~ calls for work ~

All festivals, events and calls for work are mentioned by Moving Poems with our best efforts and in good faith. However, do check all details yourself as we cannot guarantee accuracy, and make your own judgements because we cannot verify the things that we share. Events may fail for a variety of genuine reasons, or may be a scam to elicit fees.

Call for submissions: Text(e) Image Beat exhibition at Galerie Sans Nom

(The following press release is from Annie France Noël, co-director of the GSN.)

GSN logoThe Galerie Sans Nom (GSN) in Moncton, New Brunswick, Canada, is organizing a screening of videopoetry with the curators Daniel Dugas and Valerie LeBlanc. The exhibition will be presented from March 20 – May 1, 2015.

The work should be screen-based poems where the text, image and sound intermingle. The maximum duration of the work cannot exceed 5 minutes and must have been realized after January 2013. The works must be in either French or English. If the language in the video poem is other than French or English, the artist is required to submit a version that is subtitled in French or English. All video poems must be received by the December 15 deadline through a file hosting service (Dropbox) or through Vimeo. A short artist bio and synopsis of the video poem must accompany each submission.

No entry fee, CARFAC rates will be paid.

Deadline: December 15th, 2014

Submissions must include:

  • Director’s name
  • Address
  • Email
  • Duration
  • Year
  • Format
  • Link (Vimeo / Dropbox)
  • Previous screenings
  • Synopsis
  • Bio
  • Artist portrait (JPEG, 300 DPI)
  • Still image of video (JPEG, 300 DPI)

Submit as a WORD .doc attachment to: videopoesieGSN@gmail.com

Motionpoems’ “Colossal 3D poetry film installation” prepares for first run, issues nation-wide call for entries for 2015

Most poets seem to limit their greatest bursts of creativity to their writing, but Minnesota-based poet and force of nature Todd Boss (check out his new website) seems to come up with ingenious ideas for public poetry projects almost once a year — and given his background as an arts administrator, he then makes them happen, too. He’s really committed to bringing poetry to the people. He of course co-founded Motionpoems, of which he is still Executive and Artistic Director. In 2012, he worked with Swedish visual artist Maja Spasova on a large-scale public art project in the Mississippi River, Project 35W, which included audio stations and a print supplement of the associated poems in the local newspaper. Then there’s this:

https://vimeo.com/103811378

“Arrivals & Departures at Saint Paul’s Union Depot” has a page on the Motionpoems website. Let me paste in the first part of the announcement (minus some of the formatting):

A   L   L           A   B   O   A   R   D


F O R   A   M A J O R   M O T I O N P O E M S   P U B L I C   A R T   P R O J E C T 

“Arrivals & Departures at Saint Paul’s Union Depot”

C O M I N G    |     S T .   P A U L      |      O C T   1 0 – 1 1 ,   2 0 1 4

Motionpoems and public artist Todd Boss present “Arrivals & Departures at St Paul’s Union Depot,” a colossal 3D poetry film installation that will magically transform the facade of one of St Paul’s most impressive landmark buildings.

Follow #DepotPoems
for weather and late-breaking updates.

This is the first of an annual projection.

NOW CALLING FOR POEMS by US poets. DEADLINE Nov 30, 2014.
Click here to enter.

We selected a handful of original poems by Minnesotans (theme: “Arrivals & Departures”) from a statewide call for poems (CLOSED), then commissioned Minnesota film teams to turn finalist poems into short films to fit digitally mapped 3D templates of the building.

In Oct 2014, we’ll project the films onto the screen-filled facade of St Paul’s historic Union Depot to loop at 5-minute intervals like trains, with accompanying audio from lawn-area speakers, during the St Paul Art Crawl, October 10-12, 2014.

The artistic vision for this project is to celebrate Union Depot’s renaissance as a rail hub with an act of place-making that will reclaim the space in the hearts and minds of all who experience it.

Read the rest (including the 2014 winning poems by Brian Beatty, Robert Dougherty, Mike Rollin, and Linda Back McKay).

Todd Boss, meanwhile, isn’t resting on his laurels. Next spring, Minneapolis-Saint Paul residents will get to experience the Wee Cinema:

https://vimeo.com/104415198

The Poetry Storehouse First Anniversary Contest

Poetry Storehouse logo(Reblogged from The Poetry Storehouse.)

