Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.
Scottish artist and filmmaker Alastair Cook’s latest filmpoem (and in my opinion his best to date). Here’s what he says about it at Vimeo:
-ed is my film of a poem by Mairi Sharratt, from her as yet unpublished (nudge) collection This is a Poem. You can read more of Mairi’s work on her excellent blog, alumpinthethroat.wordpress.com.
It took a long time for me to begin this filmpoem for two reasons: I have been busy with this summer’s solo film and photography show as part of the Edinburgh Festival; also the poem is dark and yet meditative, lifting to a powerful crescendo and as a result I felt that I needed to introduce a figurative element. So I ruminated…
Mairi says in a blog post that the film will be screened at Edingbugh’s Hidden Door Festival, which runs from October 22-24.
The reading is evidently an excerpt from Myles’ new book. Update: this is not from Inferno, but a more recent piece (see comments). It takes a little while to get going, but stick with it: the hand-drawn, typographic animation on a green screen behind the reading is unique. It’s the work of Scott Gelber for Teleportal Readings, which includes some additional information:
This is the first of nine videos we shot in collaboration with Rattapallax at the Bowery Poetry Club this summer. That’s BPC founder Bob Holman you hear in the background during the beginning, before he gets whatevered by Eileen. We filmed with a green screen and Scott Gelber added animation after the fact (we’ve yet to perfect the magic of manifesting amazing, hand-drawn typefaces live, but believe us when we say we’re working on it). Eileen’s newest book, Inferno (A Poet’s Novel) is available from OR Books.
And here then is an excerpt from Inferno (via EileenMyles.com).
http://vimeo.com/14155318
Finally, here’s a book trailer for Inferno.
One of the new batch of films from MotionPoems, read by Todd Boss and designed and animated by Matt Van Ekeren. If you can get to Minneapolis this Friday, October 8, it will be part of a screening of new motionpoems.
The title poem of Rachel Zolf’s new book from Coach House Books, “a virtuoso polyvocal correspondence with the daily news, ancient scripture and contemporary theory that puts the ongoing conflict in Israel/Palestine firmly in the crosshairs.” Poetry blogger Joshua Corey calls it “A work of radical and rigorous empathy for Jew & Arab.”
I like the cut-up approach to a live-reading video here. Poet Laura Mullen is the filmmaker. For more on Rachel Zolf, see her author page at the Electronic Poetry Center.
Animator Allison Alexander Westbrook IV says in the notes at YouTube,
This is a commissioned animation I did for the poet Major Jackson. It was created by using a combination of Adobe photoshop and after effects. It first debuted at the exhibition titled “More Than Bilingual: Major Jackson & William Cordova.” at the Fleming Museum located on the campus of the University of Vermont on January 27th, 2009.
Directed by Siena Stone and Jalen Lyle-Holmes, this is one of the 2010 finalists from the Poetry in Film Festival held in Melbourne, in which all contestants were challenged to make a 4- to 7-minute film based on the same poem by Australian poet Libby Hart. (See Vimeo for the full list of credits.)
No sooner had I posted about the festival at the Moving Poems forum than this video pops up on Vimeo. Here’s hoping some of the the other finalists appear, as well.
A short film shot in Australia and based on a spoken-word poem by the New York-based poet Nicole Blackman. I found a review from 2005 in RealTime Arts Magazine. This was apparently Corrie Jones’ directorial debut. He persuaded Blackman to take an active role in adapting the poem for the film, and it is she doing the voiceover.
Victim was filmed and produced in Perth by a group of relative newcomers, but its local impact was immediate. The first screenings in Perth were controversial, where it was shown with Siddiq Barma’s Osama as part of the 2003 Perth International Arts Festival. With the serial killings of 3 young women in Perth’s northern suburbs still haunting the newspaper headlines, Victim hit a raw nerve. Although the film shows a bound and gagged woman at the mercy of an armed kidnapper, many viewers interpreted the film as being about a woman’s rape, which is not even indirectly implied.
Jones views the film’s real subject as self-empowerment rather than victimisation. His protagonist struggles to the end, and when she realises she may die, she attempts to live the last moments of her life with psychological strength and resolve, rather than annihilating terror. “I wanted to show an inner strength through the detachment of the narration”, Jones explains. “The film is about a woman confronting her fears, dealing with them as they hit her.”
Victim has already won a number of prestigious Australian awards, including an Early Career Award at the 2003 WA Screen Awards, the SBS Eat Carpet award, and Best New Director award at the 2004 St Kilda Film Festival.
http://vimeo.com/31974260
Another video from Dara Elerath at the Art Center Design College in Albuquerque. The full poem includes an additional two stanzas at the end — read it on the Poetry Foundation website.