News about any and all events in which poetry films/videos are prominently featured, whether or not they include an open competition. Please let us know about any we might miss. And don’t forget to check out our page of links to poetry film festivals. All festivals, events and calls for work are mentioned by MovingPoems with our best efforts and in good faith. However, do check all details yourself as we cannot guarantee accuracy, and make your own judgements because we cannot verify the things that we share. Events may fail for a variety of genuine reasons, or may be a scam to elicit fees.
The Body Electric has just announced through its Facebook page that the 2014 festival, on April 26 in Fort Collins, Colorado, is now open for submissions. The rules and submission process are exceptionally simple, and last year’s festival was evidently a resounding success, so there’s really no reason not to submit. The deadline is February 16.
Belgian filmmaker and musician Swoon (Marc Neys) gave a two-day videopoetry workshop as part of the TARP festival of audiovisual and experimental poetry in Vilnius, Lithuania earlier this month. His blog post about the experience should be of interest to videopoets and poetry teachers alike.
The participants get to experience the importance of timing, the power of coincidence, and, hopefully, the fun of playing with words and images. After that two groups were formed (making sure each group had someone familiar with film and/or video and someone willing to write) to work on a project of their own. Both groups took the results of the writing experiment as a starting point; One group used footage shot by one of the participants and combined two ‘poems’ of the experiment. In doing so creating two streams of thoughts played out against two streams of images. The other group wrote a new poem (using the same basic idea) and added self filmed footage and filmed some new material the day before the second part of the workshop.
The second evening we recorded the poems. Each group explained and showed their work in progress. Giving me a change to suggest, answer questions and help out where needed.
October is definitely the biggest month on the calendar for fans of videopoetry/filmpoetry, cinepoetry and animated poetry, with at least six seven major events on both sides of the Atlantic. Here’s a brief rundown:
Canada
Ireland
Italy
Lithuania
U.K.
U.S.
Due to Moving Poems’, um, extended vacation this summer, I’ve neglected to share until now Robert Peake‘s review of the first Filmpoem Festival in his poetry column for the Huffington Post: “The Film-Poem Arrives in Britain.” Here’s a snippet:
Over two intensive days of screenings and discussions, poets and filmmakers from all over the world converged and convened in the Dunbar Town House on August third and fourth to experience some of the most innovative works in this emerging genre. Described as “slim, but international” by founder Alastair Cook, the group of sixty enthusiasts in attendance was dense with heavy-hitters in both poetry and film.
Scottish poet John Glenday appeared to discuss the experience of having one of his poems developed into film-poems by five different accomplished filmmakers. Above all, though, it was the quality of films that stand on their own in representing the unique and exciting possibilities of this new medium–for poets, musicians, and visual artists throughout the UK.
Peake concludes with a selection of six of his favorite films from the festival, shared as embeds (rather than just links) for maximum viewership. Check it out.
The 2013 VISIBLE VERSE FESTIVAL programme has been announced at the Cinematheque’s website:
Visible Verse, The Cinematheque’s annual festival of video poetry, is back! Vancouver poet, author, musician, and media artist Heather Haley curates and hosts our celebration of this hybrid creative form, which integrates verse with media-art visuals produced by a camera or a computer. The 2013 festival will be selected from more than 150 entries received from artists around the world. As well, we are happy to host Colorado poet and filmmaker R.W. Perkins, who will give an artist’s talk on video poetry and filmmaking.
Video poetry and poetry film festivals and sites continue to pop up all over the world; The Cinematheque’s Visible Verse Festival is proud to maintain its position as North America’s sustaining venue for artistically significant video poetry. As founder of both the original Vancouver Videopoem Festival and Visible Verse, Heather Haley has provided a platform for the genre since 1999, and has also vigorously contributed to the theoretical knowledge of the form. Ms. Haley was honoured for her work with a 2012 Pandora’s Literary Award.
Click through for the full listing of film notes and showtimes. In a post at her blog One Life, Haley goes into a bit more detail about the selection process and the special artist’s talk:
As with last year, we received a record number of entries, over 200. … We received stellar works from South Africa, Thailand, Germany, Belgium, Portugal, Canada, the U.S, Ireland and the UK. With only one night of screenings, I am unable to include a lot of video poems I like.
