Posts By Dave Bonta

Dave Bonta is a poet, editor, and web publisher from the Appalachian mountains of central Pennsylvania.

RED by Salena Godden

Anything you can do we can do bleeding
We can do anything dripping with blood

Salena Godden released this poem and video back in September in collaboration with Nasty Women UK, a London art show that raised money to combat violence against women and girls, according to a blog post.

Salena Godden, one of the UK’s most iconic poets, has stepped forward to donate her latest poem RED in a collaboration with Nasty Women UK.

“RED is a poem about periods. RED is about stigma. This is about women’s autonomy over their own bodies and their own choices. RED is a protest poem against the tampon tax, anger that sanitary products have been considered a luxury item and therefore taxable. RED is a fury that money from the UK tampon tax is funding anti-abortion charities. I have great admiration for the work of the Nasty Women’s global movement and donate this work as an endorsement. We must end all violence against all women in all its forms. We must end the tampon tax. I wish all women to have a bloody safe and bloody healthy period. Period!”

Nasty Women is a global art movement that serves to demonstrate solidarity among artists who identify with being a Nasty Woman in the face of threats to roll back women’s rights, individual rights, and abortion rights. With over 40 events across the globe Nasty Women Exhibitions also serve to support organizations defending these rights and to be a platform for organization and resistance.

Click through for the text of the poem.

The video was screened as part of Godden’s headlining performance at this past weekend’s Filmpoem Festival in Lewes.

Stolen Moments by Luz Emma Cañas

Ella Quinn was 17 years old when she directed this film written by Luz Emma Cañas. It’s the winner of the Shoots! Youth Prize and finalist for Best Overall Production at Rabbit Heart Poetry Film Festival 2017. A new addition to the festival this year, the Shoots! Youth Prize was sponsored by the Worcester County Poetry Association and, judging from the finalists, received some very high-quality submissions.

See the PARTICL3 blog for more about all the members of the production team for Stolen Moments. Ella Quinn’s bio gives some background:

Ella is part of the family production team, PARTICL3, along with her brother Adrian Miles and mother Luz Emma. She served as Creative Director on their first short film, Pas de Deux, which was “Official Selection” at four international film festivals. She also contributed to the fine details of production from script editing to wardrobe selection. Stolen Moments is Ella’s directorial debut and is “Official Selection” at two film festivals for young filmmakers, Young Filmmakers Film Festival and Rabbit Heart Poetry Film Festival.

And here’s the synopsis:

Stolen Moments is the third in a series of four dance shorts that tell stories of women of color, relationships and intimacy. This story takes place during the Roaring Twenties. From fashion to sexuality, Evelyn is breaking free from societal norms established by the Victorian Era. She is the center of a love triangle with two ladies, Harper and Lily. One love is repressed while the other is realized but not publicly. Like Pas de Deux, our debut film, there is no dialogue in this short. It relies on poetry and visuals to tell the story. The film features three Sufi poems from the book, “Stolen Moments: A Lover’s Recourse,” by Luz Emma Cañas Madrigal who also produced and acts in both films.

The Laundry Can Wait by Cyril Wong

https://vimeo.com/168577485

The winner in the Best Valentine category at Rabbit Heart Poetry Film Festival 2017, as well as a finalist for Best Overall Production. Director Sarah Howell (Dream Bravely) describes it on Vimeo as

An ode to lazy Sundays and love. This visual poem will have your heart sighing.

Performed and written by Singaporean artist, Cyril Wong (cyrilwong.wordpress.com/)
Yvonne Mak as ‘The Girl’
Pooja Dargan as ‘The Girlfriend’
Shot and edited by Sarah Howell.

Produced as part of Dream Bravely’s visual poem series featuring some of the top Singaporean spoken word artists.

Black Woman by Olufunke Adeniyi

“Shot with a 16mm film Bolex, this film depicts an identity that has always existed, but rarely acknowledged,” notes poet-filmmaker Olufunke Adeniyi on her Tumblr blog. Black Woman won Best Production 1 Minute or Under at Rabbit Heart Poetry Film Festival 2017, and was a finalist in both the Best Sound/Music and Best Overall Production categories. Toks Adeniyi is the actress and Faith Osunde provided the voiceover; the score is by Olufunke Adeniyi and Jay Moh Productions.

