~ Nationality: United States ~

Why I Collect the Hair by Tara Betts

Director Nilja Mu’min’s “cine-poem” for a piece from Tara Betts‘ debut collection, Arc & Hue. Betts recently wrote about the collaboration on her blog.

Once by Cecelia Chapman

https://vimeo.com/317248197

Cecelia Chapman shows how to turn a folktale into a compelling videopoem. (Is that a sickle in the moon-dancer’s hand? Nice touch!) The credits only appear on the screen for a nanosecond, but according to the notes on YouTube, include: “Grat Bodkin music. Christa Hunter. Tara Naqishbendi. Kara Chan. Fancy the dog. Jeff Crouch image.” Chapman also mentions that this was originally featured in The Houston Literary Review, and is part of her video series “Signs, Wishes & Wonders.”

Poem by Alan Dugan

A videopoem about a poem called “poem” (from the collection Cross Section 1947): Stephen Ausherman brings a fresh approach to the genre of concrete videopoetry here. According to the note on Vimeo,

Camera obscura transforms a page from an anthology into visual poetry. Alan Dugan is one of several Cape Cod writers interpreted by Stephen Ausherman during his 2010 art residency at the C-Scape dune shack.

This sounds like a fascinating project, dedicated to “interpreting local literature through new media,” as Ausherman puts it on his website. The five videos completed during his residency in the shack on the National Seashore were first “screened” for visitors in and around the shack itself.

For more about Alan Dugan, see the Poetry Foundation page (and check out the PF’s slick new revamped website!).

Apocrypha by Gerard Wozek

Gerard Wozek and Mary Russell have been collaborating on videopoems for years; since the inception of this website, I’ve included on the About page a quote from, and link to, the page about poetry video on Wozek’s website (q.v. for more on both of them and the history of their collaboration). But I believe this is the first example of their work to be uploaded to a video sharing site for embedding elsewhere. It’s rather more like a video slideshow than a film, but includes just enough moving images to meet my admittedly subjective standard for inclusion here. (Also, as a nature lover, I really appreciated the content!) Here’s the description Russell included at Vimeo:

Apocrypha: What secretive inspirations nurture one’s ability to draw, sketch or write? The word “apocrypha” comes from the Greek language meaning “those having been hidden away” and this video hints at some of the esoteric mystery that is involved in the creative process—in particular, the translation of images of nature into works of art.

Apocrypha premiered at the 2010 Visible Verse Poetry Video Festival in Vancouver, and was selected for the University Film and Video Association Conference at Emerson College, Boston for a June, 2011 screening.

Assay by Derrick Austin, Cody Waters, and Alysia Sawchyn

http://www.youtube.com/watch?v=QwEVMuvZR1k

This complex feast of a videopoem includes courses by each of the student collaborators, Derrick Austin, Cody Waters, and Alysia Sawchyn, as well as samples of Arthur Rimbaud, Wislawa Szymborska, and Jacques Prévert. It is, they tell us at YouTube, “a film about translation.” Here’s hoping it’s only the first of many videopoems they make.

Sea Salt by David Mason

Amy Schmitt designed and animated this Motionpoem, with assistance from Kelly Pieklo (sound design), Emily J. Snyder (calligraphy) and Vera Mariner (reading). David Mason is the current poet laureate of Colorado. In a press release from Motion504, where she works, Schmitt says, “I was inspired by print design and other traditional media, and I wanted to create a moving illustration of the poem that was not done in a literal way.”

Motionpoems, by the way, has some pretty exciting news: they’ve partnered with David Lehman and Scribner’s Best American Poetry 2011, and are lining up animators to produce videos for poems in the anthology. If this is the kind of thing you’d like to help support, please consider making a donation to their Kickstarter campaign. With 15 days to go, they’ve raised more than $10,000 in pledges toward the $15,000 needed. Click through for the details, including a video that tells the story of how they got started.

