Surge by George Szirtes
We are disasters
on the edge of our own shores,
dreaming and woken.Nothing permanent
about us. If sea can break
so can shore and cliff.
I was delighted to run across this on Vimeo the other day: director Colin Ramsay‘s film for a poem by one of my favorite British poets, George Szirtes. I remembered seeing him post about the filming on Facebook back in August:
Today we film three poems dealing with flood from Mapping the Delta. The poems will be recorded here at lunchtime then we head out to Happisburgh to ascend lighthouses and church towers and possibly to drop dramatically into the sea at an opportune moment of erosion. Where is my Tennysonian cloak when it is needed?
Szirtes also shared the producer’s series of photos from the shoot. Here’s the Vimeo description:
Surge – based on a poem by George Szirtes from his 2016 poetry book Mapping the Delta. Shot on location in Happisburgh, Norfolk, England.
Directed & edited by Colin Ramsay
Produced by James Murray-White
Camera by James Uren
Music – Lost Frontier by Kevin MacleodShot on an Ursa 4K mini using Samyang 24mm & 50mm prime lenses, graded in Premiere.
And Death Shall Hall No Dominion (excerpt) by Dylan Thomas
This is Aum Shinrikyo, directed by Noah Conopask. On Vimeo, he describes how he came to make it:
On a recent shoot in Tokyo I was incredibly inspired by Japan and everything I was seeing around me visually. The streets, the people and the fashion. I learned about a doomsday cult called Aum Shinrikyo (Japanese オウム真理教) that let off deadly sarin nerve gas in Tokyo’s subway system 20 years ago. The attack was the worst in modern Japanese history. It made me think of Dylan Thomas poems about life and death. It was something I wanted to bring to life cinematically. I had a vision of a few of the cult members walking around Tokyo. Staking out the attack, the way thieves would a bank heist.
Poem: ‘And Death Shall Hall No Dominion’ Excerpt by Dylan Thomas
Directed by: Noah Conopask
Production Company: The Sweet Shop
Cinematography: Garrett Hardy Davis
Edit: James Dierx at Whitehouse Post
Music: Traces
Voice Over: Vivian
Color: Seth Ricart at RCO
Producer: Larissa Tiffin
Talent: KO3UKE Onishi, Kenji Araki, Percy
When it Comes to Marching by Bertolt Brecht
A brief animation of a poem from Brecht’s A German War Primer by Andrea Malpede AKA Andrea Nocive, who notes in the Vimeo description:
I’ve always found Bertolt Brecht’s words strong and full of love.
In this animation I tried to give life to his powerful concept.
In Darwin’s Dream by Matt Mullins
A brand-new collaboration between two seasoned poetry-film pros, Spanish director Eduardo Yagüe and American writer Matt Mullins, who edits the mixed media section of Atticus Review. Although Matt’s own videopoems are often very effective, here he supplied just the text, voiceover and music, and Eduardo did the rest — the same division of labor as in their 2016 film The Hero is Light. The actress here is Rut Ayuso.
Daddy Dearest by Lissa Kiernan
Marc Neys AKA Swoon‘s latest video for a poem by Lissa Kiernan incorporates footage by Grant Porter, Tim Williams and Mikeel Araña. Marc’s original composition features in the soundtrack alongside Lissa’s recitation.
Catwalk by Bernard Dewulf
Judith Dekker notes in the Vimeo description that this was the
Last poem Bernard Dewulf wrote as city poet of Antwerp Belgium. Music composed by Doug Keith, an american musician living in NewYork. And the cat was shot (without being hurt) in the town of Dunbar Scotland. Translation courtesy of Vlaams Fonds voor de Letteren.
For those who know Dutch, there’s also a version without subtitles. The version above appears in the latest issue of Poetry Film Live, along with the text, some stills, and a bio of the filmmaker. Check it out. And for more of Dewulf’s work in English, visit Poetry International Web, as well as his page here on Moving Poems.
Restriction Site Poetics by Jason Brennan
A wonderful, too-short animation by Australian artist and former research scientist Nicholas Kallincos. He says on Vimeo that it’s an “Experimental mixed media animation made in collaboration with UK spoke word poet, Jason Brennan in 2005. Soundtrack by Cornel Wilczek”.
It could be my Google-fu just isn’t very good today, but I’m not able to find anything about Brennan online aside from this.
A Shred of Identity by Dambudzo Marechera
Based on the poem A Shred of Identity by Zimbabwean novelist and poet Dambudzo Marechera this film explores the notion of a double identity in two ways: the split between the self can be interpreted as a product of colonialism, migration and displacement, where the mother tongue mutates into a foreign language. Double consciousness, however, is also at the heart of the creative act; artistic practice could be seen as a constant exploration of the tension between inner and outer self.
Thus the description of this wonderfully disturbing 2009 film by the Ghanaian writer, art historian and filmmaker Nana Oforiatta-Ayim, pasted in from the website of the ANO arts institution founded by Oforiatta-Ayim. I also found the text of the poem by Dambudzo Marechera.
Everything sleeps but the night by Matt Hetherington
Marie Craven‘s latest poetry film uses a text and voiceover from fellow Australian Matt Hetherington over a collage of images from hither and yon (see Vimeo for the credits).