Fortunately the program does include Literary Movement, a discussion with R.W. Perkins on the process of creating videopoems and the integration of modern filmmaking techniques, Q&A to follow. We will be screening his videopems Morning Sex & Blueberry Pancakes and Small Talk & Little Else. R.W. Perkins is a poet and filmmaker from Fort Collins, Colorado. His work has been published in the Atticus Review, Moving Poems, The Denver Egotist, The Connotation Press, and The Huffington Post Denver. Perkins’s work has been featured at film festivals all over the world, including an 18-state U.S. tour with the New Belgium Brewery’s Clips of Faith Beer & Film Tour in 2012 and at the ZEBRA Poetry Film Festival in Berlin, Germany. Perkins is also the creator and director of The Body Electric Poetry Film Festival, Colorado’s first poetry film festival, which held its inaugural event in May of this year. For more information on Perkins and his work, visit www.rw-perkins.com. We’re thrilled to have him!
The festival is Sat, Oct. 12 at the Cinematheque in Vancouver. My son has promised to edit a trailer for me, I’ll post it asap. *See* you there!
This is the last call for Filmpoem Festival 2013 – get them in the post folks! We’ve had some incredible entries so far. Check this.
VISIBLE VERSE FESTIVAL Oct. 2013 DEADLINE: Aug. 1, 2013
Just a reminder that July 1 is a little over three weeks away. And given how quickly time tends to fly in the summer, anyone who intends to submit work for screening at the first Filmpoem Festival shouldn’t delay! Here are the guidelines [PDF]. Also, it’s not to late to make or change your vacation plans. The Filmpoem Festival will take place on August 2-4 at Dunbar Town House, Dunbar, Scotland.
(Three other poetry film festival deadlines are coming up at the end of July/beginning of August, and one on September 15, so chronic procrastinators can take heart. See the list of deadlines I posted here the other week.)
For her June “Third Form” column at Connotation Press, Erica Goss reports on the first Body Electric Poetry Film Festival. I’m continually frustrated by the paucity of reviews of poetry film festivals, so I was especially glad to get Erica’s impressions of this one (and of the city of Fort Collins, Colorado, which I’ve never visited). One thing I didn’t realize was that the festival organizer, R.W. Perkins, played a crucial role in keeping open the venue in which it was held:
A town that values culture should have an independent theater, but the Lyric Cinema was in danger of closing is doors last year. They needed a digital projector, which costs approximately $150,000, a steep price for a small business. Enter Kickstarter, with a high-energy video by R.W. Perkins. The Lyric raised the money for its projector, remaining a favorite place for movies and off-beat events (like The Body Electric).
I was also cheered to hear how well attended the festival was. Perkins obviously really knows how design and promote a popular event, even if it includes the dreaded word “poetry” in its description.
The thirty-four video poems that appeared in The Body Electric ranged from sensitive, emotional stories such as “Writer’s Block,” “The Barking Horse,” and “Husniyah” to edgy, animated videos (“Anna Blume”) to the tragically comic (“Portugal.”) Some featured exquisite, hand-made drawings (“Afterlight,” “Becoming Judas.”) I cannot emphasize enough how much these beautifully crafted videos benefit from seeing them on the big screen; for example, details of Cheryl Gross’s drawings for “Becoming Judas,” done in archival ball-point pen, are simply not visible on a tiny computer screen, and the complex layering of text, still images, photographs and rapid film clips of “The Mantis Shrimp” gain strength and power when viewed in the theater.
Read the rest of Erica’s review, which also includes examples of six of her favorite films from the festival.
Congratulations to Mark Neys, A.K.A. Swoon, for winning the sixth edition of “La parola immaginata,” the poetry-film contest associated with the Trevigliopoesia Festival in Italy, with his film Drift. It features a poem by the Irish poet Paul Perry, “For two NATO soldiers who drowned in an attempt to recover supplies from a river in the province of Badghis, Western Afghanistan, November, 2009.” As regular followers of this site know, Swoon’s videopoetry is a particular favorite around here, though honestly, all nine of the finalist films seemed deserving to me. (Thank god I wasn’t one of the judges!) With 65 films in the Moving Poems archive — and I don’t even post everything he uploads to Vimeo — Swoon is without a doubt one of the most productive filmmakers in the poetry-film world. Given that, it’s impressive that his films are also of such high quality, as the jury at Trevigliopoesia recognized.