This tantalizing introduction to the contemporary Burmese poetry scene offers a rare (for Westerners) glimpse into the country’s intellectual life. Here are the details from Vimeo:
Images: Craig Ritchie.
Animations: Brett Biedscheid/State of State.
Animations Commissioned by English Pen.Images of Burmese poets taken in their writing spaces in Yangon, Burma during 2011/2012.
Poem excerpts from the anthology of Burmese Poetry, ‘Bones Will Crow’, by Arc Publications, 2012.
The excerpted poems include “The Sniper” by Pandora, “A Letter for Lovers and Haters” by Ma Ei, “Aung Cheimt Goes to the Cinema” by Aung Cheimt, “A Bunch of 52 Keys” by Maung Pyiyt Min, “Moonless Night” by Moe Zaw, “Slide Show” by Zeyar Lynn, “Redundant Sentences” by Thitsar Ni, “Gun and Cheese” by Khin Aung Aye, “The Heart Bearer” by Maung Thein Zaw, and “If You Need to Piss, Go to the Other Room” by Moe Way. Translators are ko ko thett, James Byrne and Maung Tha Noe.
A poem about Alzheimer’s by Toronto-based poet Kate Marshall Flaherty. Filmmaker Mark Korven notes that this was “Shot in one take at Guildwood park in Scarborough, Ontario during the last days of winter.” Korven also plays the cello in the soundtrack.
Jane McKie reads and Rebecca Joy Scharp plays the clarsach in this filmpoem by Alastair Cook. It was commissioned by Absent Voices, “a group focused on the celebration of the vast and semi-derelict Greenock Sugar Sheds,” according to Alastair’s note on the previous film in the series, “How Well It Burns” by Brian Johnstone.
A collaboration between Chicano poet Tino Villanueva and filmmaker Alberto Roblest.
A video by John Birdsong of Panman Productions. His decision to combine audio of a reading with the poet’s still face was kind of an interesting departure from the norm, I thought.
Johnstone was a co-founder of the StAnza international poetry festival held each March in St. Andrews, Scotland.
San Francisco-based writer and musician Diana Salier collaborated with the animator and director, Daniel Lichtenberg, on
A paper cutout-style animated video adapted from Diana Salier’s poem WHAT I SAY WHEN YOU ASK WHAT I’M UP TO, from her new book LETTERS FROM ROBOTS.
Diana builds a couch fort to hide herself from a former lover.
LETTERS FROM ROBOTS is out now on Night Bomb Press.
Salier stars in the film (along with Leiandrea Layus), composed the music and did the voice-over. Additional credits include assistant animator Max Berry and gaffer Matt Rome. (One doesn’t see nearly enough poetry films crediting gaffers.) It was produced at Photon SF.
I found this musical interpretation compelling; the accompanying kinestatic video isn’t bad, either. It’s a selection from The Winter E.P. – Shakespeare’s Sonnets by Hallam London, who is credited with composition, vocals, guitars, keyboards and all programming. The photos in the video were taken on Norderney Island in the North Sea by Nicola Moczek and Riklef Rambow. Visit the composer’s bandcamp page to hear more from the EP.
Hal Sirowitz’ Mother Said was a bestseller in Noway, whence this film by Kajsa Næss, who notes,
The film is made using a mix of pixillation, cut out photographs and stop motion.
Shot on 16mm