay Vessela Dantcheva & Ebele Okoye
main animator Ebele Okoye
music composer Petar Dundakov
sound designer Emil Iliev
compositing & edit Ivan Bogdanov
storyboard & layouts Vessela Dantcheva
produced by Ebele Okoye & FINFILM
supported by Robert Bosch Stiftung & National Film Center

Day is Done by Johan de Boose

Swoon‘s latest videopoem features a text, reading and English translation by Belgian author Johan de Boose. As Swoon wrote in a blog post introducing the film:

For poetry day & week (here in Belgium & The Netherlands) Johan de Boose wrote a poem.
The ‘Provincie Oost-Vlaanderen‘ and ‘Het Poëziecentrum‘ gave me a commission to make a videopoem for it.

During these days filled with poetry, Johan is visiting schools, showing the video, reading the poem and talking with the students…

Some things speak for themselves.
Loud and like crystal.

[…]

It was clear from the beginning that I wanted someone young to feature in this video. And I found the perfect one. Filming and editing was made easy with her natural expression and Johan’s strong words.

Dutch and Flemish Poetry Day is the fourth Thursday of January (January 24th this year).

Click through to the post to read the poem in both languages.

Kliniken (The Clinic) by Annelie Axén

A newly subtitled animation by Kristian Pedersen for Gasspedal Animert. Words and voice are by Annelie Axén. There’s also an unsubtitled version.

According to the Gasspedal website (with the help of Google Translate), Annelie Axén was born in 1975 and is an author and critic. Raised in Falun, Sweden, she graduated from the Author Program at Telemark University College in Bø, Norway, and went on to the University of Copenhagen where she studied journalism. Her book Langz was published by Gasspedal in 2005.

TriQuarterly welcomes submissions of “video essays and cinepoems”

The venerable literary magazine TriQuarterly has just issued a Call for Cinepoems and Video Essays.

We welcome submissions of new video essays and cinepoems. We ask that you provide a link to the video (we’re partial to Vimeo, but other video-sharing sites work, too). The ideal run-time tends to fall within a four- to ten-minute range, but that’s a tendency, not a rule.

They’ve published two cinepoems already, and it’s interesting to see that they’re hosting their own video — something most online publishers don’t do, since this tends to be an expensive and complex undertaking. As of yet, TriQuarterly videos aren’t embeddable anywhere else (which may be the point).

It’s great to see a magazine of TriQuarterly’s stature open up to submissions of videopoetry. I’ve added them to our compendium of journals where videopoets can submit work as well as to the main links page.