The Poetry Storehouse opened its doors on October 15, 2013 and since then has amassed a fabulous collection of poems and audio-visual remixes based on those poems, thanks to a more than 100-strong (and growing) community of poets, remixers and readers.

Creative energy is never created from scratch, nor does it ever die, but continually morphs from form to form as each of us is inspired by what has gone before us and in turn inspires what comes after us. Unique for its three categories of contributors – poets, remixers and readers – who engage with each others’ work with always interesting and frequently stunning results, the Storehouse embodies that continual passing on of the creative baton.

Join us in celebrating these awesome community achievements by participating in the Poetry Storehouse First Anniversary Contest as either a remixer or a poet, details below. Deadline for all contest submissions is midnight EST on Sunday October 19, 2014.


FOR REMIXERS

Create a remix (a video remix, an art collage, a soundscape, a sound collage, or surprise us) in response to any Storehouse poem currently up at the site. All contest remixes must be created on or after September 22, 2014. If you would like a reading by a specific Storehouse reader for the poem you select, email nic_sebastian at hotmail dot com and we will see what we can do for you.

Audio-video judgesMarc Neys (aka Swoon), Erica Goss and Dave Bonta
Art judgePeter Ciccariello

The winning remix, depending on its format, will be featured by The Poetry Storehouse, Moving Poems and The Third Form.

Contest submissions – please email nic_sebastian at hotmail dot com with a link to your submission or to discuss the best format for your submission.


FOR POETS

Write a poem in response to one of these three videos by Storehouse remixers:

Poetry judgeJessica Piazza

Our judge, working with a panel of screeners, will select one poem for each of the three videos and all three clips will be finished by the original film-maker to incorporate the selected poems. The three finished clips and poems will be showcased both at The Poetry Storehouse and by our contest collaboration partner, Menacing Hedge.

Contest submissions – please use our submissions manager and submit in the ‘Poetry Storehouse 1st Anniversary Contest‘ category.

Video clip by Eduardo Yagüe
http://vimeo.com/106044618
back to video list

Video clip by Marc Neys

back to video list

Video clip by Lori Ersolmaz

back to video list

Call for submissions: Don McKay Video Poem Contest

Don McKay Video Poem Contest flyerThere certainly are some interesting contests popping up these days. The Victoria Writers Festival in Victoria, British Columbia is sponsoring a contest for videos based on the poems of Canadian poet Don McKay.

Yes! To celebrate the publication of Angular Unconformity: The Collected Poems of Don McKay (Goose Lane Editions, 2014), we invite anyone with a camera and/or computer and a little editing savvy to create a video that “performs” any poem of Don McKay’s. You can easily find poems by this giant of Canadian poetry online, in bookstores and libraries, or hopefully on your own shelves. Prizes in two categories: Youth (under 18) and Adult.

THE SIMPLE RULES:

1. Videos must be no longer than five minutes.
2. Videos must include the entire poem.
3. Don McKay MUST be credited as the writer in the film itself and in the video description at YouTube or Vimeo, along with the title of the book or magazine in which the poem appeared, the publisher, and the date of publication.
4. Know copyright. Get permission to use audio, video and photography, or ensure that what you use is in the public domain. Moving Poems has compiled details about fair use, and links to troves of public domain video and audio here: Web Resources for Videopoem Makers. Best yet, shoot your own material. (Don McKay has given his permission for his poems to be used in this contest.)
5. Upload your video to YouTube or to Vimeo and send us the link at victoriawritersfestival@gmail.com. Please note if you are entering as a Youth.
6. Have fun – Don does!

The deadline is November 1, and the festival takes place November 6-8. Click through for details about judges, entry fees, and prizes, as well as samples of McKay’s poetry.

I’m glad to see my web resources guide put to good use, but I’m especially delighted to see a regular writers festival creating a space for videopoetry. I think this is part of a growing, international trend for writing or poetry festivals to include a screening of poetry films. In a few more years, it may seem odd to put on a writing festival and not include film or video in some way.

Call for submissions: 3rd annual International Film Poetry Festival in Athens

International Film Poetry Festival posterThe +Institute [for Experimental Arts] and Void Network are once again sponsoring a poetry film festival in Athens this December.

There will be two different zones of the festival. The first zone will include video poems, visual poems, short film poems and cinematic poetry by artists from all over the world (America, Asia, Europe, Africa). The second zone will include cross-platform collaborations of sound producers and music groups with poets and visual artists in live improvisations.