A Scientist’s Advice on Healing by Christy Ducker

The winner for Best Animation at Rabbit Heart Poetry Festival 2017, where it was also a finalist for Best Overall Production. Filmmaker Kate Sweeney notes in her c.v. that the 2016 film is a “2.05 min hand-drawn animation. In collaboration with poet Christy Ducker and Centre for Chronic Diseases, York. Funded by Wellcome Trust.” It’s one of at least two films that came from that collaboration, as well as a pamphlet of photography and poetry called Messenger.

Drawing on the science of immunology, Messenger explores how we wound and how we heal. Whether the focus is a tiny molecule or a global problem, Christy Ducker’s succinct poems offer ‘hope and a warning’. Illustrated throughout by Kate Sweeney’s striking photographs, Messenger shuttles between science and art to suggest alternative ways of looking at recovery.

For more on Ducker, see her website.

Dancing Lesson by Rachel Kann

I’ve been championing the dance category of videopoetry for years, so I was pleased to see this worthy representative of it take the top honors at last weekend’s Rabbit Heart Poetry Film Festival. Written and performed by “modern-day mystic” Rachel Kann, with choreography by her and Jhon Gonzalez, and directed by Brad (Bradford L.) Cooper, it won Best Overall Production and Best Sound/Music (the work of Cooper and Atom Smith). See YouTube for the complete credits and Hevria for the text.

Call for poetry submissions and filmmaker applications: Visible Poetry Project

The Visible Poetry Project, which released thirty poetry films—one a day—during April last year, and held several screenings in New York and Beijing, is aiming to do this same in 2018.

The Visible Poetry Project was founded in 2017 with the goal of bringing together a collective of filmmakers to create a series of videos that present poems as short films. Drawing from works created by renowned poets, including Neil Gaiman and Tato Laviera, as well as emerging poets, the Visible Poetry Project strives to make poetry accessible, exploring how we can recreate and experience poems through the medium of film.

Throughout the month of April – National Poetry Month – we release one visual poem each day. An exercise in translation and a reclamation of both poetic and film discourses, the resulting thirty videos explore how we read, interpret, visualize, and hear poetry.

Submissions are now open for the Visible Poetry Project 2018 series. If you would like to be involved with the Visible Poetry Project, or have any questions about our organization, please don’t hesitate to reach out to us at visiblepoetryproject@gmail.com.

Here are the guidelines for filmmakers.

The Visible Poetry Project strives to emphasize the diversity of the global film community, and so encourage you to apply regardless of background or circumstance. Whether filmmaking is your hobby, profession, private outlet, or public expression, your work is welcome.

Within your application, please provide a reel and/or links to previous films you’ve created. All work samples must be original, and you must be one of the main contributors. You may submit up to three links. We recommend submitting samples that you believe to be representative of the greater styles and themes in your work. If you are accepted, this will help inform which poet you may get paired with.

You may apply as part of a team (up to two filmmakers). If you are applying as part of a team, please submit only one application. Please include links to reels for both collaborators, and send an email to visiblepoetryproject@gmail.com, CC’ing your co-director.

If you are a producer, director of photography, or editor, and are interested in being involved in the 2018 series, please email visiblepoetryproject@gmail.com.

Click through to submit an application. For poets, there’s a similar openness to all backgrounds and levels of professionalism. There’s a reading fee of just $2.75, though “an additional donation beyond this amount is suggested, and will go towards Visible Poetry Project’s operating expenses for the 2018 series.” Here’s the link to submit poetry.

Out of Reach (Rain Night) by Jorge Díaz Martínez

A 2014 film by Pablo Diartinez and Erik Parys that’s been out of reach to web viewers until now, making the indie film festival rounds and racking up a bunch of awards — and rightfully so. It’s a beautiful film. Here’s the summary from IMDb:

‘Out of reach (rain night)’ is the first installment in ‘From the pages of Album’, a series of short films adapting the poetry of Jorge Diaz Martinez to the screen in a collage of animated graphics, texts and live action. ‘Out of reach (rain night)’ finds the series’ protagonist, a nameless poet in Brussels, seeking shelter and a place to sleep in a tram stop, while memories of lost friendship and love invade his clouded mind and the screen. The poem for this episode, a ‘found object’, paints a state of incommunicado and evasion.

