~ Videopoems ~

Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.

And Death Shall Hall No Dominion (excerpt) by Dylan Thomas

This is Aum Shinrikyo, directed by Noah Conopask. On Vimeo, he describes how he came to make it:

On a recent shoot in Tokyo I was incredibly inspired by Japan and everything I was seeing around me visually. The streets, the people and the fashion. I learned about a doomsday cult called Aum Shinrikyo (Japanese オウム真理教) that let off deadly sarin nerve gas in Tokyo’s subway system 20 years ago. The attack was the worst in modern Japanese history. It made me think of Dylan Thomas poems about life and death. It was something I wanted to bring to life cinematically. I had a vision of a few of the cult members walking around Tokyo. Staking out the attack, the way thieves would a bank heist.

Poem: ‘And Death Shall Hall No Dominion’ Excerpt by Dylan Thomas
Directed by: Noah Conopask
Production Company: The Sweet Shop
Cinematography: Garrett Hardy Davis
Edit: James Dierx at Whitehouse Post
Music: Traces
Voice Over: Vivian
Color: Seth Ricart at RCO
Producer: Larissa Tiffin
Talent: KO3UKE Onishi, Kenji Araki, Percy

When it Comes to Marching by Bertolt Brecht

A brief animation of a poem from Brecht’s A German War Primer by Andrea Malpede AKA Andrea Nocive, who notes in the Vimeo description:

I’ve always found Bertolt Brecht’s words strong and full of love.
In this animation I tried to give life to his powerful concept.

Ao Amigo do Fáscio / To the Fascist’s Friend by Murilo Guimarães

Murilo Guimarães is a Brazilian poet and multimedia artist and a PhD candidate in anthropology at the University of Lisbon. Ao Amigo do Fáscio is his first release for RG: Murilo, “an art project situated in an imaginary intersection of ethnography, electronic music, video and literature.”

The poem is a letter to [one who] has been captivated by violently irrational acts and thoughts set by politicians, intellectuals and influencing individuals or groups.

In the video, two proto-fascists walk around the city amidst everyone else without being noticed.

The voiceover is by Terêncio Lins. Be sure to click the CC icon to read the English translation (which is a little rough, but one can get the drift).

In Darwin’s Dream by Matt Mullins

A brand-new collaboration between two seasoned poetry-film pros, Spanish director Eduardo Yagüe and American writer Matt Mullins, who edits the mixed media section of Atticus Review. Although Matt’s own videopoems are often very effective, here he supplied just the text, voiceover and music, and Eduardo did the rest — the same division of labor as in their 2016 film The Hero is Light. The actress here is Rut Ayuso.

Daddy Dearest by Lissa Kiernan

Marc Neys AKA Swoon‘s latest video for a poem by Lissa Kiernan incorporates footage by Grant Porter, Tim Williams and Mikeel Araña. Marc’s original composition features in the soundtrack alongside Lissa’s recitation.

Cathedral by Dave Richardson

My brother lost his virginity behind the barn, he says, but he says a lot of things… sometimes we want to hold on to sanctuaries and cathedrals even as they crumble.

A new, text-on-screen videopoem by artist and writer Dave Richardson, each of whose poetry films so far has been something of a masterpiece. This one has special resonance for me, since I also grew up playing in an old barn with my brothers, and love old barns in general. Cathedral strikes me as a quiet but powerful ode to this most iconic embodiment of rural life.

West of Dalabrog by Susannah Ramsay

Poet and director Susannah Ramsay‘s description reads:

West of Dalabrog refers to the relationship between place, landscape, memory and subjective experience. It focuses on the return to a place of personal importance – a long stretch of white sand to the west of the town of Dalabrog, South Uist, which I first visited in 2001. The return represents a shift in perception and reflects how time can bear great change on a place, landscape and more crucially memory.

Catwalk by Bernard Dewulf

Judith Dekker notes in the Vimeo description that this was the

Last poem Bernard Dewulf wrote as city poet of Antwerp Belgium. Music composed by Doug Keith, an american musician living in NewYork. And the cat was shot (without being hurt) in the town of Dunbar Scotland. Translation courtesy of Vlaams Fonds voor de Letteren.

For those who know Dutch, there’s also a version without subtitles. The version above appears in the latest issue of Poetry Film Live, along with the text, some stills, and a bio of the filmmaker. Check it out. And for more of Dewulf’s work in English, visit Poetry International Web, as well as his page here on Moving Poems.

Restriction Site Poetics by Jason Brennan

A wonderful, too-short animation by Australian artist and former research scientist Nicholas Kallincos. He says on Vimeo that it’s an “Experimental mixed media animation made in collaboration with UK spoke word poet, Jason Brennan in 2005. Soundtrack by Cornel Wilczek”.

It could be my Google-fu just isn’t very good today, but I’m not able to find anything about Brennan online aside from this.

A Shred of Identity by Dambudzo Marechera

Based on the poem A Shred of Identity by Zimbabwean novelist and poet Dambudzo Marechera this film explores the notion of a double identity in two ways: the split between the self can be interpreted as a product of colonialism, migration and displacement, where the mother tongue mutates into a foreign language. Double consciousness, however, is also at the heart of the creative act; artistic practice could be seen as a constant exploration of the tension between inner and outer self.

Thus the description of this wonderfully disturbing 2009 film by the Ghanaian writer, art historian and filmmaker Nana Oforiatta-Ayim, pasted in from the website of the ANO arts institution founded by Oforiatta-Ayim. I also found the text of the poem by Dambudzo Marechera.

Everything sleeps but the night by Matt Hetherington

Marie Craven‘s latest poetry film uses a text and voiceover from fellow Australian Matt Hetherington over a collage of images from hither and yon (see Vimeo for the credits).

What is a soul? by Luisa A. Igloria

I recently returned to Pennsylvania after a summer in London, and on my way out of Newark, New Jersey, I shot a brief cellphone video through the dusty window of a Greyhound bus, capturing some remarkable murals on a wall beneath a train line. After I got home and recovered from jet-lag a bit, it occurred to me that the footage might make an interesting pairing with a short poem by Luisa A. Igloria, which she’d just posted to the literary blog we share, Via Negativa. Footage shot from car, bus and (especially) train windows is of course exceedingly common in videopoetry, but I’m hoping my use of moving text saves this instance of it from cliché. I liked the juddering racket of the bus, preserving it as-is in the soundtrack even after I slowed the clip down.