The International Film Poetry Festival 2014 attempts to create an open public space for the creative expression of all tendencies and streams of contemporary visual poetry.

The deadline for submissions is November 20. Click through to read the rest and to download the application form.

Right Hand Pointing magazine tempts poets to submit with promise of a video made from their work

Right Hand Pointing's motivational speaker dudeThe always innovative online literary magazine Right Hand Pointing has hired an unusual reader for their next issue.

81: (December 2014): Special poetry issue: “Swoon,” One to three poems will be selected by Marc Neys who, under the name “Swoon” creates videos incorporating poems. Marc will create a video based on the winning one, two, or three poems. We will begin reading for this issue immediately. Deadline October 31, 2014.

And check out their fancy multimedia guidelines! I can’t remember the last time I was so entertained by a list of rules.

Neys probably needs no introduction to regular readers/viewers of Moving Poems, but just in case, here’s his website.

Independent animator Neely Goniodsky invites submissions to Kickstarter-funded animated poetry contest

Well, this is different. And potentially very cool. As Goniodsky points out at the very bottom of the page, professional animation doesn’t come cheap. “If this were a commissioned project, my fee would be between 5K to 15K depending on the amount of work involved.” And she does have an impressive bio and demo reel. Do click through to get all the contest details, watch the demo reel, or even donate to the Kickstarter campaign to help fund it. (For as little as $5.00, you’d be able to view the film as soon as it’s made.)

(Hat-tip: poet Peter Cherches on Facebook)

Call for entries: Liberated Words III poetry film festival

Somehow I missed this back on April 1 (I blame my feed reader), but the deadline isn’t until July 30th, so there’s plenty of time to get a submission in:

Liberated Words III poetry film festival

September 2014, Bristol Poetry Festival

Call for poetry films

MEMORY

Following the success of Liberated Words Poetry Film Festival at Bristol Poetry Festival in October 2013 festival organisers poetry filmmaker and writer Sarah Tremlett and performance poet Lucy English welcome poetry films of 3 minutes or less to be screened at Arnolfini, Bristol as part of Bristol Poetry Festival 2014 (15–21 September 2014), with a projected further two screenings at Komedia and The Little Theatre Cinema in Bath in February 2015.

Whilst still in the process of finalising the programme (including a surprise international guest) we are pleased to announce that this year, as well as welcoming our returning US music judges Rich Ferguson and Mark Wilkinson and screening the best films from Argentina and Vancouver from our partners VideoBardo and Visible Verse, some of the events we will be showcasing are: a groundbreaking poetry film from Action on Hearing Loss and the best of young local talent through a schools’ poetry film project with last year’s prize winners Helen Moore and Howard Vause – currently featuring St Gregory’s Catholic College in Bath and St Brendan’s Sixth Form College in Bristol; providing a workshop with the international poetry filmmaker Marc Neys, and supporting commemorative events for the 1914–18 war we will also be hosting a panel discussion on the legacy of Dada and Surrealism in poetry film today.

We will also be requesting submissions for two categories:

1 Open Call on the theme of Memory

2 Commemorating the anniversary of the 1914–1918 war we are also requesting poems in response to a poet of the time – to be announced.

All accepted entries will be screened and archived on Liberated Words website. We will be presenting awards for the best editing for poetic effect and best music throughout the festival.

Submission deadline 30th July 2013. Please send to l.english@bathspa.ac.uk

Entry forms

To enter your films please download and read the Rules and Regulations then download and fill in the Entry Form and Release Form and email your submission to l.english@bathspa.ac.uk

Liberated Words CIC Rules and Regulations 2014 (click to download)

Liberated Words CIC poetry film festival release form 2014 (click to download)

Liberated Words CIC open call memory entry form 2014 (click to download)

Visit the Liberated Words website for more, including examples of films screened at last year’s festival.

Call for entries: OLE International Festival of Electronic Literature

A month-long International Festival of Electronic Literature—OLE—will be held in Naples and its environs in October. There is of course some overlap between videopoetry/filmpoetry and electronic literature; here’s how the festival website describes the latter:

Electronic Literature, also known as eLiterature or digital literature, includes a wide genre of works that make use of digital media (from the computer to the Internet to single software) to be created and / or to be used. It is therefore not about traditional works subsequently digitized, but born digital works that generate real new languages and, therefore, new literatures.

