~ Videopoems ~

Videopoetry, filmpoetry, cinepoetry, poetry-film… the label doesn’t matter. What matters is that text and images enter into dialogue, creating a new, poetic whole.

hollow by Peter Stephens

A Moving Poems production, with the cooperation of Nic S. at Whale Sound, who agreed to let me use her reading for the soundtrack, and the author, who perhaps unwisely gave his permission without any constraints whatsoever. Read Peter’s original text at his blog, Slow Reads. I think it’s a spectacular poem, and I hope my video does it justice — or at least excites interest in the poet and the reader.

I found the rest of the soundtrack at ccMixter, and a public-domain film to poach footage from at the Prelinger Archives (just two of the many online resources I’ve found for videopoem makers — check out the whole list).

Mashup: Kiss by Paul Portugés

Paul Portugés wrote the words and screenplay, and Cecil Hirvi supplied machinima/mashup and music, and well as providing the avatar for one of the three actors in Second Life.

A Fire in Ice by Marly Youmans

Paul Digby designed and created this video, which I am slotting into the “concrete poetry” category (even though the text is in rhyming couplets) on the strength of its last few seconds, which to me also perform the essential function of suggesting additional meanings beyond those immediately obvious in the text itself. Marly Youmans reads her poem, which is from her new collection The Throne of Psyche.

Die Farben dieser Welt (Colours of the World) by Rainer Schippers

Rainer Schippers is responsible for the music as well as the poem. George P. Schnyder “Filmed with the GH1 and a Sony HC1 (for the 8mm Stuff).”

Prodigal by Kona Macphee

Alastair Cook‘s 11th filmpoem. His description at Vimeo is worth quoting in full:

Prodigal is a film of Kona Macphee‘s poem, which was born from Andrew Philip’s project for the second Hidden Door festival, held in Edinburgh in October 2010: I was asked to record a reading of the poem. As I read it, I felt its power and resolved to make a filmpoem. I commissioned a cello piece from Rebecca Rowe and we performed this live at the Poetry Association of Scotland‘s meeting on 9th March 2011, at the Scottish poetry Library. A new direction for these perhaps, the addition of live performance… but the work is as dark and mercurial as ever.

My Love for You is So Embarrassingly by Todd Boss

Deb Kirkeeide designed and animated this motionpoem for a poem by Todd Boss.

Cet Amour (This Love) by Jacques Prévert

I didn’t expect to like this, but I did. Noah Oros directs. English subtitles are included.

Condition of Fire: seven poems by JL Williams

Condition of Fire is the debut collection from JL Williams, published by Shearsman. The author’s reading of seven poems from the book is combined with a commissioned sound work by Luca Nasciuti in this new filmpoem by Alastair Cook.

Goblin Market by Christina Rossetti

Ten minutes of campy goodness: a silent-film-style adaptation of the classic poem directed by Adam Gollner, and starring Liane Balaban, Dave Lawrence, Tamar Amir, Miska Gollner, Jonathan Shatzky and Tracy Martin. You will probably either love it or hate it.

The complete poem, together with a free audiobook, is here.

What do animals dream? by Yahia Lababidi

http://vimeo.com/27277431

Another collaboration between the Belgian artist Swoon (videotreats, editing, music and production) and Egyptian writer Yahia Lababidi (poem and reading). Arlekeno Anselmo provided additional whispering and speaking voice in Dutch.

(Updated version of the video. Selected for and screened at Bideodromo, Bilbao (Spain), 2011; selected for and screened at Visible Verse, Vancouver, 2011; and screened at the Neustadt Festival, Oklahoma, 2011.)

We’ll Go No More A-Roving, by Lord Byron

An amusing interpretation of Lord Byron’s ballad, directed by Kevin Jackson. (See Vimeo for the rest of the credits.) I was expecting some melodramatic ending, but thankfully that didn’t happen, and I ended up admiring this remix of a classic.

the lake by Karyn Eisler

A great example of how to create anticipation in a videopoem and make reading a more urgent act. This was featured at Referential Magazine. Karyn Eisler blogs at Living ?s.