Posts By Dave Bonta

Dave Bonta is a poet, editor, and web publisher from the Appalachian mountains of central Pennsylvania.

Being & being empty by Jane Glennie

Here’s UK artist and typographer Jane Glennie‘s latest filmpoem, which she introduces on Vimeo as follows:

How to be a mother … who is this being that I am? Wanting to be half-full with the joy of play, a job well done, and the softness of a bed to sink into at the end. Feeling half-empty with a busy brain that won’t shut down and twitches into awakening too early. Feeling overwhelmed by the chores and feeling rubbish as a result because surely that’s really not important. Tossing and turning and struggling to make a zingy start to each new day.

It’s amazing how hard a skilled poetry filmmaker like Glennie can make 37 seconds work. The effect of an enervated, over-active brain is not merely communicated but, one feels, directly represented. Brava!

Mr. Sky by Lucy English

From dawn to nightfall, the sky reflects a couple’s relationship.

(don’t forget to look for the face in the clouds)

A recent addition to Lucy English‘s Book of Hours project, this time by her collaborator at Liberated Words, Sarah Tremlett, who’s credited as photographer and director, with James Symonds as editor and music by Kevin MacLeod.

Update (30 March 2018)
Sarah sent along these process notes:

Lucy and I had two separate ideas in parallel. In terms of the visuals – I get up early and noticed the dramatic colours playing out in the winter sky. Actually a mystical orange glow appeared through the window one morning! I wanted to capture the sky at brief intervals from dawn to dusk (with a history as a painter always fascinated by changing patterns of light) and spent a day doing so. Lucy then mentioned she had a new poem – Mr Sky – which was one of those wonderful coincidences. I like to work from nature or live footage where possible and you can wait a long time for the right image to turn up, or just be too preoccupied to see it … and then you need just the right poem and soundscape!

The Old Shopping Trolley Told Me by Brendan Bonsack

A minimalist, author-made videopoem by Brendan Bonsack, “Filmed on location at The Merri Merri, Melbourne/Narrm, Australia.” Here’s the text. I thought this would make an interesting contrast to yesterday’s video by Ian Gibbins: also an author-made videopoem from Australia, but there the resemblance pretty much ends… except, I think, for the crucial role of the soundtrack in both.

Heist by Ian Gibbins

“Video adapted from a sequence of haiku-like micropoems in my book Highway Sky,” says James Brush in the Vimeo description. He goes into quite a bit more detail in a blog post, and I was interested to see him come to the same conclusion about video haiku as I did a few years ago: the on-screen images can obviate the need to include up to half the text in a haiku (or every other verse in a renga).

Things got interesting as I was editing. The more I looked at it, I realized I could cut a line from the first haiku which originally read (as published at tinywords):

a hundred miles out
the glow of Los Angeles
desert starlight

The second line seemed redundant with the footage of the LA skyline and city lights. Likewise, I was able to cut the first line from the third haiku as the sunset-over-the-waves image did the work of the first line.

the sun falls to sea
here at the end of the road
nothing left to say

The central haiku was left alone, but I played with the text to try to put it in motion and show the action of the waves erasing the name.

James makes another point in his post which I feel is crucial advice for poetry filmmakers of all stripes:

I liked this process of adaptation. When movies are adapted from books and stories, filmmakers change things. They fire characters and compress scenes in part to save money on paying actors and renting space, but also because there is often no need to say what is shown. Why not something similar with poetry?

I think writers and probably poets especially can get locked into the sanctity of their words and lord knows there are times when that makes sense, but if poetry is to be a conversation even if as in this case with oneself, I think it’s important to let go a little bit especially when changing mediums. My academic background is in film production and screenwriting where the expectation is that the written word is not final so maybe this comes easier for me, but it’s a comfortable way for me to work and I think it’s useful to see where your words can go and a worthwhile exercise to keep playing with what you’ve made and, if you dare, open it up for others to do so as well.

Read the rest.

Major competition for UK poets includes “Poetry in Film” category

It was recently brought to my attention that the Out-Spoken Prize For Poetry 2018 includes Poetry in Film among its three categories (the other two being Page Poetry and Performance Poetry).

This category is for those who wish to submit poetry films. Pieces must not exceed the ten-minute time limit and the film must include the poem either being read by a narrator or have it featured as subtitles.

Note that this contest is only open to poets residing in the UK. The deadline is March 2 and the judges are Inua Ellams, Selena Godden, Akala, Caroline Bird, and Caleb Femi. Click through for complete guidelines and a submission form.