The festival is divided into two sections, one “made up of internationally renowned artists from all over the world,” and the other for younger artists. The call for proposals targets the latter group:

Present Call is addressed to young people of any nationality who are under 35 years of age. The theme of the Festival is “Memory of the future: to know ours roots to plan a common future”. The other sub themes are: “conditions for peace, sustainable development, knowledge and cultural diversity,” in parallel with the theme of Universal Forum of Cultures.

The works they’re seeking include:

2. ELECTRONIC POEMS

  • videopoetry
  • kinetic poetry
  • interactive poetry
  • 3D poetry
  • multimedia poetry
  • hypertext poetry
  • flash poetry
  • generative poetry
  • code poetry

The deadline is May 15. Refer to the website for the rather complex submission procedures (which may be more comprehensible in Italian).

Visual, film, and sound artists sought for collaborative project with Minnesota poet

Duluth, Minnesota’s Prøve Collective (which counts among its members the cellist/composer and videopoem maker Kathy McTavish, whose work I’ve featured on Moving Poems) recently issued a rather unique call for artists to collaborate on multimedia projects with poet Kathleen Roberts, culminating in a two-week exhibition in August. Here’s the call as it appears on mnartists.org:

Accepting submissions of visual, film, and sound art for With Sirens Blaring. Deadline: July 1

Duluth’s Prøve Collective announces an open call to filmmakers and artists for its upcoming show, “With Sirens Blaring”.

Deadline: 1 July, 2014.

Prøve Gallery, Duluth, Minnesota’s independent and artist run contemporary gallery, is proud to announce “With Sirens Blaring”, opening 8 August, 2014.

Show Description: Poetry is, above all things, an attempt to view the world through language. This summer, Prøve Collective will display a body of work linking poetry to visual, film, and sound art. Pursuant to a grant from the McKnight Foundation, award-winning Duluth poet Kathleen Roberts is creating an assembly of films and artwork by local and regional artists based on her words. These works will be displayed permanently on her website and in Prøve’s August exhibition, “With Sirens Blaring”. Artists in all disciplines are encouraged to inquire.

Mission Statement: Prøve Collective is a cultural organization dedicated to the role of art exhibition as a conduit of powerful ideas and diverse viewpoints. Our mission is to foster a greater appreciation of the contemporary arts, to bridge cultures, to create and expand community, and to provide cultural exchange, networking opportunities, and educational outreach through regular interaction with the contemporary arts. It is the goal of Prøve Collective to present monthly gallery shows, collaborate with like- minded arts organizations, and provide an arts retail environment.

Submission guidelines:
Interested parties may contact Kathleen via e-mail at kathleen@provegallery.com. Please include a brief statement of purpose and Curriculum Vitae. These will be works of collaboration, and we are interested in sharing in your ideas about poetry and its intersection with other art forms.

All submission materials must be written in English. Prøve Collective will provide publicity, exhibition invitations, mailings, and an opening reception. All work resulting from this project will be under Creative Commons Attribution (CC-BY), which requires that anyone distributing this work or making derivative work must give attribution to the original artists.

Submission does not guarantee that your work will be displayed.

Please e-mail kathleen@provegallery.com if you are interested in participating in this moving poetry project.

Deadlines:
• Submissions are due by 1 July. As this collaboration will take time and communication, it will be necessary for artists to initiate contact well in advance of the deadline for submission.
• The opening reception for “With Sirens Blaring” will be 8 August from 7-11pm.
• The show will run for two weeks and conclude on 23 August.
• Pick up will be August 28-30 from 3-7pm.

Please direct any questions to Kathleen Roberts, kathleen@provegallery.com.
PRØVE Gallery 21 North Lake Avenue Duluth, MN 55802 info@provegallery.com www.facebook.com/provecollective www.provegallery.com

Poetry films sought for ReVersed Festival in Amsterdam and VideoBardo in Buenos Aires

ReVersed Poetry Film Festival, scheduled for April 4-6 in Amsterdam, is the newest videopoetry festival on the international scene. They’re operating on a somewhat accelerated schedule, so interested filmmakers should not delay in submitting work — the deadline is March 24. Let me paste in some of the text from their call for entries.

Re-Versed Poetry Film Festival is launching its first edition, inviting artists, poets and filmmakers to explore the intersection between poetry and film. With its scope encompassing screenings, performances and talks, Re-versed is the first festival in the Netherlands to focus on the poetry film genre. Co-hosted by Perdu, Kriterion and OT301, it seeks both to illuminate the growing field of poetry film as well as to broaden it by providing an opportunity for filmmakers to participate in an open call for submissions.

