~ Video Library ~

No Black Scorpion Is Falling Upon This Table by Aaron Fagan

An author-made videopoem by Aaron Fagan from 2014. Fagan has been experimenting with video for a number of years now, initially in collaboration with visual artists Jeffrey Schell and K. Erik Ino. In more recent years he’s been mostly working on his own, and he described his philosophy about multimedia poetry in an interview with huck magazine (which also featured this poem and video):

Why did you decide to turn some of your poems into videos?
I wanted to use sound and image with the poems for texture and offer a different, hopefully more inviting, way to experience poetry. I’m not looking for any literal relationship, I just like how the language, the music, and the image correspond with each other like a dialogue.

The interesting thing about making the videos is that it was totally arbitrary. The length of the movies, the length of the poems, and the length of the songs drove it all. I had a few movies I made with my phone and a few I used my phone to film stuff I liked online off my laptop. So that became a collection of images I liked. Then I looked at a bunch of poems I recorded in a friend’s studio back in 2010. If a film and a poem were the same length I just dumped them together and found a piece of music in my music library that was the same length. They are all like these happy accidents to me. They seem harmonised.

หลงทางในประเทศของตัวเอง / Lost in Homeland by Rossanee Nurfarida

Thai poet Rossanee Nurfarida recites her poem about the plight of Rohingya refugees in a video by German-American filmmaker Ryan Anderson for the OXLAEY multimedia project. Anderson’s English translation appears as text on screen.

Lost in Homeland was featured last week in Atticus Review‘s Mixed Media section, which is edited by videopoet Matt Mullins. Here’s how Anderson described the video there:

LOST IN HOMELAND is a video poem read by the author Ms. Rossanee Nurfarida while stranded on a boat perched at the top of a four-story, urban house. Ms. Nurfarida’s current collection of poetry, Far Away From Our Own Homes, is a Finalist for the 2016 South East Asian Writers Award. Lost in Homeland was written in 2015 during the Rohingya refugee crisis when thousands of stateless Rohingya from Myanmar set out on old fishing boats seeking a better future. The video’s visual references to Islam extend the poem’s metaphor, commenting on southern Thailand’s Muslim minority as a people stranded in the country of their birth.

Click through for more about the OXLAEY project and for bios of Nurfarida and Anderson. Additional credits are given in the YouTube description.

Two Poems About X, 2009 and 2014 by Blair Braverman

An author-made videopoem by Wisconsin-based writer Blair Braverman that combines two poems in the soundtrack, read, one presumes, by the poet herself, for an interesting interplay of text and video imagery. It’s from the Summer/Fall 2016 issue of TriQuarterly, where the video editor Kristen Radtke says this about it:

Blair Braverman’s “Two Poems About X, 2009 and 2014” features dueling narratives, competing for our attention as they volley back and forth, left to right. The viewer must make a choice: focus on one and experience it fully, or alternate between the two and splice them together into a new, tailor-made narrative—a rare quality in a medium where the viewer is often a passive participant. Braverman’s video invites rewatching, and as one narrative becomes familiar, we’re more capable of digesting the other—most interestingly, opening up a space in which we can experience those narratives in conversation. Much of Braverman’s video is concerned with desire made complicated by gender and terrain, and near its end comes one of its most powerful and beautifully voiced lines: “Half my problems come from wishing that men who have been bad to me would be worse, and the men who have been good would confront them.”

I notice by the way that all videos at TriQuarterly now seem to be designated video essays, which is perhaps a good way to side-step the whole controversy about what to call poetry films; their cinepoetry category hasn’t had any new additions since the previous video editor’s departure. Regardless of what they call them, though, it’s great that such a prominent American literary magazine continues to place such value on literary short films. And I’m pleased to see that they now have a fully public page at Vimeo.

This Has Begun by Soren James

“A short film about beginnings and the creative process” from UK-based artist Soren James. It was featured last month at Prick of the Spindle, a print literary journal with a film section on their website.

A Petty Morning Crime by Georgi Gospodinov

Bulgarian writer Georgi Gospodinov‘s poem in an utterly brilliant animation by Asparuh Petrov and the Compote Collective. Here’s the description from Vimeo:

А murder in the second degree, that doesn’t cut down the guilt…

04:01′ / DCP / 2015 / directed by Asparuh Petrov
“A Petty Morning Crime” is based on the original poem by Georgi Gospodinov of the same title. The film is part of the visual poetry project “Mark & Verse” produced by Compote Collective.