The Angel of Duluth #2 by Madelon Sprengnether

From Motionpoems, an illustration of a piece by Madelon Sprengnether in her collection of prose poems, The Angel of Duluth (White Pine Press, 2006). Design and Animation are by Angella Kassube with HDMG Post Design Audio and Effects.

The Ballad Form by Kate Greenstreet

Another great addition to the “author-made video poems” category, originally published in the online journal Dewclaw (along with the text). Kate Greenstreet‘s most recent book of poems, The Last 4 Things from Ahsahta Press, included a DVD with a half-hour of videopoetry.

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Moving Poems is going on hiatus until the third week of May while its proprietor is off traveling. Why not take the opportunity to catch up and view all the videos in the archive?

Ostrich Consulation in the Culture of Snowmen by Thylias Moss

http://www.youtube.com/watch?v=yBBHVwyzmdc

If I haven’t shared more videos by the prolific and innovative Thylias Moss, A.K.A. forkergirl, it’s mostly because they were uploaded at a time when YouTube didn’t support very high-resolution films, and you kind of need that to make out the text in her videos. This more recent upload has none of those problems. There’s a lengthy gloss on the video at YouTube; I’ll just quote the opening paragraphs:

A Limited Fork Theory video poam (product of an acts of making) that investigates simultaneity through video convergence of multiple tines of information that exist in multiple forms: printed text, video, sound. The video poam reveals the moment of collision of the multiple tines, explores some of the warping and upheavals of colliding as a form of convergence.

Poam instead of poem, by the way, so as to not limit form with prescriptions of inclusion and exclusion long associated with poetry. Learn more about Limited Fork Theory at the Institute for 4orkological Studies (http://www.4orkology.com).

poetry by Laura Theobald

An homage to the Gray Lady of American poetry magazines.

Fable by Howie Good: Moving Poems contest winners (2)

1ST PLACE: Swoon

This video captures the nightmarish aura of the poem, but at the same time becomes a separate work of art. It does more than interpret the poem; it reinvents the poem in a new medium. Its propulsive imagery, editing, and soundtrack create an unnerving sense of urgency that the original never attained, but that it greatly profits from in its second life as a video.

 

2ND PLACE: Rachel Laine

This video gives precedence to the poem’s words, but without sacrificing or marginalizing visuals. In fact, the dense, gloomy background visuals and monotone music heighten the tragic sense of the poem, punctuating its doomsday storyline and elegiac atmosphere.

 

3RD PLACE: James Brush

The most visually crisp of the videos submitted, it also uses some of the most unexpected imagery, as when the word “cornfield” is blackened out in the text. And how can you not love that ukele being plinked in the background.

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Thanks again to all the entrants, congratulations to the winners, and thanks to Howie for acting as judge. (Those are his blurbs for each of the prize winners.) I’m very pleased with how this contest turned out: the goal was to showcase a diversity of approaches to the poetry-film or videopoetry genre, and I think we succeeded in doing that.

I am very open to suggestions for future contests. I don’t want to sponsor contests so often that they become a chore, but I’m not sure I want to wait a whole year before doing another one, either, so maybe in three to six months… I also don’t want to do the exact same thing next time with a different poem, unless perhaps it’s a radically different kind of poem; I’d rather come up with a novel challenge. Feel free to email me or leave comments with your ideas.

Fable by Howie Good: Moving Poems contest winners (1)

First Runner-up: Jamie Doughty

http://www.youtube.com/watch?v=XGCgRcBZ4xU

 

Second Runner-up: Glenn-emlyn Richards

 

Honorable Mention: Diane Lockward

 

Honorable Mention: Vanessa Plain

 

Thanks to everyone who entered Moving Poems’ first contest! Howie Good and I were extremely impressed by the high quality and variety of the submissions. The judging worked as follows: we decided jointly which videos qualified as finalists and Howie ranked them, soliciting my opinion in a couple of cases, but ultimately making the final decisions. Tomorrow: the 1st, 2nd and 3rd place winners, and thoughts about the next contest.