What is a Poetry Film?
A filmic equivalent of poetry, poetry film is distinct from a poetic film in its aesthetic: it incorporates text, whether written or spoken, within its frames – a poem taking shape on screen. We invite you to explore the emerging field of poetry filmmaking: although most notably outlined by Tom Konyves’ manifesto and Alastair Cook’s Filmpoem project, it remains an open-ended area, an opportunity for experimentation. The works carried out in most innovative and creative ways will be screened and awarded at the festival. A jury will select the prize-winning films.

Entry guidelines:

• All entries must be submitted by March 24, 2014.

• All entries must conform to the poetry film aesthetic: text, spoken, written or animated must be incorporated.

• Entries longer than 12 minutes will not be accepted.

• Entries may be submitted by Dutch and international artists. Please provide English subtitles for your film if English is not the language of the film.

It’s exciting to see new poetry film festivals like this continuing to spring up all over the world. Please support them by sending in work, and of course attending if you can. Click through to download a submission form. (Another version of the call for entries, on the Perdu site, includes guidelines in Dutch.)


One of the longest-running poetry film festivals in the world, VideoBardo, also recently released a call for entries for their 2014 edition.

VideoBardo, founded on 1996, calls artists to participate in the V International Videopoetry Festival, which is composed by Preliminary Events along 2014 in different cities and places, and by a Central Week in November in Buenos Aires, Argentina.

We understand Videopoetry as all audiovisual work where verbal language (word, letter, speech, speaking, writing, sign) is protagonist or has a special transformer treatment. Therefore these three fields: Image in movement, Sound and Verbal language, dialog with each other in order to create a fourth reality which is the Videopoetic Work. So in videopoetry the verbal language is experienced in visual, sound, corporal and physical dimensions.

The deadline is August 15. Click through to download the bilingual guidelines and entry form.


Don’t forget that the main Moving Poems links page includes, as its last category, a nearly complete list of international poetry film festivals. For recent festival news and call-outs, browse the “festivals and other screening events” topic here at the forum.

Two calls for submissions: Rabbit Heart Poetry Film Festival and Art Visuals & Poetry Festival

A new poetry film festival is slated for Worcester, Massachusetts, USA: the Rabbit Heart Poetry Film Festival, sponsored by Doublebunny Press. The screening is in September, submissions are open until June 1, and — unusually for a poetry film festival — there’s a $25 submissions fee, and six winners will get cash prizes: “Best Overall Picture will win $200, and there will be $100 prizes in categories for Best Animation, Best Music in a Video, Phone Shot, Under 1 Minute, and Valentine.”

Two other unique features of this contest and festival: they want only what I would call videopoetry or filmpoetry — no footage of the poet herself reading her work, and they’re looking for author-made films, requiring the poet to be “directly involved in the process of making the video.” Also, judging is blind, so the film can’t contain any credits. All in all, this is definitely one of the most unique poetry film festival call-outs I’ve seen. Check it out.


Another poetry film festival is scheduled for November in Vienna, Austria. The Art Visuals & Poetry Festival has been going on for several years now, and its website is a good source for information on various film festivals and poetry film-related activities, especially for those who read German. The 2014 festival includes an international competition using a recording of a poem by Georg Trakl as well as a competition for Austrian filmmakers. The deadline is September 30.

The Austria-specific contest is for what they call a textfilm. In contrast to the Rabbit Heart folks, they cast a pretty wide net:

Whether abstract, classic, animation, narrative or cinematographic : the genre of poetry film is colorful and varied. There are also many definitions. The Scottish photographer and filmmaker Alistair Cook defined the poetry film recently with the following words: “A poetry film is… a single entwined entity, a melting, a cleaving together of words, sound and vision. It is an attempt to take a poem and present it through a medium that will create a new artwork, separate from the original poem.” In contrast to the Anglo-American world, we accept all kinds of literary art works, that meet the predicate literary. It can be abstract sound poem or poetic prose or naughty poetry slam. Therefore we sometimes use the word “textfilm” as a synonym for the word “poetry film”.

Anyway, do read their call for entries.


Don’t forget that the main Moving Poems links page includes, as its last category, a nearly complete list of international poetry film festivals. For recent festival news and call-outs, browse the “festivals and other screening events” topic here at the forum.