It was selected for ZEBRA 2016 and featured as a film of the month at PoetryFilm Kanal. Here’s the conclusion of their essay (worth reading in its entirety), via Google Translate:

A Petty Morning Crime convinces on all levels: from the voice, the sound design, the integration of the writing into the picture and the manner in which the poem is adapted visually. The adaptation retains a certain piece of work without falling into the illustration trap. The abstract figures, the spatial elements and the strong noises and sounds divert the attention of the viewer from the direct correspondences of word and image, and open his eyes to the special cinematic pictorial language, as much as the text also the everyday and banal pages of life poetry.

Adondar a lingua / Kneading language by Celia Parra

A videopoem by Galician filmmaker-poet (and videopoetry blogger) Celia Parra. There’s also a version without English subtitles. The Vimeo description:

“Kneading language” speaks about love for language and the emotional roots that connect us to it. It explores the role of family in transmitting affection for our culture and traditions.
FESTIVALS
– Nominated to “Best Valentine” at Rabbit Heart Poetry Film Festival (USA) 2016
– Selected at Rabbit Heart Poetry Film Festival (USA) 2016
– Selected at Ó Bhéal Poetry-Film Competition (Ireland) 2016
AWARDS
2º Prize for videoart (ex aequo), Xuventude Crea 2016

According to the credits, Parra was responsible for poem, voiceover, camera-work and editing, while the soundtrack was composed and recorded by Alejandro Almau. I must say, as an amateur baker, I was fascinated by the footage, and have a sudden urge to make Galician empanadas. Northwest Spain is apparently where the empanada originated.

It Feels Like ______ . by Gabbi

A brilliant author-made videopoem I ran across on Vimeo the other day, by Gabbi A.K.A. Gabriella Cisneros, a Milwaukee-based film student who describes herself on Vimeo as an “Artist of various classifications — Documentarian in words—pictures—&—videos — Rememberer”.

Word: Association by Michelle Fisher and Fiona Stirling

This was the winner of CinePoem’s 48-hour filmpoem challenge held in Glasgow back in December. According to the YouTube description, it was “Written, directed, voiced & edited by Michelle Fisher and Fiona Stirling.”

Poem for Rent by Kim Mannix

The text here is by Canadian poet Kim Mannix, the music by Adi Carter, and the video and voice are the work of Marie Craven, who really puts the “kinetic” into “kinestatic” in her use of still images. See the Vimeo description for links to all the photographers, and listen to the complete soundtrack, “Blink Blink,” on SoundCloud.

Our last video of 2016 is also our first of 2017, since it’s already the New Year in Australia where Marie lives. And a few hours ago on Facebook, she wrote: “The turn of the year is my favorite time. For me, it is about letting go of the past and going fresh into the new.” Here’s wishing all Moving Poems readers/viewers a happy, peaceful and creative New Year.

July 1, 1916: With The Ulster Division by Paul Muldoon

Director George Belfield of Somesuch production company writes (in the Vimeo description):

My great grandfather Wilbye survived the Somme. His brother Harry was killed in Belgium. My dad still has Wilbye’s signet ring on his finger. WW1 – and the Battle of the Somme – have always loomed large in my mind. The history. The poetry. My own family connection. The horror and carnage of it. The pointlessness. This film was my way of trying to connect with those experiences, and Paul Muldoon’s insightful and compassionate poem left us with the relatively simple task of creating space for it to sink in. These days, the Somme area is a banal agricultural backwater, but the landscapes still feel haunted by the atmosphere of what happened there. I recce-ed the locations with my dad, and my sister produced the film, so it’s really been a family affair, and I’m very proud of it.

The voiceover is by Lloyd Hutchinson and the sound by Jake Ashwell; click through for the full credits. The film was commissioned by 14-18 NOW, Norfolk and Norwich Festival and Writers Centre Norwich as part of the Fierce Light project.

In Kisii by Daniel Dugas

Canadian videopoet Daniel Dugas has hit upon a novel way to use footage shot from the window of a moving vehicle in the first of this video’s three parts, “The paths.” “The lake” and “Diamonds floating” continue the juxtaposition of moving images with a single static image of a delivery truck being unloaded by the side of a road, which makes me think of how limited and constrained any visitor’s perspective on a place must inevitably be. The whole thing makes for a very satisfying, brief travelogue.

Set by Nasim Łuczaj

Glasgow-based directors Douglas Tyrrell Bunge and Malen Montabes and poet Nasim Łuczaj are all credited as co-writers of this film, and all three appear as actors along with Harvey Dimond. It was made for the 48-hour filmpoem challenge sponsored by Cinepoems on December 2-4. The words are a little difficult to make out over the music, but the shots are too inventive not to share.