Two poems by Hisham Bustani

Arwa’ Debaja filmed and edited this documentary-style poetry film of the Jordanian poet Hisham Bustani for the UK’s Poetry Society. Here’s their description on Vimeo, with a link added:

In this powerful film, Jordanian poet Hisham Bustani reads in Arabic his poems, ‘The Maestro’ and ‘Night’. The English translations of the poems by Thoraya El-Rayyes are shown as subtitles. The poems first appeared in the winter 2017 issue of The Poetry Review magazine from The Poetry Society, and the film was premiered at the launch of the winter issue in January 2018. Filmed and edited by Arwa’ Debaja, the project is a collaboration with The Poetry Society and Seven Mountains Media. © Hisham Bustani, Thoraya El-Rayyes, Arwa’ Debaja, Seven Mountains Media and The Poetry Society, 2017.

(I hate to preempt the Poetry Society’s possible sharing of the video on their own website, but it’s not clear whether or how often they still update their poetry film page. Last year’s National Poetry Competition filmpoems are still nowhere to be found.)

Про форму / Concerning Form by Yurii Andrukhovych

This is Love Mykolaiv if you dare (Закохайся в Миколаїв, якщо насмілишся) by Ukrainian director Angie (Anzhela) Bogachenko, featuring actors Zoryana Tarasyuta and Denis Shvetsov and a poem by the prominent Ukrainian writer Yurii Andrukhovych called “Concerning Form”, with Roman Reznik’s English translation in the subtitles. Visit Poetry Film Live for the full text and background on the film (including bios of Bogachenko and Andrukhovych). Here’s the summary:

The film introduces viewers to the architecture and the ‘peculiarities’ of life in Mykolaiv. Angie Bogachenko says: “We love our city, but over the years it loses shape. How can it be corrected? Imagine that you found a magic music box, which is able to change any of the drawbacks.”

How To Love Your Introvert by Kevin Yang

Performance poet Kevin Yang’s poem in a film directed and edited by Vokee Lee, who writes:

The narrative in this music/poem video expresses the thoughts and feelings of being lost, lonely, the comfort of being in your own bubble, all the while the poem is meant to express a possible love letter to an ex-wife/lover/girlfriend. The video and poem itself is meant to be an awakening of “loving & finding”[.]

Aeryn Austin-Elbaz stars, and Ricardo Vasquez—not Kevin Yang—is the narrator. This is part of a short series of spoken word films produced by Motionpoems last year between its regular Seasons 6 and 7.

For those who want to hear and see the poet’s own interpretation, here’s the super popular video (712k views) from Button Poetry:

The Fauvist In Spring by Daniel Cockrill

https://vimeo.com/40280198

Poetry by the UK performance poet Daniel Cockrill animated by Richard Jackson (Plume Animation) with music by Julian Ward. Jackson does a marvelous job of expanding and extending the images in the texts, connecting what appear to be two separate poems, and concluding with a purely visual epilogue after the credits. Uploaded to Vimeo six years ago, it came to my attention just the other week when it was shared on YouTube by Muddy Feet Poetry.

This is one of at least four animations that Cockrill and Jackson have collaborated on. I see too that both of Cockrill’s books with Burning Eye have been produced collaboratively with visual artists: Sellotaping Rain to My Cheek with the cartoonist Tony Husband, and In The Beginning Was The Word, Then A Drawing, Then More Words, Another Drawing, And So On, And So On with illustrator Damien Weighill. Very cool.

6th International Video Poetry Festival in Athens, 19-20 January: full program released

Plans have been finalized and a press release issued for the 6th International Video Poetry Festival in Athens. It will be held at the Embros self-organized theater next Friday and Saturday, and includes the work of 134 video artists, filmmakers and poets from 25 countries, five performances with 21 live poets, three DJs with four live concerts, two video installations AND a book fair! (Have you ever heard of a poetry film festival with a book fair before? Me neither, but what a great idea!)

Here’s the full, profusely illustrated press release, and I’ll paste in the most informative of their posters below. I realize this is kind of short notice for people to make travel plans, but obviously it’s hard to make long-range plans for major events happening in unofficial spaces vulnerable to state repression. I have yet to attend one of these myself, but I got a first-hand report from friends who attended last years’, and they said the screening was extremely well-attended and the audience diverse and seemingly rapt (though perhaps a little too fond of cigarette smoking). The point is there’s more than one way to organize a videopoetry or poetry film festival, and I think it’s important to pay attention to how they’re doing it in Athens. This sounds like a really dynamic, exciting event.

Athens International Vieo Poetry Festival 2018 poster

Film festival news note: Newlyn extends deadline to 21 February

The deadline for submissions to the Newlyn Film Festival has been extended to February 21st. (It had been January 31.) This is the festival slated for April 6-8th on the southwestern tip of England with a special category for poetry films, to be judged by Lucy English and Sarah Tremlett. The director tells me they’ve had a good response from poetry filmmakers so far, so I guess we’re not the main reason the deadline has been extended, but don’t miss your chance to be a part of this brand-new festival. Here are the guidelines.