Music and sound are by T.S.E.G. (Thomas Giry). For more on the poet, see his blog; the Pages of Album has its own website and Facebook page. I’ll be following the progress of this “fusion cinema poetry book” with great interest.

Blue by Erica Goss

The latest author-made film from Erica Goss, who included these process notes in the description:

During the summer of 2017, my brother visited me from New York City. He wanted to get a tattoo, so we found High Priestess in Eugene, where I had just moved. I asked my brother and the tattoo artist if I could film the procedure, and they agreed. I had a poem, titled “Blue,” that I wrote in 2014 after listening to the Joni Mitchell song of the same name. The poem mentions tattoos, so I thought it would be a good fit with the subject of the video. A technical note: I did no color correction on the video except for the last scene, where I increased the light and contrast slightly. The room was fairly dark, so the spotlights show up as a bit blown out. I like the effect and didn’t want to change it.

The music is by Kevin MacLeod.

Tryouts by Gary Jackson

Animation by Victor Newman of a poem from Gary Jackson‘s book Missing You, Metropolis, which “imagines the comic-book worlds of Superman, Batman, and the X-Men alongside the veritable worlds of Kansas, racial isolation, and the gravesides of a sister and a friend,” according to the publisher’s description. Newman was assisted by animators Jonathan Djob Nkonbo and Jeff Chong, JD McMillin did the sound design, and the voiceover is by Chuck Johnson.

Tryouts was produced by Motionpoems as part of their Season 7, in partnership with Cave Canem. For the text of the poem, see the Motionpoems website.

The Desktop Metaphor by Caleb Parkin

The Desktop Metaphor is a film by Helmie Stil of Caleb Parkin’s second placed poem in the National Poetry Competition 2016, commissioned by Alastair Cook of Filmpoem in partnership with the Poetry Society.

Dutch filmmaker Helmie Stil is also the organizer of Filmpoem Festival 2017 at the Depot in Lewes on October 28, which will include a screening of all ten of the films made for the 2016 winners of the UK Poetry Society’s National Poetry Competition.

Caleb Parkin is a “poet, performer, artist, facilitator and educator, based in Bristol.” His poem on the page takes an interesting diptych-like form as the words echo back and forth from one line to the next.

Filmpoem Festival 2017 program released

The Filmpoem Festival slated for Saturday, 28 October in Lewes, UK has released a very full and innovative program.

Some of the UK’s best spoken word poets come together to perform live, integrated with films inspired by poetry. Depot screens film poems from around the world and shows some fantastic national poetry competition films. And then it’s your turn – we round the evening off with an open mic session.

Helmie Stil, organiser of this year’s festival and filmmaker, created this trailer mainly from footage of the new 10 National Poetry Competition Films which will be shown at the festival. Original music by Lennert Busch.

The events include:

  • Première of two short animation films made by children during the Depot workshop, inspired by a poem by Colin West
  • Live poetry performances by Louisa Campbell, Maria Jastrzębska and Siân Thomas
  • Dean Atta will perform his poetry live, show his own poetry films, and also present three of his favorite poetry films from the South East
  • Filmpoem and The Poetry Society present the 10 National Poetry Competition 2016 winners realized as poetry-film
  • Madi Maxwell-Libby performs her poetry live, followed by a screening of the documentary We Belong, featuring Madi and seven other UK poets and spoken word artists on ‘state of the nation’ themes
  • Ross Sutherland’s live performance of Stand-By For Tape Back-Up, his well-reviewed videopoem about memory, death and re-runs
  • Open Competition winners presentation and screening
  • Matt Abbott performs his poetry live and shows his poetry films
  • Salena Godden, one of UK’s best spoken word poets, will perform exciting new work live, and will show, amongst other short films, her newest film poem RED, written and filmed in response to the tampon tax and period poverty
  • Open mic

A hearty congratulations to the organizers for such an exciting line-up! Book your tickets today.